Brief history on Chinese tool panbo and how it is different in the past when compared to Japanese tasuki.

So you’ve built up a little bit of a collection, and you’re having a bit of a dilemma: With all this fabric hanging out in your closet, you’ve begun to run out of space. You don’t even know how to store these properly—and yet you want to buy more hanfu! Never fear; here’s a tried and true system that I and many other hanfu enthusiasts use to store our hanfu in a way that doesn’t harm the fabric and allows you to use your space most efficiently.   Skirts The easiest, most intuitive way to store your skirts is always going to hanging them. Look for these kinds of hangers that have strong clips on them, and try to choose ones that have larger, flatter clips so that they don’t leave marks on your skirt. To hang the skirt, fold the head of the skirt in thirds, then pull the ribbon out from the innermost side of the skirt. Clip the skirt head with the clips on the hanger, making sure that all three layers are clipped in, then pick up the ribbons together and loop them around the hanger’s hook so they don’t trail on the ground and get…

Wearing armor, riding a horse, holding a traditional weapon, fighting on the battlefield. Such a scene may have appeared in the dreams of many people when they were young. But there is a person who turned the traditional Chinese armor in the dream into reality, he is the first person to restore the ancient armor of the Tang and Song dynasties, Wen Chenhua (温陈华). He has highly restoration the armor of the Song dynasty, which has been lost in China for 700 years, after 6 years. He founded the Lian Kai Tang (炼铠堂), and with his own strength, he promoted the obscure armor restoration craft, and let Chinese armor on the world-class combat stage.   #01 The first person in traditional Chinese armor restoration There are only about 1000 armor restorers in China, 90% of them are Wen Chenhua's students, and for 40 years, he has been restoring Jiazhou (甲胄, traditional Chinese armor) to the extreme. On Wen Chenhua's social platforms profile, there is only a simple sentence "Top Chinese Jiazhou maker" as an introduction. However, he has shared a lot of armor design drawings and finished armor photos, all revealing his deep love for Jiazhou. Traditional armor restoration and…

So now that you’ve learned about all these pieces separately, we arrive at the question: how do we put all of these pieces together? Let’s go over some ways these are usually put together, how to refer to them, and other details that might not have been covered in previous articles. Body, sleeves, collar: these are the main three things that we use to distinguish types of hanfu. In naming conventions, we usually refer to a piece in the order of collar-sleeve-body. Take a look at this image: What body type, sleeve type, and collar type is it? Well, I’ll tell you first that this is a Shan, meaning that it’s a single-layered top or robe shorter than the knees with no yao lan. Take a look at the sleeves—do they curve or change in diameter at all? Yes, they seem to narrow in a striaght line from the root of the sleeve to the cuff, meaning this is a feijixiu design, or airplane sleeve. The collar’s shape is pretty obviously parallel, or duijin, since the two sides come straight down and don’t touch. Well then, we can refer to this as a duijin feijixiu shan: a parallel collar, airplane…

A detailed descriptions of hanfu skirt's hem. There are different hem lengths to a hanfu skirt, you can follow these descriptions to choose the one suitable for you.

"Collar" refers to not only the area of a piece of clothing around the neck, but also the fabric below that. Since hanfu is almost always constructed of two pieces of fabric that aren't fully connected at the front, and put on like a jacket, collar also refers to ways that these two piece of fabric connect once the piece is on your body.   交領/交领/jiao1 ling3/Crossed Collar Probably the first type of collar that you’ll see—the crossed collar, or jiaoling. This collar consists of two overlapping pieces and is usually secured with two to three ties, with a thicker or contrasting border along the edge of each piece. It’s almost always right over left, or if you think about it in terms of how to put it on, you tie the left ties before you tie the right ties. The result is a y-shaped collar when viewed from the front. Ming dynasty people may have done it the other way, as well as various non-Han groups and clothes put on the deceased at funerals, but it’s generally a good rule of thumb to follow right over left. as it’s one of the most important cultural concepts in hanfu. These…

As one of the main composition elements of hanfu tops and robes, sleeves can have a lot of variation. They mostly fall into a couple categories that we have recovered historical artifacts from, though a lot of manufacturers end up with some variation in their patterns. Today we’ll go over a whole ten sleeve types, a bit of historical context, and some of the variations they can go through. Before we get into that, though, let’s go over a little basic information that applies to (almost) all hanfu sleeves. One of the defining characteristics of the hanfu is the 接袖/接袖/jie1 xiu4/sleeve connection. What this means is that the sleeve is not connected to the body of the top or robe at the shoulder, but at a point partway down the upper arm, with the body of the clothing and part of the arm being made up of one piece of fabric, and the rest of the sleeve of another. These are stitched together to create the whole sleeve. The rest of the sleeve is also made of one piece of fabric both front and back, folded over the top and stitched together at the bottom. Some exceptions to this are…

Which emperor paid the most attention to clothing in ancient Chinese history? Then Zhu Yuanzhang, the emperor of the Ming Dynasty, must be on the list. After the founding of the state, Zhu Yuanzhang issued an edict on the restoration of the ancient clothes and crowns, which is about the restoration of the clothes and crowns in the Tang system and the old Chinese. And he personally participated in the improvement of the clothing system. During Zhu Yuanzhang's 31 years in office, the clothing system has been revised and supplemented many times. The clothing system is detailed in terms of fabric, style, size and color. And it regulates the clothing of people of various statuses and identities throughout the country. What's more, its implementation was guaranteed by state coercion. To be arrested for wearing the wrong clothes? This is not a joke at the beginning of the Ming Dynasty. The top-down imperial ban cannot prohibit the awakening of the people's own consciousness and the pursuit of beauty. After the middle of the Ming Dynasty, clothing became more and more luxurious, the official clothing ban was useless, and the art of clothing has shown a prosperous scene of promoting personality and…

The construction of the body of most hanfu tops and robes is what usually decides what ’type’ of hanfu it is. We’ll go over a few common types of hanfu and what features they have. There are, however, a few rules that pretty much all hanfu tends to follow: First, there’s always a seam down the middle of the back, meaning that the piece of clothing is made up of one piece of fabric on the left and one on the right, stitched together in the center. There’s also never a seam at the shoulder like we have in modern clothing—instead of the front and back being two different pieces of fabric, the front and back are made up of the same piece, just folded over the shoulder. Another thing to note is that while we often refer to tops and robes in hanfu as the two main categories, that isn’t how hanfu is really categorized, just a way for us to talk about the shape of things in English. Instead, we have the 長/长/chang2/long versions and 短/短/duan3/short versions of clothing, which can be applied to most categories of clothing that we separate by construction—the only difference is length. Short…

First installment of the Hanfu in Components series is up! As a reminder, if you haven’t already, check out the introductory article to best find out how to use this guide, otherwise some things might not make sense to you. If you’ve done that already, charge on forward! To kick off the series, this is a brief article explaining how exactly we’re going to break down hanfu into its basic components. We’re still in the introductory stages here, but bear with me and we’ll get to the fun stuff soon.   WHAT MAKES HANFU, HANFU? What defines 漢服/汉服/han4 fu2/hanfu? What sets it apart from everyone else? How do we know when something is truly hanfu, as opposed to hanfu-inspired? These questions can be kind of scary when you first look at them, scared of making a mistake—don’t worry, it’s actually pretty simple! First, we should understand that hanfu isn’t just something that we derived off of paintings and imperial dramas. Every type of hanfu that we have today was recovered as a rotting piece of cloth that we dug up from the ground, studied by historians and made into clothing patterns (‘pattern’ refers the shape of the fabric pieces and…

Kesi (缂丝), the most traditional type of silk weaving in the Chinese silk industry, which is highly appreciated for its decorative qualities. Kesi is a kind of pattern with warp and weft, forming a pattern border, with the effect as if was carved, and rich two-sided three-dimensional sense of silk crafts. The knitting technique of Kesi is different from the embroidery and brocade. Suzhou Kesi painting is also known as the "Four Great Weavers" of China, along with Hangzhou silk painting, Yongchun paper painting and Sichuan bamboo curtain painting. The Kesi technique has appeared many times in the collection of ancient costume dramas, such as the delicate Kesi fans in the hands of the concubines of “Story of Yanxi Palace”, adding endless style to them. The another drama “Marvelous Women” which take the Qing Dynasty as the background, has restored the weaving scene of the Kesi.   The Uniqueness of Kesi Different from the weaving method of Song brocade, Shu brocade, cloud brocade which are woven through the warp and weft. Kesi with raw silk as the warp, a variety of colorful cooked silk threads for the weft, which are dug and woven by the method of passing through the…

Hey everyone—a little busy as of late, but rest assured that I am not dead! I just had to pop back to belatedly report on the 2022 Scholar's Garden Hanfu Outing organized by Yulan/Chlobaltblue in our hanfu discord server community! This half-day event consisted of a photoshoot and group dinner on July 30th, 2022 in the New York Chinese Scholar's Garden with a small group of eight people attending. People from all over New England joined us for this outing, from Conneticut residents to Boston students flying all the way up to Staten Island. Unfortunately I was not one of those people, but I'm here to share with you all the pictures and experience that my sister provided! I'll also be doing a brief summary of some of the outfits that everyone is wearing. Some of our members had their own sets, while others borrowed from each other. A majority of our outfits were Wei/Jin Style (魏晉風)  outfits which consisted of a zhequn, cross collar top, and daxiushan. Ani also wore a Ming-style summer set, with a modified zhuyao with pearl buttons in the front to mimic the zimu buttons of a zhuyao and a Ming helingshan, a style that greatly resembles…

Cultural variety shows and historical dramas have opened up a new trend of Chinese celebrities' traditional costume styling. Starting with "National Treasure" in 2017, celebrities frequently time travel to various dynasties to experience the life of ancient people. Yang Zi acted in many Xianxia dramas (such as Ashes of Love, and Immortal Samsara), but in "National Treasure", she had the opportunity to talk with Princess Wencheng across time and space. The appropriate gold ornaments, together with the flower inlay between her eyebrows, highlight her dignified and luxurious side. Zhang Zifeng, transformed into a Qing Dynasty astronomer, Wang Zhen Yi. With her plain attire and calm and quiet temperament, you seem to be able to see the majestic universe in her heart. The 2019 suspense drama "The Longest Day In Chang'an", the thrilling investigation process, with a rich display of Tang Dynasty styling, adds a lot of features to this drama. In the show "Meet the temple of heaven" 2019, has a number of actresses changing into Qing Dynasty attire, which combined with the scenery of the Temple of Heaven, really gives a feeling of history shining into reality. Compared to Xianxia and Wuxia dramas, cultural shows and historical dramas usually…

Unlike the noble and elegant clothes of women in the Tang Dynasty, when it comes to Song Dynasty women costumes, maybe we are thinking of a graceful and restrained and a plain and neat feeling. The Song Dynasty was the dynasty with the most prosperous literati temperament in Chinese history. Women’s clothing in the Song Dynasty not only inherited the women's clothing system in the Tang Dynasty, moreover, combined with the characteristics of the times, created a dressing mode that belongs to the Song Dynasty. Its aesthetic standard is skinny beauty with fresh and elegant. It advocates slenderness and fit, exquisite material processing, soft tone, lightness, softness, elegance, and it has a strong atmosphere of life. So what kind of clothes did the women wear in the Song Dynasty thousands of years ago? In this article, ArtMoment will introduce 11 classic Song Dynasty women costumes to you.   1-Top In the Song Dynasty, women’s clothing was basically still coat and dress shape, divided into different forms. Tops mainly have Moxiong, Shan, Ru & Ao, Pao, Beizi, Banxiu, and so on. Moxiong Moxiong (抹胸, bandeau) is the most close-fitting clothing for women in the Song Dynasty. Its function is like today’s…

With the popularity of "A Dream of Splendor", the Chinese traditional folk life of the Song Dynasty shown in the drama has set off a retro craze in reality. The audience's focus on ancient costume dramas is no longer limited to makeup and costumes, but seeks to examine and explore deeper content. In recent years, it is common that ancient costume dramas based on historical research and restoration of ancient life, but most of them are still embodied in costumes and etiquette, do not fully restore the life of ancient China. So, what is traditional Chinese folk life like? STUDIO SHENLOUZHI (蜃楼志), as if they had traveled from ancient China, recreates the traditional Chinese folk life for the audience with their almost perfect short films. On June 10, 2019, their first work, "VAGUELY DREAM IN HOKCHEW - Short Film of Traditional Life in Late Ming Dynasty" suddenly becomes popular on the Internet, with more than 700,000 views. The creative team members are all post-90s traditional culture enthusiasts, who had no experience in film production or acting in any drama before. The short film shows the folk life in Hokchew City (Fuzhou) during the Chongzhen period of the late Ming Dynasty…

Daxiushan (大袖衫, big sleeves shirt) were originally men's clothing in the Wei and Jin dynasties, but in the Tang dynasty it referred to women's extra wide big sleeves outfits. The shape of the Daxiushan is straight collar, symmetrical lapels, long sleeves, large cuffs, mostly long clothing body and with splitting and lacing.   Daxiushan in Tang Dynasty During the Tang Dynasty, the society was open and Hu clothing was prevalent. Women were free-spirited and often wore men's or Hu clothing. After the flourishing Tang period, the style of women's clothing became wider and wider, and this feature became more obvious in the middle and late Tang period, with general women's clothing, the sleeve width was often more than four feet. Wide sleeve shirts, long skirts and Pibo were worn as the noble dresses at that time, and usually worn on important occasions, such as court meetings, ceremonial, and marriages. The Daxiushan costume is recorded in Zhou Fang's painting "Court Ladies Adorning Their Hair With Flowers" records the Daxiushan costume. The beauty in the painting wears a long dress with a large-sleeved sarong shirt draped directly. The artist's realistic approach not only portrays the delicate clothing materials of the Tang Dynasty,…

Is it appropriate to wear hanfu in summer? Hanfu makers are more concerned with this question. Light fabrics, half-sleeve designs, and fresh colors have become their solution to allow hanfu lovers to wear beautiful hanfu even in the hot summer. Redsugarx in the community has already shared how to choose hanfu in summer. And in this post, I've brought together 10 green hanfu dress styles, I hope will helpful in your next hanfu shopping. They all have one thing in common, give you a touch of freshness in the summer heat. So, let's get started. 1 Modified hanfu top + Bai Die Qun   2 Ming dynasty: square collar Shan + sarong skirt   3 Song dynasty: Moxiong + Shan + San Jian Qun   4 Song Dynasty: Hanfu camisole + Beizi + Bai Die Qun   5 Song Dynasty: Hanfu camisole + Beizi + Zhe Qun   6 Ming dynasty: round-necked Shan + Moxiong + Ma Mian Qun   7 Wei and Jin dynasties: Ruqun   8 Ming Dynasty: sarong Shan + Ma Mian Qun   9 Qixiong Shanqun   10 Song Dynasty: Shanqun + Beizi More about summer hanfu:

Song Hanfu is never absent from summer wear, and most of them are made of silk, tencel, and other breathable materials that will bring you a touch of coolness in the hot summer. 1 Moxiong + Changshan + Zhequn The Changshan (long shirt) is very light, with delicate floral embroidery at the collar edge. The silk material is comfortable and skin-friendly, with a gentle color scheme. The fabric of Moxiong (a kind of Song Dynasty underwear) is a chemical fiber fabric, has a good feel. Chiffon material skirt, with breathable performance, good drape.   2 Diaodai + Changshan + Jianqun The single-layer Diaodai (camisole, a kind of Song Dynasty underwear) is decorated with pearls, and the material has a dark pattern of bamboo leaves. The Changshan has a dark pattern of diamond lattice with a bright scarlet color, and the placket is decorated with small pearls and webbing, which is soft and smooth to the touch and comfortable on the body. The skirt is with a dark pattern of twisted grapes. The use of large dark patterns adds to the luxury of this hanfu.   3 Diaodai + Duanshan + Baidie Qun The main color of this Song hanfu is…

As requested by user @Wei on my Mamianqun article, here’s a little summary of all the most popular hanfu skirt (qun or 裙) types and what the difference between them is! I’m not going to go into as much detail as the previous article since my goal is to go through them all quickly and teach you the differences between them, but I’ll be including some brief details on their name, history, construction, and features so that you can better understand the huge variety of skirts in hanfu. Let’s start off with some basics rules hanfu skirts tend to follow. Skirts are made up of one or two pieces of fabric, usually, and they take the shape of a flat piece of pleated or non pleated cloth that gets wrapped around the body and tied in place by ribbons/ties. There are very few exceptions to this, except in hanyuansu, which is modified hanfu for convenience and style. The waistband of the skirt is usually 6-8cm wide and made with a different piece of fabric than the body of the skirt, which the body of the skirt is then attached to—this is referred to as the skirt head (裙頭). But even…

Brief history describing the purpose of yunjian, history, and changes overtime between modern period and past.