Did ancient Chinese brides really wear red for marrying down and green for marrying up? The short answer is no. This widespread myth, often perpetuated by historical dramas, has little basis in actual Song Dynasty customs or broader ancient Chinese traditions. Let's debunk these misconceptions and explore what people truly wore for weddings in imperial China. Official Attire Dictated Wedding Outfits During the Song Dynasty (960 - 1279 AD), wedding attire followed strict sumptuary laws rather than arbitrary color rules. Officials wore their rank - appropriate court robes - with green representing the lowest rank for men. The Yan Yi Yi Mou Lu historical records confirm newly appointed jinshi (进士, scholars who passed imperial exams) received green robes. Women of nobility wore qing (青, dark blue - green) ceremonial dresses, considered more prestigious than ordinary green. The Prestige of Qing (Dark Blue - Green) Contrary to modern confusion, qing and lü (绿, ordinary green) were distinct colors in ancient China. As documented in the Wen Xian Tong Kao historical text, the Tang and Song courts used purple, crimson, green, and qing to denote official ranks. Noble women's wedding garments like the ju yi (鞠衣), hua dian li yi (花钿礼衣), and…

For a while, many people dressed up as Daji wearing the so - called 'Warring States Robe,' especially after the release of the 'Fengshen' movie series. However, some noticed that Daji never actually wore such attire. So, what should Daji wear? What is the 'Warring States Robe'? First, let's clarify what the 'Warring States Robe' is. The term is closely tied to the Mashan No.1 Chu Tomb, where well - preserved prototypes of Warring States period clothing, specifically the 'Zhi Ju Robe,' were discovered. Most modern reproductions are based on artifacts from this tomb. Although originating from the Chu Tomb, due to limited research on unearthed artifacts, the Zhi Ju Robe's appearance is somewhat similar to indirect relics like murals from the same period. Thus, it's often loosely assumed that the Zhi Ju Robe represents noble attire popular across the six states. Clothing Styles of Different Periods However, there are distinct differences between the clothing styles of the Xia - Shang - Zhou, Spring and Autumn, and Warring States periods. The Xia - Shang - Zhou era marked a transition from primitive to civilized society, reflected in clothing. Nobles, officials, and commoners wore more refined garments, while slaves still donned…

The recent release of 'Nezha: The Devil Boy's Havoc' (Nezha 2) has reignited discussions about the iconic bun hairstyle that seems to define Nezha's appearance across various adaptations. Is it a coincidence or a stereotype? Netizens joke: 'Nezha can change his fate, but not his hairstyle.' The origin of the 'bun hairstyle' can be traced back to ancient China, where it was one of the many hairstyles popular among women. Its roots lie in the 'double bun' style, which was highly fashionable during that era. Excavated pottery figurines vividly depict the societal admiration for delicate feminine beauty. This trend even influenced ancient Japanese fashion, particularly during the Nara period. Historical dramas like NHK's 'The Great Buddha Opening Eyes,' set in Nara, showcase characters adorned with Tang Dynasty - inspired double - bun hairstyles. In Chinese history, children's double - bun hairstyles were referred to as 'Zongjiao.' Ancient texts emphasize the importance of preserving one's hair as a sign of filial piety. From around eight or nine years old, Han children, regardless of gender, would part their hair into two small buns resembling horns, hence the name 'Zongjiao.' Girls' buns were often styled like branching twigs, known as 'Yaji,' which led…

In the historical drama 'Guo Se Fang Hua,' many viewers noticed that Dong Jie's character, Feng Xiaoyi, stood out with a unique accessory—a piece of fabric wrapped around her chest, commonly referred to as 'Wei Shang' (围裳). This ancient fashion element, often humorously called 'butt curtain' in modern slang, has a rich history and cultural significance. What is 'Wei Shang'? 'Wei Shang,' which translates to 'surrounding skirt,' was a versatile garment in ancient China. It could be a single piece of fabric, multiple panels sewn together, or even a pleated design, depending on the fashion trends of the time. Scholars also refer to it as 'Yao Qun' (腰裙), described in 'The Dictionary of Ancient Chinese Clothing' as a short skirt worn around the waist. Research by Ruan Li from Shanghai University further defines it as a wide band tied around the hips, often adorned with decorative knots or beads. This accessory was not just for aesthetics; it served practical purposes too. In winter, it could be padded with cotton for warmth, while in summer, lighter fabrics were used for breathability. The 'Wei Shang' added layers and dimension to outfits, much like the tiered designs of Western cake dresses. Fashion Trends…

Did you know that ear muffs existed in ancient times? Recent historical dramas like "Tian Geng Ji" and "Jin Nang Miao Lu" have showcased these fluffy ear coverings, which bear a striking resemblance to the ones we use today. The answer is simple: ancient people naturally didn’t want their ears to freeze in winter, so they invented these accessories—though they were primarily used by wealthier families. Names in Ancient China In ancient China, these ear-warming accessories had various names, such as Er Nuan (耳暖), Er Yi (耳衣), and Hu Er (护耳). During the Tang Dynasty, they were called Er Yi (耳衣), specifically designed to protect ears from winter’s harsh cold. The poet Li Kuo once wrote: "The golden belt is heavy, the iron-sewn Er Yi is cold." The word "iron" here was later annotated as "brocade," suggesting that these ear covers might have been made of luxurious brocade or fur. While their exact design remains unknown, murals and figurines hint at two styles: one with long fur strips hanging from the ears and another with fabric covers tied at the sides. Evolution in the Ming Dynasty By the Ming Dynasty, a new iteration called Nuan Er (暖耳) emerged and was…

Recently, the lead actress's look in Princess Agents 2 was revealed, featuring Huang Yangdiantian wearing a double-loop hairstyle known as Shuang Huan Wang Xian Ji, adorned with golden Buyao (步摇) hairpins. Netizens commented that this might be the only look in the series that closely resembles the historical setting of the story. Although Princess Agents is a fictional tale, its backdrop is closest to the Northern Zhou Dynasty of the Northern and Southern Dynasties period, given the prominence of aristocratic families like the Yu Wen clan. During this era, Buyao hairpins were a symbol of status and nobility, which explains why fans are praising this particular look. Buyao is a general term for hair ornaments that sway with movement. It gained popularity among the upper class during the Han and Jin Dynasties, becoming a signature accessory for noblewomen. Historical texts like Shi Ming · Shi Shou Shi from the Han Dynasty describe Buyao as "hairpins with dangling pearls that sway with each step." The Hou Han Shu · Yu Fu Zhi also mentions Buyao as part of the empress's ceremonial attire. These ornaments varied in design, from standalone hairpins to elaborate crowns, often decorated with motifs like trees, flowers, leaves,…

In the historical drama Guose Fanghua, the wedding crowns have sparked much discussion due to their opulence and intricate details. While they appear to be modeled after historical artifacts, a closer examination reveals some discrepancies. This article delves into the fascinating world of these crowns, exploring their origins, design, and the historical accuracy behind them. The Prototype: Empress Xiao's Crown The crown worn by the character He Weifang, played by Yang Zi, seems to be inspired by the crown of Empress Xiao from the Sui Dynasty. Over time, the design evolved through the Tang Dynasty, retaining elements like the Chaidian (hairpins) and Bobin (side ornaments) as markers of status. However, the crown's design in the drama doesn't perfectly align with the character's social standing, as historical records indicate that such crowns were reserved for high-ranking noblewomen. During the Tang Dynasty, women favored high buns, with the height and complexity of the hairstyle reflecting their social status. Noblewomen wore elaborate hair ornaments, including gold hairpins, in symmetrical pairs for formal occasions. The number of Huashu (floral ornaments) and Huadian (floral hairpins) varied by rank, with empresses wearing twelve and first-rank noblewomen wearing nine, decreasing by rank. The Components of the Crown…

In the TV series 'Guo Se Fang Hua,' the wedding crown worn by the county princess has sparked heated discussions. While it was directly modeled after the Li Chui Crown from archaeological findings, many netizens question whether it was 'worn incorrectly.' The answer is that the crown referenced in the show might itself be a beautiful mistake in restoration. Nevertheless, the series remains a well - researched production, though some details still require refinement. Restoration isn't about simple 'copy - paste'—many fragmented or incomplete artifacts require contextual understanding of their era and usage. Minor errors are understandable, and viewers shouldn't judge the entire series based on isolated inaccuracies. Unearthed Situation and Replica Controversy Li Chui, the granddaughter of Emperor Li Yuan, gave up her title for love and had no official rank. However, she might still have been buried with corresponding accessories. When the Li Chui Crown was unearthed, both the crown and hair had disintegrated, leading to potential distortions. The reference prototype, displayed at the Shaanxi Archaeological Museum (not a permanent exhibit), is a controversial replica restored by German experts. The crown's discovery was groundbreaking, as relatively intact Tang Dynasty headpieces are rare. While experts initially proposed various theories,…

In various historical dramas like 'Secret Records of the Brocade Bag' and 'Rain Clouds Over Ink', we often see women wearing a piece of cloth over their heads when going out. These women weren't necessarily heading to weddings - so what was the purpose of this head covering? The answer lies in what was known as the 'Gaitou' (盖头) during the Song Dynasty. The Song Dynasty inherited many systems from the Tang Dynasty, including its clothing customs. According to Zhou Hui's 'Qingbo Magazine': 'Scholars wore cool robes when riding horses, while women walking in public places covered half their bodies with square purple silk veils, commonly called Gaitou, which followed the Tang Dynasty Weimao (帷帽) tradition.' This reveals that the Song Dynasty Gaitou evolved from the Tang Dynasty Weimao. However, there were differences between the two. As noted by scholar Shen Congwen: 'The Weimao was a stiff hat with a hanging net curtain,' essentially a bamboo hat with a black net. The Gaitou was simpler - just a square piece of fabric, often made of silk ('Luo'), that could cover half the body. Shen Congwen wrote: 'The Gaitou was indeed a common head covering for Song Dynasty women.' Gao Cheng…

Tencent Video and Tencent Animation have become hubs for China's animation gems, blending ancient myths, futuristic sagas, and everything in between. Here are 10 must-watch Chinese anime series that redefine what Donghua can be. Battle Through the Heavens 斗破苍穹 At first glance, Battle Through the Heavens fits squarely into the classic cultivation formula: a fallen genius named Xiao Yan sets out to regain his status and surpass his former self. But unlike many shows where power-ups come too easily, BTTH is unusually committed to making every stage of Xiao Yan's progress feel earned—and hard-won. The early loss of his talent isn't just a narrative hook; it forces him to rely on intellect and resourcefulness rather than sheer force. When he gains a mysterious old mentor, Yao Lao, their relationship doesn't just serve as a shortcut for instant power. Yao Lao is more like a chessmaster, constantly reminding Xiao Yan that in this world, raw power alone won't keep you alive—reputation, alliance, and careful timing matter just as much. One of the most distinctive features of this show is its emphasis on alchemy. In many xianxia stories, alchemy is just background dressing—here, it becomes a central tool of conflict and control.…

Love and Destiny (宸汐缘) is a sweeping celestial romance where gods and mortals clash in a world of divine law, ancient prophecies, and love that defies fate. At its core is the slow-burning relationship between Jiu Chen, a war-weary god bound by cosmic duty, and Ling Xi, a spirited fairy whose very existence threatens to awaken a long-dormant evil. As their bond deepens, loyalties shift, and the cost of love becomes a question not of happy endings, but of whether the world can survive their connection. Can their love endure across three lifetimes—or will it unravel the very heavens? Chapter 1: The Spark of Fate (Episodes 1–10) "A Peach Blossom, a God's Oath, and the Apocalypse in Disguise" Love and Destiny opens not with thunderous wars or grand deities, but with a world haunted by the past. Jiu Chen (played by Chang Chen), the solemn God of War, has returned to the heavenly realm after centuries of sleep following his defeat of the Dark Lord. Though restored in body, he remains emotionally distant, weighed down by the cost of war and the fragility of peace. Enter Ling Xi (played by Ni Ni), a carefree and optimistic fairy living a quiet…

Before Michelle Yeoh—Michelle Yeoh (杨紫琼)—became a global icon, she was already a standout presence in Chinese-language costume films. While most international fans know her from films like Crouching Tiger, Hidden Dragon, her roles in historical TV films are just as revealing. These films show a different side of Yeoh: not just a martial artist, but a storyteller navigating dynastic intrigue, loyalty, and sacrifice. Her work in costume films isn't extensive, but it's meaningful. Each project—whether based on classic wuxia novels or original scripts—places her in morally complex roles shaped by tradition, power, and personal duty. She's played warriors, nobles, and strategists, all grounded in different periods of Chinese history. This article highlights some of her most notable films—both mainstream and lesser-known—where history meets performance with striking results. Crouching Tiger, Hidden Dragon 卧虎藏龙 Released: 2000 Period Background: Set during the Qing Dynasty, but in a fictionalized jianghu world Genres: Wuxia, Historical Fantasy, Action, film Main Roles: Michelle Yeoh as Yu Shu Lien; Chow Yun-fat as Li Mu Bai; Zhang Ziyi as Jen Yu Adapted From: The fourth novel in the Crane-Iron pentalogy by Wang Dulu The film tells the story of Li Mu Bai, a legendary swordsman who plans to retire…

Yu Shuxin's (虞书欣) costume dramas redefine charm and grit in historical fantasy. With a career spanning quirky heroines, cunning spies, and soul-stirring immortals, she crafts characters that linger long after the credits roll. What sets her apart? A rare blend of authenticity and versatility. Whether navigating slapstick comedy or tragic love, Yu avoids overacting traps, grounding even the most fantastical roles in relatable humanity. This isn't accidental. Trained at Huace Film Academy, Yu meticulously dissects character motivations. For Love Between Fairy and Devil, she studied orchid symbolism to embody Xiao Lanhua's purity; in The Ingenious One, she trained in martial micro-expressions to portray a spy's calculated restraint. Yet she never loses her signature spark—the wit and warmth that make her heroines feel like friends. Love Between Fairy and Devil 苍兰诀 Aired: 2022 Period Background: A mythical realm divided between celestial beings, demons, and mortals. Genres: Xianxia, Romance, Adventure Main Roles: Yu Shuxin as Xiao Lanhua, Wang Hedi as Dongfang Qingcang Adapted From: The novel Cang Lan Jue by Jiu Lu Fei Xiang. The fantasy drama centers on Xiao Lanhua (Yu Shuxin), a low-ranking fairy tasked with repairing fate records in the celestial realm. Her life takes a dramatic turn when…

Fan Bingbing (范冰冰) , known for her magnetic presence in historical dramas, Fan doesn't just act—she resurrects legends. Take The Legend of Wu Mei Niang, where she transforms into Wu Zetian, the Tang Dynasty's ruthless empress. In one scene, Fan's character coldly outmaneuvers a rival, her gaze sharp as the ceremonial dagger she wields. Moments like these—raw, tense, and steeped in history—define her roles. From mischievous maids to cunning monarchs, Fan's performances bridge centuries, offering viewers not just entertainment but a visceral connection to China's dynastic sagas. The Legend of Wu Mei Niang 武媚娘传奇 Aired: 2014–2015 Period Background: Tang Dynasty (618–907 CE) Genres: Historical, Political Drama Main Roles: Fan Bingbing as Wu Zetian (武则天), Zhang Fengyi as Emperor Taizong Adapted From: Historical accounts of China's only female emperor Spanning 80 episodes, the series chronicles Wu's ascent from a curious palace maid to China's only female emperor, a journey Fan embodies with striking nuance. Her performance captures both the vulnerability of young Wu Ruyi, who defies court norms by refusing to kneel during her first encounter with Emperor Taizong, and the calculated ruthlessness of the ruler who later dismantles political rivals. A standout moment occurs when Fan's Wu, wielding a ceremonial…

Jackson Yee (易烊千玺) isn't just a pop idol turned actor—he's a master at breathing life into historical roles. From strategists to poets, his costume dramas blend sharp storytelling with meticulous period details, making history feel urgent and relatable. Take The Longest Day in Chang'an, where he plays Li Bi, a Tang Dynasty genius racing against a 12-hour terrorist plot. The series doesn't just showcase palace politics; it thrusts viewers into dusty market alleys and smoke-filled war rooms, with Yi's calm intensity anchoring every scene. Or consider Hot Blooded Youth, where his character A Yi evolves from a revenge-driven orphan to a revolutionary hero, mirroring China's turbulent shift from dynasty to republic. These roles aren't pageantry—they're about flawed, thinking characters navigating crises that still echo today: corruption, identity, and sacrifice. Here are 3 Historical Series with Jackson Yee that you'll love watching over and over again. The Longest Day in Chang'an 长安十二时辰 Aired: 2019 Period Background: Tang Dynasty, during the Tianbao era under Emperor Xuanzong's reign, a golden age marked by cultural prosperity and political intrigue. Genres: Costume suspense, political thriller, action Main Roles: Lei Jiayin as Zhang Xiaojing, a disgraced detective-turned-prisoner; Jackson Yee as Li Bi, a prodigious young strategist.…

The highly anticipated historical mystery drama Calming Waves (定风波), starring rising talents Wang Xingyue and Xiang Hanzhi, is set to premiere soon. Promising a gripping blend of political intrigue, martial arts heroism, and mind-bending mysteries, this series has already generated buzz for its bold premise, lavish production, and star-studded cast. Adapted from a popular novel of the same name, the 36-episode drama takes viewers into the chaotic world of the Great Qi Dynasty, where survival demands not just strength, but brilliance. A Tale of Betrayal, Survival, and Redemption At the heart of Calming Waves lies the story of Xiao Beiming (played by Wang Xingyue), once revered as the dynasty's greatest detective. His life shatters on what should be his happiest day: framed for a crime during his wedding ceremony, he is forced into exile. This opening twist—rare for a historical drama—sets the stage for a relentless quest for justice. Three years later, Xiao returns to the capital, determined to clear his name. Alongside his sharp-witted martial sister Zhong Xueman (Xiang Hanzhi) and a band of loyal allies, he uncovers a web of conspiracies that threatens both the imperial court and the jianghu (martial arts world). The series masterfully interweaves multiple…

Under the Moonlight (锦囊妙录) offers a refreshing take for viewers tired of over-the-top fantasy romances in historical dramas. This Ming Dynasty-set mystery series combines crime-solving with a grounded, emotionally complex love triangle—a rare feat in a genre often dominated by clichés. With no flashy special effects or exaggerated power dynamics, the show focuses on relatable characters navigating personal growth, moral dilemmas, and realistic relationships. Breaking Stereotypes The story follows Luo Shu (Hu Bingqing), a former music courtesan turned detective, as she works to clear her name and gain freedom from her "low-status" identity. Her partners in crime-solving are Qi Menglin (Zhai Zilu), the impulsive yet well-meaning son of a high-ranking official, and Han Muzhi (played by an understated but compelling actor), a pragmatic county magistrate. What sets the love triangle apart is its avoidance of typical tropes: No "Chosen One" Nonsense: Luo Shu isn't a flawless genius. Her strength lies in sharp observation and emotional intelligence, particularly when interacting with female victims. Realistic Conflicts: Han Muzhi, engaged to a governor's daughter, initially prioritizes career over love. When he falls for Luo Shu, their relationship faces tangible barriers—class differences and existing obligations—not mythical curses. Growth Over Grand Gestures: Qi Menglin evolves…

Legend of The Female General (锦月如歌), Tencent Video's upcoming 40-episode historical drama, is poised to become the next big hit in the crowded genre of ancient revenge stories. Adapted from author Qian Shan Cha Ke's popular novel Rebirth of the Female General Star, the series combines a gripping plot of betrayal and redemption with a cast of rising stars and veteran actors, all wrapped in lavish production design. A Fallen Heroine's Second Chance The story centers on He Yan (played by Zhou Ye), the eldest daughter of a declining noble family forced to impersonate her brother, He Ru Fei, to preserve their status. Disguised as a man, she attends a prestigious academy, excels in military strategy, and eventually becomes a celebrated general on the battlefield. However, her triumph is short-lived: after years of service, her family betrays her, stripping her of her achievements and attempting to kill her to protect their secrets. Miraculously surviving, He Yan reinvents herself as "He Yue," the daughter of a low-ranking official, and re-enters the military to reclaim her honor. Her path crosses again with Xiao Jue (Cheng Lei), a brilliant general and her former academy classmate, who initially suspects her identity. Their relationship evolves…

Recently, veteran Chinese actress Liu Xiaoqing announced on social media that she'll star in a new short drama called Lucky Star From Heaven, a sequel of sorts to Adorable Baby Matchmaker: Marriage at 50. The storyline? Well, let's just say it's less important than the casting—because the internet immediately lit up at the fact that 74-year-old Liu is once again taking the lead, possibly even playing a youthful role. Reactions were split. Some mocked, others defended, and many simply shrugged and commented: "Let Granny act if she wants to!" "If Liu Xiaoqing wants to play a teenage girl, who are we to stop her?" It turns out, more and more young people are rallying behind her, not just for her boldness, but for the life philosophy she embodies. From Teenage Cult Leader to Real-Life Wonder Woman Liu Xiaoqing has long been a lightning rod for controversy. Years ago, when she played a teenager despite being over 60, netizens jokingly crowned her the leader of the so-called "Teenage Girl Cult." But jokes aside, admiration for her physical stamina and unshakable energy began to grow. She keeps up a routine of cold showers and long-distance running, easily outperforming people half her age.…

In various Chinese historical dramas such as Jiuchong Zi, Jinnang Miaolu, Futu Yuan, and Canghai Zhuan, actors like Xiao Zhan, Li Yunrui, Wang Hedi, and Zhai Zilu are often seen wearing what appears to be stockings or fishnets on their heads. However, these are not stockings but a traditional headgear known as Wangjin (网巾), a net-like accessory used by adult men in the Ming Dynasty to tie and gather loose hair. Practical Uses of Wangjin Wangjin was primarily used to keep hair in place and prevent hats from slipping. It was a practical accessory for daily life, especially among commoners who wore it without additional head coverings. For those of higher social status, Wangjin was often worn under formal hats during important occasions. The popularity of Wangjin can be traced back to Emperor Zhu Yuanzhang of the Ming Dynasty. According to historical records, Zhu Yuanzhang once visited a Taoist temple in casual attire and observed a priest weaving Wangjin under lamplight. Intrigued, he inquired about its purpose and later issued a decree mandating its use across the empire, regardless of social status. Wangjin typically featured a top drawstring called Wangdai (网带), tied at the crown, and small strings at the…