Cheongsam

Today is a special sharing session about cheongsam pankou buttons. In the process of making a cheongsam, these buttons are not only the finishing touch but also the starting point, just like the opening of a perfect work. A surprising or unexpected start can always spark more attention and appreciation later. Meanwhile, these buttons, which are linked to the essence of traditional Chinese culture, are an important way for us to rediscover Chinese characteristics. They are small, delicate, and a vivid symbol of the ancient people's aesthetics. In ancient times, our ancestors needed to use ropes or belts to tie knots or fasten buttons to fix the front of their clothes and keep warm during work. This kind of knot can be regarded as the earliest origin of the frog buttons. Later, with the development of dynasties, the knots also changed accordingly. For example, the "ribbon" in the Zhou Dynasty, the "silk ribbon" in the Northern and Southern Dynasties, the "silk knot ribbon" in the prosperous Tang Dynasty, and the "jade ring ribbon" in the Song Dynasty. These are all the step - by - step changes of the knot ribbons evolving into frog buttons. In the Ming and Qing…

Song Brocade. As one of China's traditional silk handicrafts, Song Brocade traces its origins to the Spring and Autumn period, took shape during the Song Dynasty, and flourished in the Ming and Qing Dynasties. Alongside Nanjing Yun Brocade, Sichuan Shu Brocade, and Guangxi Zhuang Brocade, it is revered as one of China's Four Great Brocades. Historical records from the 'Song Shi Yu Fu Zhi' note that after the Southern Song court relocated south, the urgent demand for high - quality brocade for calligraphy, painting mounting, and clothing production made Suzhou the primary production hub. Hence, later generations invariably associate brocade with Song. The documentary 'The Splendid Tale' highlights how Suzhou's unique geographical advantages and abundant resources provided superior raw materials, earning Song Brocade the moniker 'Suzhou Song Brocade.' The local folk song 'Wu Ge' captures the regional essence: 'In April, the warmth spreads, and households bustle with silkworm rearing.' The 'Silk Weaving Illustrated' by Southern Song painter Lou Shu offers a glimpse into the entire production process from'silkworm bathing' to'silk weaving.' After its zenith during the Yuan, Ming, and Qing Dynasties, Song Brocade perfected its technique, featuring warp - faced twill as the base and weft - faced twill for…

We always habitually praise the beauty of cheongsams. However, its beauty needs a woman's figure and bearing to support and shape it, just like a win - win cooperation, where neither can be missing. Bearing is influenced by personal vision and mindset, while body shape is restricted by height, weight, and body proportions. The former requires long - term cultivation, while the latter can be improved by some methods. So today, I want to talk about the relationship between different female body types and cheongsams, aiming to solve the common problems when choosing cheongsams, such as 'What style of cheongsam suits me?', 'Will I look good in it?' In fact, these concerns are mainly about our own body shapes. Everyone has advantages and disadvantages in their figures, and a good choice can make up for the shortcomings. How to Choose Qipao Styles for Different Body Types First, we need to understand our body characteristics. Common body types mainly include H - shaped, strawberry - shaped, pear - shaped, X - shaped, and apple - shaped. H - shaped Body The H - shaped body has a straight - up - and - down shape with no obvious waist curve, so…

"If I had a ferry ticket, would you come with me? If there was another one, would you take me along?" Whenever I hear this line, the classic melody by Shigeru Umebayashi plays in my ear, and the scene unfolds before my eyes: Su Lizhen (played by Zhang Manyu) in a cheongsam, carrying a thermos and buying a bowl of wonton noodles on the street in the dimly lit alley at night, then meeting Chow Mo-wan (Tony Leung) who's also caught in the rain on her way back... The ambiguous tension brews quietly, with a foreseeable ending. This is Wong Kar-wai's artistic expression of love, and this line has become the most regrettable confession in Chinese film history. If there's a movie that can fully showcase the beauty of cheongsams, it must be "In the Mood for Love". Even 23 years after its release, Su Lizhen played by Zhang Manyu still lives in the hearts of countless audiences. Few can wear cheongsams as impressively as she did. Her tall and slender figure, graceful posture, and every step exude charm. The grace of the cheongsam and the reserved charm of Oriental women blend perfectly, presenting a multi - dimensional view of…

New year, new look, countless fresh things are coming towards us. Now, what we can do is to seize the joy and creativity they bring. So today, we will start a new chapter based on the annual color trend and introduce the new styles and trends for next year, not for you to follow blindly, but to offer better and more inspiring beauty for our new year. Pantone's 2025 Color of the Year: Soft Peach The most authoritative color institution in the world, Pantone, announces the "Color of the Year" at the end of each year. The 2025 Color of the Year is "Soft Peach", a gentle hue between pink and orange, exuding an ambiguous, warm and romantic atmosphere. Laurie Pressman, vice - president of the Pantone Color Institute, said: "We've seen the growing importance of community. People around the world are re - evaluating what kind of lifestyle they want and what's most important. We want to convey the power of care, accompany our loved ones closely, regain a sense of comfort and security, or unite people and enrich each other's souls." Soft Peach represents a warm vision of love, with a bright, soft and light charm. It also…

The Lantern Festival, as the last important festival in the Chinese Spring Festival customs, is an ancient festival that has lasted for more than two thousand years. In the ancient Chinese calendar, the first lunar month is called the Yuan month. According to Shuowen Jiezi, "Yuan" means the beginning, and "Xiao" means night. The 15th day of the first lunar month is the first full - moon night of the year, a time when everything begins anew and spring returns to the earth. So, this day is called the Lantern Festival, also known as the Shangyuan Festival. Since there is a custom of hanging lanterns on this day, it is also called the Lantern Festival. There are also some religious origins among its many meanings. In Taoist culture, as recorded in Dream of the Liang Record written by Wu Zimu in the Song Dynasty, "The 15th day of the first lunar month is the Yuanxi Festival, the time when the Heavenly Official of Shangyuan bestows blessings." In the Southern Dynasties, Imperial Decree of Emperor Yuan of Liang also recorded that "Shangyuan is the time when the Heavenly Official bestows blessings; Zhongyuan is the time when the Earthly Official pardons sins;…

In the structure of a cheongsam, there are two crucial elements. One is the collar, which is like the prologue, and the other is the placket, our topic today. The placket is like a door to the cheongsam, with different ways of opening. Some are gracefully winding, some are simply delicate, some are straightforward, and some hold hidden mysteries. As an important part of the cheongsam, it serves as both a dividing line for the overall layout and an unignorable decorative aesthetic in cheongsam design. We often see that it complements and continues the collar, piping, and buttons. It exquisitely showcases the sophistication and uniqueness of traditional clothing culture and plays an important role. Today, let's explore the various types of cheongsam plackets, their characteristics, shapes, and the suitable wearers, so that we can more accurately choose a cheongsam that can be worn for a lifetime in the future. Placket Culture The concept of "placket" in traditional Chinese clothing culture dates back to the Shang and Zhou dynasties. Since then, daily robes have commonly used the open - placket style, mostly with a right - lapel design. In the concept of "respecting etiquette and forming clothing" in Chinese civilization, the…

Cheongsam is a gem of Chinese fashion, a symbol of Chinese women's beauty, and the most glorious part of Chinese clothing culture. It represents the Oriental beauty in the eyes of Westerners and the idealized interpretation of female beauty in the hearts of the East. It is graceful yet reserved, gentle and elegant yet full of charm, showing the elegant bearing and graceful charm of women's figures and gaits with its unique sense of flow and rhythm. Only such clothing is worthy to represent the Oriental symbol behind thousands of years of aesthetic culture as the 'Chinese national treasure' and the 'national dress for women'. So today, I'd like to talk about the cheongsam from the perspective of its historical development, as well as the cultural characteristics and aesthetic preferences behind it. Literally, cheongsam refers to the long gowns worn by the Banner people. At that time, the gowns were loose - fitting, straight - shaped, with wide borders embroidered with various patterns of different meanings. The embroidery and decorations on the borders were symmetrically arranged, and the edges of the clothes and sleeves were often decorated with gorgeous embroidery, ribbons, and hems. Later, with the passage of time and…

Today, I want to talk about the patterns and prints of Qipao. Prints are the soul of a Qipao, a distinct marker that lights up the dress, sets its style, and reflects the wearer's artistic charm. In traditional Chinese culture, they're not just decoration; they carry auspicious meanings, adding cultural depth to the Qipao. The exquisite craftsmanship subtly conveys style and beauty, a method linked to aristocratic aesthetics. Indeed, Qipao has always symbolized noble beauty, a blend of status and refined taste. From centuries - old silk traditions to meticulous hand - crafting, every detail makes Qipao a rare work of art. Among these elements, prints play a crucial role. Today, let's explore the beauty and types of common Qipao prints. Floral Prints Floral prints are the most widespread in Qipao designs. From spring orchids to autumn chrysanthemums, and various plants, they serve as the main focus, accents, or borders. These designs draw on plant characteristics and symbolism, with auspicious meanings and people's aspirations for beauty. The plum blossom, or 'Five Blessings Flower,' symbolizes longevity, success, peace, happiness, and luck due to its five petals. As the first spring flower, it's the 'Queen of Flowers' and a top 'Four Gentlemen'…

Qipao, with its profound cultural heritage and sartorial charm, has served as a unique muse for countless artists, inspiring diverse expressions and creations. Today, I'd like to explore the different charms and beauty of Qipao as depicted in paintings. Xu Beihong, a foundational figure in modern Chinese art, was one of the most influential painters in 20th - century China. He pioneered the introduction of Western realism into Chinese painting, blending the 'linear modeling' of Chinese art with Western 'light and shadow structures,' innovating without losing essence. His oil painting 'Portrait of Miss Jenny' is widely regarded as his best work in terms of color. Painted in 1939 at the request of the Belgian Vice - Consul in Singapore, it depicts Miss Jenny in a light - toned, figure - hugging Qipao. The satin's fluidity and the floral print are enhanced by impressionistic touches. Behind this masterpiece, Xu showed his dedication to supporting the anti - Japanese war effort. He often exhibited his works in Southeast Asia to raise funds for war orphans. Portrait of Sun Duoci This portrait depicts Xu's student, Sun Duoci, in an ink - wash - style printed Qipao. The side slit highlights her legs, and…

Just as Tagore described, "Every open rose brings me the greetings of that rose in the eternal spring." And as Bei Dao interpreted spring precisely, "This is spring, the wildly beating heart disturbs the floating clouds in the water." What is really disturbed? Is it the heart, or the long - awaited desire to embrace beauty after a dull winter? So, in today's issue, inspired by color - matching in dressing and using beautiful cheongsams as materials, let's explore the amazing color - matching in the eyes of cheongsam designers, which we can apply in our daily outfits. Light Colors Main color: 80% Ningzhi White (凝脂白) + 20% Apricot Yellow. This is an extremely gentle cheongsam. The warm - toned color scheme is skin - brightening and elegant, perfect for women to decorate themselves sensually. The main color, like condensed milk, comes from the traditional Chinese color Ningzhi White, which matches the charming luster of silk. It echoes Bai Juyi's famous line in "Song of Everlasting Sorrow": "In spring's cold she bathed in the Huaqing Pool, the warm water smoothed her creamy skin." The matching yellow magnolia embroidery takes the rich yellow tone of ripe spring apricots. The stronger the…

The cheongsam, a world - renowned national element and part of Chinese culture, has always been an endless source of inspiration for many designers. Compared with the bold and direct charm of Western women, the cheongsam represents the elegant qualities of Eastern women, which are both mysterious and gentle, free - spirited and full of allure. Today, let's talk about how the cheongsam can create unique and subtle chemical reactions in the hands of foreign designers within the Western clothing structure and silhouette design. The internationally famous fashion designer we're going to introduce today, John Galliano, also known as 'Pirate King', is a genius full of creativity. He always creates extreme, gorgeous, and unparalleled fashion aesthetics. John Galliano was born in Gibraltar in 1960. At the age of 6, he moved to the UK with his parents. Due to poor family conditions, he lived in poor areas across the UK during his childhood. This exposure to diverse customs helped him develop a rich aesthetic sense. He is a pioneer among designers in exploring different regional cultures, and his works often feature a large number of Asian, African, and Afro - Latin elements. In 1980, Galliano entered Central Saint Martins College…

The beauty of summer Qipao lies in the allure of silk and satin. The encounter with the scents of gardenia and jasmine marks an unforgettable start. Summer, a vibrant and colorful season, has finally arrived. Although the heat can be tough for many, it's nothing compared to the richness and beauty this season brings. For women who love Qipao, summer is the perfect time to display its inherent charm. Today, let's explore the beauty of Qipao suitable for summer. Song Jin and Su Jin If fabric is the essence of a Qipao, then a Qipao made of Song Jin (宋锦) is a living embodiment of rich historical and cultural heritage. It dates back to the Song Dynasty, telling the story of that era's splendor and the remarkable weaving craftsmanship. A Song Jin Qipao is an excellent choice for summer. With its firm yet soft texture, elegant patterns, and classical allure, the wearer exudes artistic charm and noble grace. Take this Song Jin Qipao as an example. Its unique, classical floral print is eye - catching. The straight - cut silhouette with wavy edges adds a touch of playfulness, while the bold peony motifs in soft camel and light purple create…

The beauty of gardenias and jasmines intertwined is truly unforgettable. In the previous feature, we briefly introduced Anna May Wong. Those familiar with Chinese - American actors in Hollywood surely know this name. Even if not, you've probably seen her iconic photos. With big bright eyes, classic willow - leaf eyebrows, high cheekbones, and a fringe, dressed in a cheongsam, she was a well - known Eastern face in early 20th - century Western society. Her hairstyle, makeup, and clothing style were emulated by countless Western girls. She was also the first Chinese actress to bring the cheongsam image to Hollywood. Let's explore her story and the beauty of the cheongsam she presented. Anna May Wong was born in Los Angeles, US, with her ancestral home in Taishan, Guangdong. Her family was third - generation immigrants. Her grandfather was among the earliest Chinese laborers who went to California to pan for gold. Her father, Huang Shanxing, held traditional ideas, favoring sons over daughters and longing to return to his roots. He returned to Guangdong, got married and had children there, then came back to the US and married Anna May Wong's mother. Before her, there was an elder sister, and…

It's time for another session of sharing cheongsam details. In previous issues, we've talked about the types of handmade frog buttons on cheongsams, the collar and sleeve styles, and the exquisite front - placket patterns. Today, I'd like to discuss the slits, which play a crucial role in the overall design of cheongsams. Don't underestimate this small detail. A tiny slit can present a variety of charming female moments. A smaller slit results in smaller steps, making the posture and gait automatically slow and elegant. A larger slit offers a stronger sense of fluidity, and the faintly visible legs bring out the charming rhythm of the cheongsam. The slits in cheongsams are like opening the door to the sensuality of Chinese clothing. However, this sensuality is not the straightforward Western - style one. It is based on Chinese female culture and the generally reserved and implicit nature of Eastern women. Through a small opening, it slowly releases the rhythm and charm of female beauty. Next, let's talk about the common types of cheongsam slits, as well as their respective advantages and characteristics. Before that, here's a little knowledge about slits. In the early Republic of China, cheongsam slits were actually…

Today, let's continue our special topic on In the Mood for Love and appreciate the beauty of Maggie Cheung's cheongsams. Before delving into the topic, let's talk about the behind - the - scenes details of this movie. Maggie Cheung changed into 23 cheongsams in In the Mood for Love, all designed by the Hong Kong art director Cheung Shu - ping himself. Some of the cheongsam fabrics were his personal collections over the years, and the patterns and fabrics were already out of print. So, it's almost an eternal regret that it's impossible to recreate Su Lizhen's beauty exactly. Then, these cheongsams were handmade by Hong Kong master Leung Long - kwong, who has over sixty years of experience in cheongsam making. As he said, "I've never changed my profession in my life. I earn money with my heart." For these 23 cheongsams, Cheung Shu - ping was mainly responsible for design, color matching and sourcing fabrics, while Leung Long - kwong was in charge of measuring the body, cutting and sewing. It can be said that without the seamless cooperation of these two masters, there wouldn't be this world - renowned Chinese masterpiece. The emergence of In the…

Recently, I've been reading A Treasury of Cheongsams Worn by Chinese Aristocratic Families written by Song Luxia and Xu Jingcan. This book is set against the backdrop of those Chinese aristocratic families that once shone brightly and endured on the historical and political stage. The cheongsam, as the central element throughout this backdrop, is like a cultural micro - cosmet of China's upper class. Through its owners, it reveals the clothing culture, aesthetic trends, humanistic features, and craftsmanship of the last century. The book showcases 90 old cheongsams worn by famous ladies from Chinese aristocratic families. As the authors said, "They are a rare, non - renewable, and endangered collection of specimens of Shanghai - style old cheongsams." These cheongsams represent the highest level of Shanghai - style cheongsams in the last century. The two authors and many colleagues spent a great deal of effort collecting and displaying these cheongsams. It's not just about reviewing and presenting the appearance of national clothing culture but also a challenging task of racing against history and time to rescue more buried, forgotten, and neglected clothing cultural treasures. So, today, let's follow the context and characters in the book to explore the beauty of…

This is a rather special share today. Recently, at the Guardian Art Center in Beijing, there was an exceptionally rare and once - in - a - decade exhibition of traditional Chinese attire—the Qing Dynasty Court Embroidery Exhibition. The exhibition traces the timeline from the early to the late Qing Dynasty, focusing primarily on the royal attire of the Qing court. Through the passage of a thousand years and the morning mist of history, we witness the unparalleled heights achieved in fabric, color, patterns, craftsmanship, and aesthetic levels of royal garments. At the same time, we can admire the brilliance and splendor of the ancient silk industry and traditional plant dyeing techniques throughout the Qing Dynasty. The Qing rulers placed great emphasis on using colors and patterns to establish the order and rituals of the dynasty. Thus, different colors carry distinct cultural connotations, and various printing techniques conceal philosophical and ritualistic meanings unknown to us. Today, let us follow my footsteps to appreciate the beauty of Qing Dynasty attire colors. Sacrifices were the most significant duty of the ancient emperors—a religious ceremony to express reverence and gratitude to the heavens and earth, embodying the ancients' worship and respect for natural…

When Qipao meets traditional Chinese red, each piece is a true masterpiece! The fusion of gardenia and jasmine scents creates an unforgettable beginning. Today, I’m sharing about red Qipao. Among all colors, red is undoubtedly the star of Qipao. It's not only associated with wedding attire but also deeply rooted in China's historical and cultural symbolism. Red embodies the soul of Chinese culture, symbolizing auspiciousness, celebration, eternal brightness, warmth, hope, vitality, and prosperity. In Chinese history, the five colors—white, blue, black, red, and yellow—were linked to the Five Elements (metal, wood, water, fire, earth) and virtues (benevolence, righteousness, propriety, wisdom, trust). Starting from the Zhou Dynasty, red was revered as a symbol of power and nobility, gradually becoming a staple in both royal and common households. By the Tang and Song Dynasties, red was widely adopted in daily wear and weddings. In the Tang Dynasty, the fourth - rank officials wore dark crimson, and the fifth - rank officials wore light crimson. The popular colors at that time were crimson, purple, bright yellow, and green. The combination of crimson and green was commonly used for women's clothing, and this color scheme was also applied in weddings, with grooms in red…

In previous features, we discussed the unsurpassable peak in Qipao cinema history—In the Mood for Love. Today, I want to focus on Qipao appearances in TV dramas, highlighting those classic moments where Qipao beauties shone. Each of these beauties has her unique charm, and the Qipao they wore were equally distinctive. In the vast ocean of Qipao styles, external beauty is secondary; the key lies in wearing the Qipao with personal flair and character. First, let's talk about a widely recognized Qipao beauty from recent years—Jing Tian in Rattan (2021). Her portrayal of a vine spirit, set in the Republican era, featured numerous Qipao styles that redefined elegance. The satin Qipao, primarily in pearl white, with its high side slit, atmospheric connected shoulder sleeves, double-round front placket paired with delicate piping and inlaid silk hard flower buttons, exuded both nobility and grace. It was not only light and smooth but also convenient for movement. Paired with Jing Tian's long hair like satin, it combined sexiness and cold beauty. The lace-embellished Qipao in pale blue highlighted her delicate features. The lace perspective showed the female's graceful figure in a hazy and implicit way. With exquisite bead embroidery printing and a small…

When the wind blows the hem of the cheongsam, the swaying figure is truly beautiful. Today, I'd like to talk about the cheongsam skirt, that is, the skirt style of the cheongsam. Why this detail? Because when we choose a cheongsam, we must pay special attention to it. Selecting a skirt that suits us, looks good, and has a strong modifying effect is the key to choosing a cheongsam. When choosing a skirt, options like A-line, wide swing, fishtail, straight tube, and various lengths can be dizzying. So today, I'll discuss the different styles of cheongsam skirts, their characteristics, and which body types they suit. Straight Skirt The straight skirt is the most common basic style in cheongsam patterns. It features a straight-up-and-down design. The H-shaped vertical effect makes the skirt fall straight and neatly, making the cheongsam look extra long, upright, and slender. This is why most people choose straight-skirt cheongsams. It suits all body types, has a daily style, and can be worn on various occasions, with a natural sense of dignity. There are usually three lengths for straight skirts. The first reaches the calf. This length is more convenient and daily, with less of the cheongsam's charm…

Women understand women best. The cheongsam girls in her paintings are well - known internationally! The second installment of the cheongsam series by the artist has arrived. In the previous issue, we mainly talked about the female cheongsam moments painted by male painters. Today, let's discuss how female painters shape female beauty, and what different perspectives and presentations they have from male aesthetics. The painter we're going to talk about today has a special background and an amazing story. Her name is Pan Yuliang (潘玉良). Born on June 14, 1895, in Yangzhou, Jiangsu, and from Tongcheng, Anhui, formerly named Chen Xiuqing and also known as Zhang Yuliang, with the courtesy name Shixiu, she is a modern Chinese painter, sculptor, and art educator. Dramatic Life Before talking about her works, let's briefly learn about Pan Yuliang's story. She was born into a very poor family in Yangzhou. She lost her father at one year old, her sister at two, and her mother when she was eight. An eight - year - old girl faced the problem of survival. Orphaned Pan Yuliang was first adopted by her uncle. Unfortunately, at the age of 13, her gambling - addicted uncle sold her to…

The encounter between Qipao and the magnificent Chinese green creates unforgettable masterpieces. Green symbolizes the vastest and most touching freedom on earth. As writer Li Juan once said, 'When we see green, we always think: nothing will ever end, right?' This interpretation, though not as romantic or unique as others, perfectly captures the essence of green—its freshness and vitality that bring hope and life from spring to summer. It's no wonder so many people adore and continuously fall in love with green. This love has persisted since ancient times. Starting from the Han Dynasty, influenced by Taoist and Confucian philosophies, green became widely popular in both culture and aesthetics, admired for its natural and serene beauty. Beyond clothing, green was also prominently used in architecture, as recorded in Zhang Heng's 'Ode to the Western Capital.' In ancient Chinese art, green flourished in paintings, particularly in the Dunhuang Mogao Caves during the Wei, Jin, and Southern and Northern Dynasties. The harmonious blend of green with colors like earthy red, lapis lazuli blue, and black showcased its elegant and rich beauty. By the Tang and Song Dynasties, green became a staple in landscape paintings, symbolizing the vibrant life and artistic refinement of…

The encounter between the scents of gardenia and jasmine promises an unforgettable beginning. Today, we continue our review of cheongsam styles from films and TV shows, focusing on the 2021 Republican - era spy drama The Rebel. This series stood out not only for its stellar cast, including Zhu Yilong, Wang Yang, Tong Yao, Wang Zhiwen, and Zhu Zhu, but also for its nuanced portrayal of faith, humanity, and personal fate against the backdrop of a turbulent era. Zhu Yilong's performance earned him a nomination for Best Actor at the 2023 Magnolia Awards. The show excels in its authenticity and depth, much like the fleeting 'Sanxing Brand' toothpaste ad in the background—a subtle nod to the era's anti - foreign product movement led by industrialist Fang Yexian. However, today's focus is on the cheongsam aesthetics of the 1930s, when Shanghai became the birthplace of the modern 'Haipai' cheongsam. The Rebel serves as a historical corridor, showcasing how women's cheongsams remained vibrant and diverse despite material scarcity. Zhu Yizhen Zhu Yizhen, played by Tong Yao, is the daughter of a wealthy capitalist who abandons privilege to join the Communist underground. Her cheongsams reflect her purity and idealism—often made of linen in…