History & Culture

Introduction The Flower Festival (花朝节, huācháo jié), simplified as 花朝 (huācháo), is also known as the "Flower Goddess Festival (花神节, huāshén jié)," "Hundred Flowers’ Birthday (百花生日, bǎihuā shēngrì)," and "Flower Goddess’ Birthday (花神生日, huāshén shēngrì)." It is a festival where people can admire the blossoming flowers and show their respect for nature and the goddess of nature. The emergence of this flower festival has led to some confusions. Some claim it began during the Spring and Autumn Period, others during the Pre-Qin era, and some argue it emerged during the Tang Dynasty. The exact historical origins of this festival are not well-documented from the artifacts unearthed. Even with some historical records, it is still a challenge to pinpoint the exact dynasty for this festival. Perhaps they were called by a different name or a different festival slowly evolved into the flower festival known in the Tang Dynasty. What we can be certain of is that by the Tang Dynasty, the festival existed; whether it started before or during that period is still a matter of speculation. The earliest evidence of its existence dates back to the Spring and Autumn Period in the work of "táozhū gōngshū (陶朱公书)." Ancient Chinese society…

The short drama "Escape from the British Museum" has become popular. This three-episode short video series, co-created by online media personalities Jianbing Guozai and Xiatian Meimei, is the most anticipated work in the film and television industry recently. It not only generated a lot of buzz on major online platforms but also received recognition and encouragement from numerous media outlets. Using personification as a narrative technique, it tells a sophisticated story: a delicate Chinese jade pot escapes from the British Museum and encounters a Chinese journalist named Zhang Yong'an, who is working overseas. They then embark on a journey back home together, fulfilling the task entrusted to her by the Chinese artifacts in the British Museum. With a total duration of less than 20 minutes, despite the insufficient maturity of its production elements such as scenes and props, the storytelling logic is complete, the emotions are abundant and solid, and the conveyed values are positioned at a very high level. It serves as a low-cost, high-level Chinese short drama model. After the release of the final episode, it directly sparked an explosive wave of praise. Many netizens were deeply moved by the scene where overseas cultural relics read letters to…

The Wuxia drama "Mysterious Lotus Casebook" has attracted a large number of viewers since its premiere with its innovative martial arts format. The seemingly outdated elements of the martial arts world such as martial heroes, inns, and sects have broken through the traditional boundaries in the drama. However, when it comes to martial arts, one cannot ignore the concept of the Jianghu (江湖, rivers and lakes) in Chinese culture. What exactly is the Jianghu?   How can we define the Jianghu culture? The term Jianghu seems to be a vague concept. People admire and yearn for the Jianghu, but it always seems difficult to define and is not considered highbrow. The earliest appearance of the term Jianghu can be found in the book "Zhuangzi": “相濡以沫，不如相忘于江湖。(Rather than leave them to moisten each other with their damp and spittle, it would be far better to let them forget themselves in their native rivers and lakes)” This phrase evokes a sense of imagination, encompassing the vast territories of the Central Plains, the four corners of the world, the rivers and lakes that crisscross the land. Gradually, the Jianghu has evolved into a metaphor for the world. The beauty brought forth by nature, the…

The hanfu culture is no longer just a celebration for a small group of people; an increasing number of ordinary individuals are now sharing their hanfu experiences through creative short videos, integrating hanfu into their daily lives. At the same time, the seemingly unrelated realms of hanfu and fashion have also begun to merge. Hanfu covers in fashion magazines have sparked discussions within the hanfu community, fashion circles, and academic circles alike. Among them, we can find replicas, traditional designs, and fusion styles of hanfu. Dongjin Shangyu has compiled a collection of fashionable magazine spreads featuring hanfu throughout the years for you.   Hanfu in 2013 "FHM" Ten years ago, social networks were not as active as they are today. However, even at that time these three photos broke through the aesthetic norms of the hanfu community and even attracted attention from the media industry. One of these works was used as a cover photo in Issue 112 of "CHINESE HERITAGE" magazine. At that time, Yu Lingyuan was responsible for this photoshoot and said: "The structure of Western suits is similar to Western sculpture - it is very complex in terms of craftsmanship and has a three-dimensional quality. However, what…

As a traditional mythological story, the plot of "Investiture of the Gods" is already well-known to us. However, "Creation of the Gods I: Kingdom of Storms" still prepared many surprises for the audience. For example, we can see the presence of many Chinese national treasure-level cultural relics in the props.   01 Horses In the Creation of the Gods, Yin Shou led his military to return triumphantly from Jizhou. The Shang King and Crown Prince Yin Qi sat on a chariot driven by six white horses to welcome them. It is well known that in ancient times, the number of horses and specifications of vehicles were important symbols of identity and status. There were strict ritual regulations regarding this throughout various dynasties. “天子驾六马，诸侯驾四、大夫三、士二、庶人一。” -《逸礼·王度记》 "The emperors rides with six horses; feudal lords ride with four; high-ranking officials three; scholars two; commoners one." - Yi Li · Wang Du Ji In addition to consulting ancient books, the film also referenced unearthed cultural relics - such as the discovery of a horse-drawn carriage pit called "Six Imperial Horses" at Luoyang He Luo Cultural Square in 2002. There are 26 buried carriages in total divided into two rows, with their heads facing south…

In the Wei, Jin, and North-South Dynasties, when Buddhism was first spread, the flying immortals in the murals were once called Fei Tian (飞天, flying apsaras). With the deep development of Buddhism in China, the Buddhist flying gods and flying immortals merged with each other in artistic images. Dunhuang Fei Tian is the flying apsaras painted in the Dunhuang caves, which later became a special term for Chinese Dunhuang mural art.   01 Origin of flying apsaras In Buddhist culture, the term "Tian" not only refers to celestial abodes but also to the deities within them, such as the "Gongde Tian," which represents auspicious heavenly maidens. Within the heavenly realm, there exists a category of minor deities who flit about and attend to various matters for the apsaras. They possess exceptional singing and dancing abilities, and whenever the Buddha expounds upon his teachings, they soar through the air in graceful dances while playing music and scattering flowers. This imagery actually originated from two minor deities in Brahmanism - Gandharvas and Apsaras. The former is associated with music while the latter embodies dance. The early translators aptly rendered these minor deities as "Fei Tian," denoting their ethereal nature of soaring through…

Vocab of Wrapped Flower Wrapped flower - 缠花 (chán huā) - a name used to called artificially made flower using the techniques of wrapping colored silk thread around cut-out pieces and combining each parts together to make flowers, animals, insects, etc. Spring Flower - 春仔花 (chūn zǐ huā) or 春花 (chūn huā). Used in this situation would mean various types of flower combined into a small batch each flower symbolize for different meanings in China. In this case, the flower would be a wrapped flower rather than a real flower.   History of Wrapped Flower Through ancient China, people held a profound appreciation for nature, which manifested in their beliefs of deities who governed natural forces to their interest in making poetry, music, and artworks that represented the beauty they saw. One remarkable custom in ancient China were the flower hair-pinning practice known as "簪花的习俗 (zān huā de xí sú)," where both men and women adorned their hair or hat with flowers, either fresh or artificially made. Talking about flowers, there are many artificial flower craftsmen that have passed down for centuries, including "ronghua" and "wrapped flower." The art of wrapped flowers originated during the Ming Dynasty and arrived in the…

The animated historical film "Chang An," produced by Light Chaser Animation Studios and directed by Xie Junwei and Zou Jing, was released on July 8, 2023. Set against the backdrop of the prosperous Tang Dynasty, the film depicts the chaos that engulfed Chang'an after the An Lushan Rebellion. In this tumultuous time, Gao Shi reminisces about his past with Li Bai. What makes this film remarkable is not only its portrayal of a realistic and captivating Li Bai but also its presentation of the poignant stories between Li Bai and Gao Shi throughout their lives. It showcases their encounters with other prominent figures of the Tang Dynasty such as Du Fu and Wang Wei, capturing the splendorous era they lived in and showcasing the infinite charm of poetry and culture. Recently sparked heated discussions among netizens after its release. The film showcases the charm of Eastern aesthetics, allowing viewers to travel through time and experience the splendorous Tang Dynasty. In addition to the essence of Tang style emanating from poetry, the intricate motifs on the characters' costumes in the film also reveal the beauty of lines within China's long historical river. Patterns, simply put, refer to decorative designs. Ancient people drew…

To truly understand the fashionable attire of Tang Dynasty women, one must not miss the renowned painting "Court Ladies Adorning Their Hair with Flowers". It is said that during the late 8th century in the Zhenyuan era, painter Zhou Fang created this masterpiece. This painting serves as a benchmark for ancient lady paintings and fully showcases the dressing essentials of fashionable Tang Dynasty women. Cctvnewscenter has made a fine interpretation of this painting, come and feel the charm of Tang Dynasty fashion.   The great Tang Dynasty style In this painting, there are five ladies with adorning flowers and one maid holding a fan. Enjoying themselves amidst blooming flowers and elegant cranes, with two playful dogs nearby. The dressings of these Tang Dynasty fashion influencers not only emphasize color coordination but also pay attention to layering, exuding sophistication and ambiance. The women in the painting wear dresses made from yarn or silk, which were considered to be the most fashionable fabrics in Tang Dynasty. A strapless long skirt trails on the ground while transparent shawl wrap around both sides. Loose and comfortable wide sleeves, mainly in shades of red with various decorative patterns. Let's focus on these ladies: the second woman from…

The Dragon Boat Festival (Duan Wu Festival, 端午节) is considered one of the oldest traditional folk festivals in China, alongside the Spring Festival, Qingming Festival, and Mid-Autumn Festival. According to records, the Dragon Boat Festival originated from the worship of celestial phenomena and evolved from ancient dragon rituals. The Dragon Boat Festival is an auspicious day associated with this imagery of a soaring dragon; thus, both dragons and dragon boat culture have always been an integral part of its historical legacy. The term "Duan Wu" itself first appeared in Fengtu Ji during the Jin Dynasty. However, nowadays when most people mention the Dragon Boat Festival, they often associate it with Qu Yuan's legend. Legend has it that on the fifth day of the fifth month of the lunar calendar, Qu Yuan tragically sacrificed himself by plunging into Miluo River out of loyalty to his country. Upon hearing this news, local villagers rushed to their boats to rescue him. Worried about their speed not being fast enough, they vigorously rowed while also fearing that fish would devour Qu Yuan's body, hence throwing rice dumplings into the river. Later on, people designated the fifth day of the fifth month of the lunar…

The "Jiaoling Youren (交领右衽, cross-collar-and-right-wrapped, the left lapel covers the right lapel when wearing)" based on flat cutting is a typical collar that has been passed down in the Chinese civilization for thousands of years. It fully embodies the diverse and integrated pattern since ancient times, carries Chinese common cultural connotation as a nation, and is a symbol of the spiritual essence extracted from the long history of Chinese civilization. Chinese traditional costumes are profound and have a long history, Jiaoling Youren is like main threads linking thousands of years' of flowery clouds together to inherit continuously with boundless beauty. The character "衣 (clothing)" already existed in oracle bone script which reveals its structural feature: two lapels overlap each other forming into textual symbols.   01 What is Jiaoling Youren One of the most prominent features of Hanfu is the collar design that crosses left over right to form a "Y" shape known as the Jiaoling Youren style. This collar design has more than 5,000 years of history since Zhou Dynasty. Even though Hanfu keeps innovating with different styles such as straight collars, tank tops, and stand-up collars, the cross-collared Hanfu still maintains its mainstream position among these styles.  …

In 1904, the construction of the Bianluo Railway began. As a part of the later Longhai Railway, this transportation line passed through Mangshan to the north of Luoyang city, an ideal place for emperors, officials and civilians to choose their burial grounds since at least the Eastern Zhou Dynasty. The construction of modern railways undoubtedly broke the peace of another world, but it also allowed underground treasures to see daylight again. Among many damaged Tang tombs, a type of color-glazed ceramic funerary object that had never been seen before by people drew attention from antiquarians; this is "Tang Sancai". Since then, people have been indulging in the gorgeous and lustrous colors of Tang Sancai as if all the grandeur and majesty of Tang Dynasty were condensed into such an object. It was an era completely different from that during Qing Dynasty; gazing upon and playing with Tang Sancai might help one temporarily withdraw from chaotic times and dream peacefully in a book room filled with sandalwood aroma.   The Legacy of the Tang Dynasty In fact, although they are called Tang Sancai, there is no record of such object names in historical documents. The name "Tang Sancai (唐三彩, Tang Tri-color…

As a typical representative of Chinese traditional clothing culture, cheongsam has fascinated people around the world with its outstanding form. Although there are still many disputes over the definition of cheongsam today, it remains one of the most splendid and formal dress cultures in China's long history. At first, the style of Chinese cheongsam had tight cuffs, narrowed edges, slightly embroidered patterns and slightly longer hemlines. In the late 1920s, influenced by Western skirts, cheongsam underwent more obvious changes, tightening waistline to highlight curves and simplifying decorations. Cheongsam became a fitted curve shape that first reflected women's features such as concave-convex lines and laid a foundation for today's basic characteristics and fashion trends in women's wear. After the 1930s and 1940s, Chinese cheongsam reached a perfect maturity in design becoming world-renowned classic attire - this was also the peak period for cheongsams. High-collared necklines with waists sucked-in tightly; short sleeves fastened with knots or buttons; slanting fronts often opened high on one side; some dresses were short while others were long; cutting styles followed western skirt designs emphasizing smoother lines which made Chinese Cheongsams fit better to display female beauty figures. When wearing a Chinese Cheongsam dress woman’s graceful figure…

What is a tea ceremony? The book "Chinese Tea Ceremony", is explained as a cultural art that embodies the perfect combination of tea and culture, a means of cultivating oneself. However, when people mention tea ceremony, many think of the Japanese tea ceremony. Yet this ancient way of drinking tea has actually retained many Chinese Tang and Song dynasty customs. Over the past two thousand years, the way people drink tea has been constantly changing from simple to complex. It took Chinese people more than one thousand years to evolve from simplicity to complexity; then another one thousand plus years to return back to simplicity. Let us explore the Chinese tea ceremony by savoring a cup of warm tea soup while searching for flavors once tasted by our ancestors.   1 Tang Dynasty: The Art of Jian Cha Ceremony The most primitive way for Chinese people to taste tea was by eating it. Ancient people originally used tea leaves for medicinal and food purposes, boiling fresh leaves and consuming the liquid directly. Gradually, they discovered that tea had a refreshing effect on the body, leading to the development of cooking tea as a dish with added seasonings such as scallions,…

In the early 1920s, when the popularity of upper coat and lower dresses was dwindling, qipao quietly emerged and underwent bold improvements. This can be considered a remarkable revolution in women's clothing, elevating qipao to become one of the world's distinctive Eastern female outfits. During the Republican era, qipao was a long robe-style one-piece garment that cinched at the waist and highlighted women's natural beauty while accentuating their curves and slender figures. Instead of wearing long pants underneath, silk stockings, thread stockings or underwear were worn. The thin and transparent material of the cheongsam should be worn with a white petticoat, which also has white lace. In this way, the slender legs and lines can also be shown in the slit of the cheongsam. In this article, we will introduce the basic 9 type of cheongsam sleeve for you.   Sleeveless The sleeveless style is a universal design that can be worn by anyone regardless of body type or age. The most significant feature of this style is its coolness and comfort, showcasing one's entire arm, making it perfect for summer wear. Zhang Manyu wore many sleeveless qipaos in "In the Mood for Love", which complemented her tall and slender figure…

As June arrives, we first welcome Children's Day on June 1st. Let us enjoy the joyful atmosphere of Children's Day with this painting from the Southern Song Dynasty called "Bai Zi Tu." In the painting, children are seen riding on wooden horses, wearing masks, playing drums and flutes, dancing and performing plays, all kinds of entertainment for their amusement. While we reminisce about how carefree childhood was during this time, the third solar term of summer, Mang Zhong, arrives punctually on June 6th. Every year when mantises are seen in fields and farms it is a sign that Mang Zhong has arrived. It is also known as the busiest farming season where wheat is harvested followed by sowing late millet crops such as sorghum and broomcorn. There can be no delays during this season. So what customs do people follow during Mang Zhong? In southern Anhui Province in China, after planting rice paddies people hold an Anmiao ceremony to pray for a good harvest in autumn. There are also many delicious foods to enjoy around Mang Zhong. In the south of China, Mei Zi (plums) have ripened and it's a great time to pick some during the rainy season and cook…

The development of Chinese motifs has a rich history, with each era having its own unique design themes and styles. Throughout history, it has been discovered that from the graphics and symbols that emerged during the primitive era of humanity, to the present day where we classify art into different categories, some commonly used themes such as floral motifs, dragon and phoenix motifs, cloud motifs, and geometric motifs have continued to exist from ancient times to the present day, and have even remained unchanged. What has changed is that the same theme has different characteristics in different eras due to differences in the expression of artificial craftsmanship. Traditional Chinese Hanfu clothing emphasizes a harmonious blend of temperament and style, and in order to not destroy the overall effect of the clothing while also making its style versatile, changes in the motifs along the lapel edges of the clothing have become an important means of decoration. From the perspective of artistic expression, motifs can be divided into abstract, figurative, and imagery forms. In the application of clothing edges, motifs are generally divided into geometric, animal, plant, and auspicious character motifs.   Abstract form - geometric pattern The decorative motifs in the…

From elaborate brush strokes to bold colors and intricate patterns, Chinese art has a rich and diverse history that spans millennia. Today, artists continue to be inspired by this artistic legacy, creating work that is both contemporary and rooted in traditional Chinese aesthetics. In this article, we'll introduce you to 10 talented Chinese style illustrators who are making waves in the world of art with their unique styles and fresh perspectives.   1 - Ni Chuanjing Ni Chuanjing, an illustrator from Hong Kong, China, became one of the youngest winners on Forbes's "30 under 30" art list at the age of 25. In addition, she has received a series of awards, including two gold medals from the Society of Illustrators NY, for her excellent illustration works. As an illustrator, Ni's works have always been exquisite endorsements. In the presentation of the picture, every viewer can deeply feel the delicacy, dreaminess, and skillful mastery of her style. At the same time, she also incorporates her own experiences and stories into her works, giving them a brand new soul. This allows every viewer to find their own memories in the picture and resonate with the author and the work. The biggest feature…

Vocabulary Moon-shaped fan; 团扇 (tuánshàn). Also called 宫扇(gōng shàn), 纨扇 (wánshàn), 合欢扇 (héhuān shàn), a fan that is made from silks, embroideries, golds, beads, etc. later on into the period.  Barrier fan; 障扇 (zhàng shàn) - one of the earliest version of fan from ancestors. Made with pheasant’s feathers and has a long handle. Also known as 长扇 (Chǎng shàn)、掌扇 (zhǎng shàn)、五明扇 (wǔ míng shàn). It is under the category of moon-shaped fan (团扇). Imperial carriage; 辇 (niǎn). Also known as chariot. This is the earlier versions of traveling vehicles primarily used by prestigious people for ceremonial processes, imperial tours, and any other formal occasions. The usage of this is closely related to imperial court instead of public, such as for emperor, queen’s mother, empress, and imperial concubines. These types of carriage are still man-drawn, and are made of simple designs with either a cushion or a chair for the individual seating on it.   History of Tuanshan The moon-shaped fan, also known as 团扇 (tuánshàn), is a traditional handicraft tool of the Han people from ancient China. It consists of four main components: the fan's frame, handles (usually short in length), the fan's surface (made of semi-transparent or opaque…

The caves with undulating heights and depths are truly spectacular; the exquisitely crafted statues are vivid and lifelike; the colorful and dazzling murals. For a thousand years, time has silently passed over this desert, proclaiming to the world the former prosperity and bustle of this place. Among them, murals are the most widespread and deeply ingrained art in Dunhuang. Dunhuang, known as the "Great Gallery in the Desert," has 735 caves, more than 2,400 colored sculptures, and over 45,000 square meters of murals. These precious works of human civilization include portraits of Buddha, stories of Buddha's life, myths and legends, Buddhist historical events, and Buddhist scriptures. Despite enduring wind and frost, these brightly colored murals still radiate their brilliance. To appreciate the beauty of Dunhuang, one must learn to understand the rich world within the murals. The following introductory guide to Dunhuang murals from "Art Culture China" will present the most beautiful side of Dunhuang to you.   Costumes in Dunhuang Murals In the Dunhuang murals, there is a group of people who believe in Buddhism and funded the excavation of the caves. They not only funded the painting of Buddhist themes but also depicted their own popular ideas and…

Traditional Chinese hanfu costumes has been pursued by many young people. The bustling streets and crowded scenic spots are often decorated with people’s figure in hanfu. Some enthusiasts even actively hold activities for traditional cultural communication. Chinese ancient clothing culture has a long history, from the top officials to the common people, there are corresponding clothing requirements according to different social status in ancient China.   I. Classification of Traditional Chinese Hanfu Clothing Ancient Chinese women's hanfu clothing can be divided into three parts: Shou Fu (首服, headwear), Ti Fu (体服, main clothing), and Zu Fu (足服, footwear). Although the styles are varied, they can be generally divided into upper and lower garments or up-and-down-attached style. Before the Western Zhou Dynasty, clothing was mainly upper and lower garments. The upper garment was called "Yi (衣)", and the lower garment was called "Chang (裳)". During the Spring and Autumn and Warring States period, people combined the upper garment and lower garment into one piece of clothing, which was called "Shen Yi (深衣)". "Shenyi" has been the representative clothing of the Spring and Autumn and Warring States period. Many documents have recorded its characteristics. The annotation in The Book of Rites - Shenyi…

The lapel, as an essential component of the cheongsam dress, serves as a critical dividing line in the layout of its style, possessing both functional and ornamental purposes. It complements the collar, buttons, or overlapping pieces in a harmonious manner, thus showcasing the overall beauty of the Qipao. The lapel (Jin, 襟), also known as the opening of the garment, is the unfastening of the Qipao's garment. Changes in the lapel are one of the primary way in which the Qipao's style evolves. Today, let us appreciate the modern styles of Qipao's lapels and savor the charm of Eastern women.   Without Lapel One of the most concise ways of opening a cheongsam is the "Without lapel, 无襟, Wu Jin" style. This kind of lapel style is directly derived from traditional Chinese clothing, appearing dignified and traditional.   Pleated & Without Lapel "Pleated without lapel, 褶皱无襟, Zhezhou & Wu Jin" style adds decorative pleats to the front chest, simple yet sophisticated, enhancing the sense of fashion.   Round Lapel "Round lapel, 圆襟, Yuan Jin" is the most common style of modern cheongsam lapel, with smooth lines from the neckline to the armpits. Depending on the size of the arc, it can…

An increasing number of young people are beginning to experiment with wearing hanfu, these clothing styles, which were widely used in different historical dynasties in ancient China, are now being reintegrated into contemporary life and have become an important part of youth culture.   The Origin of Hanfu Culture: From Niche to Popular Typically, the origin of the modern Hanfu culture is traced back to 2003. On November 22nd of that year, a power worker named Wang Letian from Zhengzhou, Henan, walked into a downtown commercial street wearing hanfu. This event was reported by Singapore's Lianhe Zaobao, making Wang Letian the first modern Chinese person wearing hanfu to appear in public. Wang Letian was introduced to hanfu culture through forums Han Wang, and around 2003, the first hanfu enthusiasts gathered around Han Wang and other online hanfu forums, gradually forming the Hanfu circle. At the same time, some offline Hanfu culture communities began to be established. Around 2011, the subculture of adolescent internet culture rapidly developed. With the successive rise of the Lolita and the JK uniform fashion subculture, as well as the development of the cosplay community, hanfu has found its place among various clothing subcultures and has gained…

Vocab Palace Belt - 宫绦, gōng tāo, is an accessory worn around the waist to prevent dresses from flowing in the wind. It is commonly paired with hanfu for a simplistic look and referred to as such in modern times. Silk Belt - 丝绦, sī tāo. An accessory that ancient Chinese people used to refer to. However, it was not only used as a fashion accessory but also on fans or flutes. Zhiduo - 直裰, zhídāo. A traditional Chinese robe worn by scholars and officials during the Ming and Qing dynasties. It has a straight-cut Mandarin collar without openings and is a formal attire reserved for special occasions. It is worn over long shirts and wide trousers. Tassels - 流苏, liúsū. In ancient China it had different names, such as 穗子 (suìzi), 缨旒 (yīng liú), and 流苏 (liúsū). Nowadays, 流苏 (liúsū) is the most commonly used name for tassels. Silk ribbon- 绶, shòu - the ribbon with a jade or officials seals at the end.   History of Gong Tao The Palace Belt, known as 宫绦 (gōng tāo), is an accessory that dates back to the Warring States Period. It is a long woven rope with tassels attached on both…