Prepare for a collision of nostalgia and groundbreaking adventure! The iconic duo that defined childhood mischief for generations, Tom and Jerry, are catapulting onto the big screen like never before in Tom & Jerry：Forbidden Compass. Officially set for release across China on August 9th, this highly anticipated animated feature promises to transport audiences alongside the legendary cat-and-mouse pair into a breathtaking, perilous, and utterly hilarious ancient world. Far more than a simple extension of their classic chases, this film represents a bold reimagining, blending the beloved slapstick humor with high-stakes fantasy and stunning new landscapes. This event marks the beginning of an extraordinary journey beyond the familiar living room battleground, thrusting Tom and Jerry into an epic struggle where their trademark rivalry must evolve into an unlikely alliance for survival. This isn't just another cartoon; it's a meticulously crafted cinematic event poised to reignite fond memories while delivering a fresh, visually spectacular experience for the entire family, solidifying its status as a must-see summer blockbuster. Unleashing Cosmic Chaos The familiar rhythm of pursuit and evasion takes an unforeseen cosmic detour in Forbidden Compass. The film opens with Jerry's audacious raid on the bustling Metropolitan Exhibition Hall, naturally drawing the ever-diligent…

From the electrifying stages with TFBOYS to the demanding sets of major motion pictures, Wang Junkai’s journey has been a masterclass in navigating the treacherous currents of Chinese entertainment. Now, with his debut voice acting role as Shiqi in the animated film Endless Journey of Love (时间之子), he charts a course into uncharted waters, proving his artistic ambition knows no bounds. This seamless pivot from idol to actor to vocal performer underscores a rare versatility in an industry often defined by rigid typecasting. His evolution mirrors the shifting landscape of Chinese pop culture itself, where multi-hyphenate talents increasingly dominate. As Shiqi, a young man yearning for freedom alongside the determined Qianxiao, Wang Junkai isn't just lending his voice; he's expanding the very definition of what a top-tier artist can be in the modern era. His trajectory—marked by both massive fan devotion and a determined climb towards critical respect—suggests an artistic canvas stretching far wider than many initially predicted for the boy who once charmed a nation with his smile and a song. The Allure of Harmonious Hybridity Wang Junkai possesses a unique kind of star power, one built less on explosive, singular talent and more on a remarkably well-rounded foundation.…

On June 24, a set of candid photos from Resurrection (狂野时代) cast’s post-festival celebration swept across social media, offering a rare glimpse into the camaraderie behind one of 2025’s most talked-about films. Taken in a cozy Parisian dining room adorned with Chinese paper-cut decorations, the images captured lead actors Yi Yangqianxi (易烊千玺), Mark Chao (赵又廷), and Huang Jue (黄觉) - alongside director Bi Gan (毕赣) - raising glasses in exuberant toast, their faces flushed with both alcohol and pride. This wasn’ just a casual meal; it was a victory lap for a film that had just rewritten Chinese cinema’s history at the Cannes Film Festival. Cannes Triumph Triggers a Hearty Feast The mood at the dinner was electric, a direct reflection of Resurrection’ landmark success. Having become the first Chinese film in a decade to win a Special Prize in Cannes’ prestigious Main Competition, the cast and crew had every reason to celebrate. “You could feel the relief and joy in the air,” one attendee later commented. “It’s not just about the trophy - it’s about proving Chinese cinema’s global voice.” Yi Yangqianxi, often known for his reserved public persona, stole the spotlight. Clad in a crisp blue shirt with…

Within days of its premiere, The Princesss Gambit (桃花映江山) has ignited fervent discussion, its viewership soaring past 23,000 and climbing rapidly. This adaptation of Bai Lu Cheng Shuang's novel The Peach Blossom Folds the Rivers and Mountains (桃花折江山) thrusts viewers into the treacherous courts of Northern Yan and Da Qi. Princess Jiang Taohua (Meng Ziyi), a disposable pawn sacrificed in a royal power play, finds herself in a forced marriage to the formidable and morally ambiguous Prime Minister, Shen Zaiye (Liu Xueyi). Their union, born from desperation and political maneuvering, sets the stage for a dangerous dance where survival hinges on outwitting enemies, navigating palace conspiracies, and deciphering each other’s motives. Directed by the acclaimed Yi Jun (The Tribute of Youth,The Legend of Fuyao), the series wastes no time plunging audiences into a world of razor-sharp tension, breathtaking visuals, and complex characters whose motives are as layered as the intricate plots they weave. Yi Jun's Signature Precision Director Yi Jun's (易军) masterful control is evident from the opening frames. The premiere episode efficiently establishes the dire stakes: Taohua's desperate escape attempt, her heartbreaking sacrifice to save her brother, and the perilous journey to Da Qi. Yi Jun utilizes stark lighting…

Prepare for a genre-bending journey as The Scroll of Dreams (书卷一梦) materializes onto screens. Premiering June 26th, this 38-episode costume drama boasts a unique premise: a modern actress plunges into her audition script's ancient world. Produced by iQIYI and broadcast simultaneously on Jiangsu Satellite TV's prime-time slot, the series leverages powerhouse platforms to reach a vast audience. Unlike typical transmigration tales soaring through celestial realms, The Scroll of Dreams plants its feet firmly in a grounded historical setting. Its core allure lies in the audacious "book people's awakening journey" - characters rebelling against their preordained fates. With a stellar cast led by Li Yitong (李一桐) and Liu Yuning (刘宇宁) , and a director famed for visual poetry (Guo Hu), the show radiates breakout potential, poised to challenge the dominance of recent fantasy hits like Eternal Night of the Stars (永夜星河). Anti-Trope Narrative Takes Flight Forget predictable arcs. The Scroll of Dreams thrives on subverting expectations. Protagonist Song Xiaoyu (Li Yitong), a struggling actress, doesn't merely read her lines; she becomes Song Yimeng, the ill-fated heroine of the period script she's auditioning for. Her immediate goal isn't romance or power, but sheer survival - a "desperate escape for survival" . Armed…

After a prolonged seven-year hiatus, legendary Chinese auteur Jiang Wen (姜文) storms back into cinemas with Let the Music Fly (你行！你上！), slated for release on July 25. The film chronicles the tumultuous upbringing of world-renowned pianist Lang Lang, refracted through Jiang’s signature hyper-stylized lens. Its bombastic trailer—teeming with A-list stars, surreal imagery, and kinetic chaos—ignites both fervent anticipation and skeptical eyebrows. This isn’t just a comeback; it’s Jiang Wen defiantly planting his flag in the summer box office wars. Shifting its release date from July 15 to 25 strategically dodges clashes with DC’s Superman (超人) and the dark horse fantasy Liao Zhai: Lan Ruo Temple (聊斋：兰若寺). More intriguingly, it avoids a face-off with The Stage (戏台), starring Jiang Wen’s brother Jiang Wu (姜武). The siblings’ uncanny resemblance risks audience fatigue if both films opened simultaneously. Instead, Jiang Wen positions his opus against the historical drama The Litchi Road, betting his flamboyant vision can outshine safer bets. Initial reactions to the trailer reveal a polarized camp. Supporters champion Jiang’s audacious visual language—a whirlwind of masked figures, gravity-defying leaps, and cars chasing trains. Detractors, however, question the appropriateness of such extravagance for a biopic. Comparisons to his divisive 2014 film Gone with the Bullets (一步之遥) (rated 6.7) surface, alongside concerns that star power overshadows substance. Can Jiang…

From June 19 to 24, the vibrant city of Kunming transformed into a global fashion hub as the Nambo Fashion Week took center stage at the Dianchi International Convention and Exhibition Center. This event, an upgraded iteration of the Chuxiong Fashion Week, served as a key highlight of the 9th China-South Asia Expo, drawing over 25 mesmerizing showcases of intangible cultural heritage attire. With a staggering 1,100 media reports and an exposure of 1.62 billion views, it captivated audiences worldwide, blending ancient traditions with contemporary flair. The week-long celebration spotlighted Yi embroidery - a centuries-old craft from China's Yunnan Province - as a symbol of unity, where diverse cultures converged to weave a narrative of shared beauty and innovation. As the curtains rose, it wasn't just about clothing; it was a testament to how fashion can foster cross-border harmony and drive cultural evolution in our interconnected world. Cultural Fusion on Display The runway came alive with a kaleidoscope of ethnic ensembles, each telling a unique story of heritage. Yi costumes, adorned with intricate patterns and bold colors, shared the spotlight with graceful Bouyei garments from Guizhou and elegant saris from South Asia. In one standout show, models glided to rhythmic…

The once-familiar rituals of fashion design - mood boards, fabric swatches, and soul-searching about inspiration - are being quietly upended. No longer confined to back-end analytics, artificial intelligence has stepped into the creative sanctum, generating patterns, predicting trends, and even drafting full collections. This technological incursion sparks urgent questions: Does true creative freedom survive when algorithms influence aesthetics? Can the human "spark" withstand the efficiency of machine logic? As the industry navigates this crossroads, the very definition of creativity hangs in the balance, caught between boundless potential and the risk of homogenized expression. From Tool to Co-Creator AI’s journey in fashion began as a powerful organizational force. Early applications focused on streamlining workflows, analyzing vast datasets of consumer behavior and historical trends to identify market opportunities. Designers welcomed the relief from mundane tasks, gaining time to focus on conceptual exploration. Projects like Tommy Hilfiger’s 2018 collaboration with IBM marked a pivotal shift. Their AI didn’t just analyze; it actively generated new designs inspired by the brand’s archives, synthesizing colors, patterns, and silhouettes into coherent, on-brand collections. The machine moved beyond being a mere assistant, becoming a participant in the creative dialogue . The advent of generative AI accelerated this transformation…

The arena lights dim. The roar of the crowd fades. For Sun Yingsha (孙颖莎), Wang Manyu (王曼昱), and Chen Meng (陈梦) - China’s indomitable table tennis "Golden Flowers" - this isn’t an exit, but an entrance. Fresh from defending national glory on the Olympic stage, these athletes are executing a masterful pivot, trading crisp ping pong whites for haute couture and commanding covers of Vogue’s peers with the same fierce precision they deploy against opponents. Their journey isn't just about endorsements; it’s a cultural recalibration, proving athletic rigor translates seamlessly into runway-ready allure. The Unstoppable Rise of Wang Manyu Wang Manyu’s ascent in fashion mirrors her relentless climb in world rankings - swift, decisive, and impossible to ignore. Fresh off securing silver and gold at the grueling 2025 Doha World Championships, she landed in Beijing and headed straight to a farm. The result? A stunning GLASS China June cover, radiating cool detachment in Longchamp’s sleek Autumn/Winter 2025 separates. Her secret weapon? A natural intensity dubbed "Cold-Face Warrior" by fans. This 176cm powerhouse possesses the rare ability to make a simple black Balenciaga hoodie and jeans, worn at the brand’s Beijing flagship opening, look like high art. "Fashion events are small courts compared to world championships," one stylist…

In 2025, Ju Jingyi stands as a paradox: once vilified by China’s internet hivemind, now crowned the undisputed queen of luxury fashion. Her departure from talent agency SNH48 in 2024 ignited a metamorphosis that rewrote the rules of celebrity influence. Emerging from the shadows of online criticism, the former SNH48 member now dominates fashion leaderboards with record-shattering magazine sales and luxury collaborations. Defying a decade of body-shaming, plagiarism accusations, and viral mockery, she weaponized resilience into record-shattering triumphs. With five magazine covers amassing ¥60M+ in sales and Louis Vuitton collaborations redefining East-West aesthetics, Ju’s journey transcends vanity metrics - it’s a masterclass in rewriting destiny. The Magazine Empire When Ju Jingyi gracedCOSMO’s June 2025 cover clad in warrior-esque Alexandre Vauthier couture, she didn’t just break records—she atomized them. The issue sold 560,000 copies in 24 hours, grossing ¥30.89M and dethroning every Chinese celebrity’s historical sales . This wasn’t luck; it was strategy. Her 2024 debut withWonderland.saw Rahul Mishra and Yuima Nakazato haute couture pieces sell ¥7.74M in 30 minutes, signaling an industry shift: audiences craved her audacious aesthetic alchemy. By January 2025,L’OFFICIELdedicated three covers to her mermaid-inspired Iris van Herpen fantasy—a first for any Chinese star. The editorial’s fusion of…

In the ephemeral world of collectibles, Labubu’s journey from obscurity to auction-record fame - and subsequent market correction - mirrors a seismic shift in cultural consumption. Once traded at 1,080,000 RMB yet now facing a 50% price plunge after restocks, this "ugly-cute" figurine embodies capitalism’s dance with emotion. As Peking University scholar Hu Yong (胡泳) observes, its appeal lies in violating norms: merging infantile familiarity with unsettling novelty. For a generation navigating digital isolation, Labubu isn’t just plastic; it’s a vessel for identity, rebellion, and the quiet erosion of grand narratives. The Baby Schema Paradox Labubu’s disproportionate eyes and miniature body exploit an innate human trigger: the Kindchenschema (baby schema). Animal behaviorist Konrad Lorenz’s theory reveals our hardwired urge to protect infantile features - a tool brands weaponize for emotional consumption. Yet Labubu subverts this. Its jagged teeth and hollow gaze inject discomfort into cuteness, creating what Professor Cui Di (崔迪) calls "a dark innocence." Where Hello Kitty radiates saccharine purity, Labubu hybridizes charm with chaos, rejecting "standardized" aesthetics to resonate with adults disillusioned by performative optimism. This duality expands its reach. Traditional "mēng" (萌, cute) toys exclude those seeking sophistication, but Labubu’s grotesque allure bridges demographics. Its design acknowledges…

No matter which ancient - cdrama it is, there's always a headband on or behind the character's head. This seemingly simple headband can make the wearer look graceful and full of Chinese charm. How can such a simple accessory be so appealing? Let me state my view first. This headband is extremely common in TV dramas and Hanfu makeup and styling. For instance, Liu Shishi (刘诗诗) often sported headband looks in the ancient - costume drama Huai Shui Zhu Ting (淮水竹亭). Although we usually just call it a "headband", it actually has multiple names. Let's briefly sort out its common names and wearing methods. Netizens joke that this headband is like a veteran actor, as it appears in every ancient - costume drama with excellent "acting". One of its names contains a character that's difficult to write (a character composed of "xu" on top and "jin" at the bottom, pronounced "xu", meaning a hair rope). According to Zhu Zi's Family Rituals (朱子·家礼), for mourning women, the "xu - jin" is a piece of slightly thin linen about eight inches long, used to tie the hair roots with the rest hanging at the back. In the Song Dynasty's Records of the…

Why do fairies in ancient costume dramas always have two loops on their heads? It seems that in the ancient costume dramas I watched as a child, fairies all sported this hairstyle. Usually, there are two loops, but there can also be multiple loops. What's the name of this hairstyle? Let me give the answer first. This hairstyle is called the Double-loop (Bun) Immortal-worshipping Hairdo, which evolved from the Double-loop Hairdo. "Bun" and "loop" are interchangeable, just different terms. The Double-loop Hairdo was originally a hairstyle for young girls, and multiple loops can also be collectively referred to as "Bun Hairdos". But perhaps because it's so beautiful, this hairstyle also frequently appears in paintings of immortals, such as the famous ancient painting The Nymph of the Luo River and The Scroll of Eighty-seven Immortals. Since then, the fashion has spread throughout history. Because it's the hairstyle of fairies, people weren't satisfied with the traditional name of the double-loop and gave it a new name, "Immortal-worshipping Hairdo". As the name suggests, "this style can only be found in the heavens". Evolution of the Hairstyle You can see that there's an evolutionary context from the traditional Double-loop Hairdo to the Double-loop Immortal-worshipping…

Why were the immortals in ancient costume dramas easily distinguishable at a glance? In today's Xianxia (仙侠) - themed movies and TV shows, the image of immortals usually features white, long robes fluttering in the wind, along with a combination of Chinese and Western photo - studio styles. So, which one is the "real immortal"? Let me state the conclusion first. The images in old - fashioned TV shows were mostly modeled after the traditional costumes in immortal paintings, rather than being conjured up out of thin air. In contrast, modern Xianxia dramas adopt a uniform white color scheme and loose - hair makeup due to modern minimalist aesthetics, which has created a stereotypical impression of Xianxia among most young people. However, can we just make wild guesses about immortal costumes without a dynasty background? No. Looking at the Xianxia dramas in recent years, there are those with ancient Chinese styles, Western styles, or a blend of both. But without exception, pure white and light - colored outfits dominate. No wonder fans say, "To look charming, wear all white." When we examine ancient murals, we find that the immortals' clothing was colorful. The ancients also painted immortals, and like us…

In the world of Qipao, sleeve selection is crucial! In Qipao making, sleeves are an extremely important part. They not only help the skirt and waist achieve a slender silhouette but also accentuate the delicate beauty of the shoulders and neck. Moreover, a uniquely - designed and romantic sleeve is like the icing on the cake, an extension of decoration and an enhancement of beauty. Today, I'll focus on the sleeve types and styles of Qipao and discuss what kinds of sleeves it has. Classic Qipao Sleeve Types Sleeveless: A versatile Qipao style, it's light and simple, allowing the arms to be more fully exposed, which helps elongate the arm lines and create a slender figure. Shoulder Sleeve: The shoulder and sleeve parts are connected, creating soft shoulder lines and highlighting the overall feel of traditional Qipao, naturally fitting the curve of our shoulders. It's especially friendly to ladies with narrow shoulders and is often used in younger - styled Qipao. Moon Sleeve: Based on the sleeveless design, a small sleeve is added, softening the shoulder lines and providing some coverage for a slimming effect. Ultra - short Sleeve: Slightly longer than the moon sleeve, offering better coverage for the…

Yang Zi's Ming-style square collar in the ancient costume drama "Jia Ye (家业)" is truly eye - catching. Square collars are rare even today, so were they really popular in ancient times? Netizens are saying it's such a niche style! Let's start with the fact that similar rectangular and square collars already existed during the Shang and Zhou dynasties. However, the structure of these collars still requires further research, and they weren't very popular. Among traditional collars, the cross - collar was the most common. Rich Ming - style Collars By the Ming Dynasty, there was a wide variety of collars, including stand collars, round collars, square collars, and cross collars. While the front - opening collars popular in the Tang and Song Dynasties and classic cross collars were common, square collars were relatively rare. But they often appeared in Ming Dynasty portraits. You could wear a cross - collar or stand - collar inside a square collar, like Yang Zi wearing a stand - collar and Han Dongjun a cross - collar in the leaked photos of "Jia Ye" Artifacts with Square Collars Many clothing artifacts unearthed from the Ming Dingling Mausoleum feature square collar elements. Most of them…

Recently, the postures of actors in two popular ancient - costume dramas have once again become a hot topic. Why do people care so much about postures? Because postures are extremely important for both ancient - style actors and those who wear Hanfu. Let me state the conclusion first. What we often call posture is actually a person's figure and deportment, which are usually shown when walking, sitting, and standing. In the words of the older generation, it means sitting and standing properly. In current ancient - costume dramas, most characters have high social status, so the audience has higher requirements for them. After all, for a real gentlewoman from a prominent family, there are more constraints from etiquette, and the appearance presented should be more proper. However, in today's TV dramas, it's hard to see the so - called real 'gentlewomen from prominent families'. One reason is the poor postures. For example, the hunchback, the so - called 'rich and noble hump', and the forced standing postures can all reflect obvious posture problems. There are also details shown in expressions, such as the eyes and smiles. A good posture should at least be visually comfortable, natural, and aesthetically pleasing.…

September 9th is a special festival in Chinese traditional festivals. The Double Ninth Festival on this day is special because of its auspicious meaning. On the 9th day of the 9th lunar month, both the day and the month are 9, so it's called "Chongjiu". Also, 9 belongs to Yang in ancient times, and double Yang is a good omen and a good meaning. So on this day, there have always been traditional customs like "climbing high to drive away evil spirits, wearing dogwood, appreciating chrysanthemums, and sacrificing to heaven, earth, and ancestors to express gratitude for the harvest". In addition, it's also a festival for visiting relatives and respecting the elderly. In 1989, our government officially designated the 9th day of the 9th lunar month as "China's Senior Citizens' Day". On such a celebratory day, buying a gift for elders to show respect and love has become a top priority for many people. So what kind of gift to choose? If you haven't decided yet, we suggests giving your relatives or mother a cheongsam, which represents the beauty of Chinese national essence and is a women's national dress. It not only echoes the traditional festival atmosphere of the Double…

After the Spring Festival in 2025, the movie market has been lackluster. Whether it's short holidays like Tomb - Sweeping Festival and Dragon Boat Festival or the five - day May Day holiday, there have been few good movies. As half of 2025 has passed and the summer movie season is approaching, the first part of the suspense drama Jiangyuan Nong (酱园弄), directed by Peter Chan and starring popular and powerful actors such as Zhang Ziyi, Lei Jiayin, and Wang Chuanjun, was officially released nationwide on June 21. From the preview screening to the official release in just a few days, the movie has gained significant popularity. The Founding of a Republic Jiangyuan Nong is known as the suspense version of The Founding of a Republic. It not only has Zhang Ziyi and Lei Jiayin in leading roles but also features well - recognized powerful actors like Wang Chuanjun, Mei Ting, and Fan Wei as supporting roles. With the support of high - profile stars such as Li Xian, Jackson Yee, Zhang Zifeng, and Xie Na, the movie has attracted much attention from its inception to filming and later promotion. Especially, it's rare for Yang Mi and Zhao Liying, two…

In the summer of 2025, a total of 88 new films are set to hit the screens, with the potential to break through the 1.5 - billion - yuan box office mark. Shanghai Film Group released a slate of 26 films and TV shows, including highly - anticipated domestic movies like Little Monster from Langlang Mountain. Wanda Film disclosed dozens of movies and TV series, such as Malice and Strange Tales from a Lonely Studio: Lanruo Temple. Industry insiders said they expect more films to boost the summer - schedule market performance and surpass that of the same period last year. This year's summer - schedule film slate is evenly distributed, which is expected to continuously drive the box office during the period. As the ten - day Shanghai International Film Festival is about to end, the film market officially enters its most important time of the year. According to Maoyan Professional Edition data, the total box office (including pre - sales) for the 2025 summer schedule has exceeded 100 million yuan. Among the 88 films to be released during this period, there are much - awaited domestic movies like She's Got No Name, The Lychees of Chang'an, East Pole…