Background of Hanfu Parade Day At noon on November 22, 2003, Wang Letian, a power worker, dressed in Hanfu, which disappeared in daily life for 358 years, appeared on the street. He dressed in a Hanfu composed of a long Quju (曲裾) and a cocoon silk outer garment, strolls in the square, park and shopping mall in Zhengzhou, the capital of Henan Province. He said he did so in the hope of "promoting Hanfu" with his own meager strength and making people accept the traditional Chinese clothing again. Although this Han suit is simple and even a little out of shape, it was sewn by Wang Letian and his friends. These like-minded men even set up a team to search for documents, pick up sewing needles and make this Hanfu. Despite the ridicule and incomprehension of some people, Wang Letian calmly walked through the crowd and walked on the most prosperous street in Zhengzhou. He is more and more determined to promote Hanfu. He hopes to influence others with his limited power. Zhang Congxing, a reporter from Lianhe Zaobao in Singapore, came across the photos and wrote a report based on them. This article has also become the first article to…

When it comes to the skirts of the Ming Dynasty, many people will remember the typical "Ma Mian Qun (马面裙, horse face skirt)",  often gives a sense of elegance and wealth. It looks very dignified and gentle when matched with Han suit Ao (袄).   Introduction of Ma Mian Qun & Lan Ma Mian Qun, also known as "Ma Mian Zhe Qun (horse face pleats skirt)", is a kind of traditional Chinese dress. There are four front and back skirt doors, overlapping each other, side pleating, middle skirt door overlapping part, commonly known as "Ma Mian (horse face, 马面)". The whole circle of patterns on the Ma Mian Qun's is called Lan, the bottom is called bottom Lan, and the top is called knee Lan. Double Lan was very popular in the middle of the Ming Dynasty. But later, with the growth of women's top in the Ming Dynasty, the knee Lan was gradually weakened because they were covered, while the bottoms Lan were widened and bold.   Why is it called "Ma Mian"? The question of why Ma Mian Qun named has always been puzzling, what's the relationship between the animal's name and the skirt? In fact, "Ma Mian"…

It might not be the first time you've heard of Hanfu (汉服). This kind of traditional Chinese costume has been discussed by media around the world frequently. More and more Hanfu events are being held, and more and more people are trying to wear traditional costumes. When browsing social media, you can often see beautiful pictures of Hanfu dresses. Even many people have incorporated them into their daily life. What types of groups are fancy in Hanfu? What are their original intentions of buying and wearing Hanfu? What attractiveness does Hanfu suit have? and more... This new report will introduce to you the current environment of Hanfu in several aspects. I. The Overall Situation of Hanfu Rapid Development of Hanfu Industry The revival of Hanfu culture began in 2003. An electric worker named Wang Letian walked with Hanfu on the street to promote it. This was the first person who wear Hanfu in the public. Currently, there are more than 1300 Hanfu cultural associations in the world in 2017, and there are more than 2000 in 2019, an increase of 46% can be seen in these two years. In China, there are more than 2 million consumers in the Hanfu…

A few days ago, we published an article about how to take beautiful hanfu pictures. Today we are going to show you how to take photos of handsome hanfu pictures. Stand Usually, when shooting, most of the postures stand more, start running in from a simple stand. You can try to relax, meditate and lean on objects. Squatting Squatting or sitting posture, easy to combine the environment, create emotions, as well as the overall sense of story. Running and Jumping Running and jumping is one of the best ways to make the picture look dynamic. Create character dynamics with lines. Use the dust and clothes raised by running. Using the dust and clothes raised by running can form the interaction between characters and objects and increase the tension of the picture. Lift up gently, just like a swordsman flying over the eaves. A Small Proportion of the Environment Popularly speaking, it is a long-term shooting, which combines artistic conception to show the interaction of characters. The position in the picture can be either the center or the corner, making the characters the finishing touches of the whole scene. When taking this kind of photograph, the picture needs to be concise…

In Chinese culture, accessories are a language of beauty. They are an extension of clothing expression. With accessories, Hanfu can be more appealing. Fans are one of the common accessories in Hanfu culture.  This article will lead you to understand the history of Hanfu's fans. Fans have about three thousands of history in China. After thousands of years of evolution and improvement, they have developed into hundreds of fans' families. Fans were originally known as the "Five Ming Fans (五明扇, Wu míng shàn)" in history, was invented by the "Shun" (舜, Chief of the Ancient Tribal Alliance of China). In the Yin and Zhou Dynasties, appeared a kind of "Di Fan" (翟扇, Dí shàn) made of the colorful pheasant tail feathers, so there is a saying of "Feather Fan". At that time, the fan was not used to fan the wind, but to serve as the emperor to ward off the wind and avoid the sand. It can be classified into two categories: First, Flat Fans (平扇), can not be folded. Brief introduction: during the Warring States, Qin, and Han Dynasties, flat fans became the mainstream of fans at that time, used by both emperors and civilians. In the Western Han…

Many friends who have just contacted Hanfu will find that Kimono and Hanbok (Korean clothes) are similar to Hanfu in many ways. This article takes you to know the differences between Hanfu, Kimono, and Hanbok.   Hanfu vs Kimono During the Nara period in Japan, the period of China's prosperous Tang Dynasty, Japan sent a large number of sent envoys to China to study culture, art, and law systems, including the clothing system. In the early days, the kimono was a replica of the Tang suit. At that time, they also imitated the Tang system and issued a "clothing order". So far, Japan still refers to the kimono as "Wu suit", which means clothes from Wudi (now Jiangsu and Zhejiang) in China. Although the kimono came from the development of Hanfu, it has developed its own national characteristics after a long period of history. Waistband: Hanfu: Hanfu usually has a narrow waistband; Kimono: there is no tie on the kimono placket, and the waist is wide with a fabric. Neckline: Hanfu: Hanfu neckline clothing is close to the back of the head; Kimono: In the kimono, the neckline of an ordinary woman's neck wrapped her neck tightly, and the geisha…

Hanfu is a traditional Chinese costume and one of China’s 5,000-year cultural symbols. In the last century, Hanfu was once forgotten by Chinese people. However, since the 21st century, through the Hanfu movement, Chinese Hanfu has reappeared in people's vision, and combined with modern design elements, making Hanfu rejuvenate. Top 10 Chinese Hanfu Dress 2018 With the revival of Chinese Hanfu costume, more and more people wear Hanfu and walk on the streets. Maybe one day you will find out, Oh! the beautiful clothes that the women wore were Hanfu clothes. Now through this article, let us take a look at the most popular Hanfu in 2018. 1. Kirin Costume Kirin, a traditional Chinese beast, has a mild temperament. In the legend, Kirin can live for thousands of years. The ancient people believed that when the Kirin appeared, there must be auspiciousness. Therefore, it is often used to describe people with outstanding talent and noble moral character. Kirin Hanfu costume is the best clothes for excellent people. I have a childhood friend who is going to study abroad soon, so I always wanted to send her a special gift. One night I saw the Kirin movie on TV, and the…

As one of the most popular styles of hanfu, Ming Dynasty Aoqun has a rich variety of styles and styles, and the Jiaoling Aoqun is one of the most common styles. This article is based on the artifacts of Jiaoling Aoqun, so that you can quickly understand the correct Ming Dynasty Aoqun top shape for your next hanfu purchase as well as hanfu making. Image quoted from hanfu making hobbyist @Sue簌簌.   1 Overall 1.1 Youren (右衽, the left lapel covers the right lapel). 1.2 A single layer is a Shan (衫) and a double layer is a Ao (袄). 1.3 Cutting method: with center seam and no shoulder seam.   2 Collar   3 Sleeves 3.1 Aoqun top can have a variety of sleeve shapes. 3.2 Pipa sleeves are wide, not narrow. 3.3 The benchmark through-arm length of Pipa sleeves is nearly two meters. 3.4 The sleeve root should not be too narrow. 3.5 The sleeve is divided into a section or two sections connected. 3.6 Sleeve pleats often accompany the existence of the sleeve edge.   4 Garment body 4.1 The underarms should be curved. 4.2 It is right with or without shoulder pleats. 4.3 The waist should…

Major streaming platforms now act as primary patrons, directly shaping careers. Rumors swirl regarding actress Zhao Lusi (赵露思) aligning with Tiger Whale Entertainment, a move emblematic of a larger shift. These companies are no longer mere distributors; they are portfolio managers, treating artistic talent as strategic assets to be acquired and optimized. The relationship between creator and platform is being fundamentally rewritten, focusing on long-term value extraction over single projects. 1. Cost Efficiency Drives Star Contracts When a popular actress announced her new studio during a birthday celebration, thanking her new company, the camera panned to the founder of a prominent entertainment firm in the audience. This moment, swiftly amplified on social media, confirmed a significant shift within China's entertainment landscape. It symbolizes a growing trend where major streaming platforms are moving beyond mere content distribution to directly manage and contract top-performing talent. This strategic alignment between star and platform is redefining traditional artist-agency relationships, creating a new ecosystem built on integrated production, talent management, and financial efficiency. The implications extend far beyond a single celebrity's career move, pointing to a fundamental restructuring of how entertainment business is conducted. The Controlled Star The collaboration between actress Zhao Lusi and Alibaba's…

In the vibrant landscape of contemporary Chinese television, a new historical drama is capturing widespread attention. Yun Chu Ling (云初令), an adaptation of the novel by Chao Yunzi (朝云紫), weaves a captivating story of second chances and relentless vengeance. Helmed by director Zhu Ruibin (朱锐斌), the series features Yu Shuxin (虞书欣) in the lead role of Yun Chu, while speculation points to Zhang Yunlong (张云龙) as a potential co-star. Set in the intricate courts of imperial China, the plot revolves around a high-born woman who, after suffering a profound betrayal, is miraculously reborn to alter her fate. This narrative taps into the enduring appeal of redemption arcs, presenting a protagonist who evolves from a victim of circumstance to an architect of her own destiny. The anticipation surrounding this production stems not only from its promising cast but also from its engagement with themes of intelligence, strategy, and personal agency, offering a fresh take within the period drama genre. The Awakening Yun Chu's initial life was defined by misplaced trust and societal expectations. As the cherished daughter of a renowned military family, she entered a marriage that seemed ideal but concealed a dark reality. Her husband and his relatives systematically used…

When actress Zhang Yaqin (张雅钦) recently appeared in a Hanfu ensemble, the internet divided. For some, it was an immediate callback to her role as Lu Yuan (陆鸢) in the time-travel drama An Ancient Love Song (古相思曲). For many others, the look missed the mark, feeling disjointed and overly busy. Why did this particular outfit, rich in historical references, fail to resonate? The answer lies not in a lack of beauty, but in a collision of eras. Her styling became a textbook case of how mixing distinct historical aesthetics without a unifying vision can create visual confusion, pulling the observer out of the immersive fantasy such clothing aims to build. Historical Harmony Lost The most striking issue is the temporal dissonance. Her hairstyle is a Shuang Huan Wang Xian Ji (双鬟望仙髻), a high, twin-loop style popular during the Wei, Jin, and Northern and Southern Dynasties, often seen in deity and court lady paintings. This ethereal look was complemented by dangling side locks, or Chui Shao (垂髾), enhancing the otherworldly vibe. However, the hairpins tell a different story. She wore two styles of Buyao (步摇), or step-shakers. One was a Western Han design, its dangling beads meant to sway gently with…

Forget everything you think you know about historical revenge tales. A new series has captivated audiences not with flashy special effects or simplistic heroes, but with a labyrinth of intellect where every character is playing a high-stakes game. If you've ever felt your intelligence was insulted by predictable plots, The Vendetta of An (长安二十四计) offers a different promise: a narrative that respects your ability to think. This isn't just a story about settling a score; it's a masterclass in psychological maneuvering set against the breathtaking backdrop of the Tang Dynasty capital. The Chessboard of Revenge The premise seems familiar at first glance. A scholar, Xie Huaian (谢淮安, played by Cheng Yi), returns to the capital a decade after his family's massacre, his hair turned white and his body frail. He seeks answers. Yet, to label this a simple revenge narrative is to mistake the pawn for the king. Within episodes, the scope explodes. The personal tragedy is merely the first thread pulled in a tapestry of political conspiracy that envelops the entire court. Emperor Xiao Wuyang (萧武阳) sees Xie Huaian as a potential weapon against a powerful general, Yan Fengshan (言凤山), whose military success has made him a threat. The…

The story begins with a single tree, the Toxicodendron vernicifluum, and the precious sap it weeps. For millennia, this substance, known as Daqi (大漆), has been far more than a simple material; it is a flowing chronicle of Chinese civilization itself. Its deep, luminous sheen has reflected the faces of emperors and artisans, captured the ethos of philosophical schools, and preserved the artistic ambitions of countless dynasties. From the tombs of ancient kings to modern studios, the journey of lacquer is a testament to enduring beauty and resilience, a slow art in a fast world that continues to whisper secrets from the distant past. A Material History Archaeology provides the first chapter. At the Kuahuqiao (跨湖桥) site, a lacquered bow, silent for roughly 8,000 years, speaks of a Neolithic discovery. This artifact stands as the earliest known evidence of humanity's relationship with this transformative sap. Not long after, at Hemudu (河姆渡), a wooden bowl coated with a startling vermillion hue confirms that early communities had already mastered basic color application. These were not mere utilitarian objects; they were the first experiments in a medium that would come to define luxury and spiritual expression. By the Shang and Zhou dynasties, lacquer…

Imagine a garment so versatile it bridged the gap between the dusty plains and the gilded halls of imperial palaces. This was the journey of the Bijia (比甲), a sleeveless jacket that evolved from a Mongol practical essential into a defining icon of Ming Dynasty fashion. Its story is not merely one of changing hemlines and fabrics, but a fascinating reflection of cultural exchange, social mobility, and aesthetic innovation. By tracing its path, we uncover how clothing can transcend its original purpose to become a canvas for identity and artistry. Saddle to Street The Bijia's origin is rooted in utility. Designed during the Yuan Dynasty under Empress Chabi (察必) of the Khongirad tribe, its primary function was to facilitate riding and archery. The classic design featured a front opening secured by ties, no sleeves or collar, and a back panel longer than the front. This ingenious cut protected the rider's core from wind while allowing complete freedom of movement for the arms. Initially, it was apparel for the steppe and the aristocracy, a common sight in the Yuan court but rare among the general populace. Following the Yuan-Ming transition, one might have expected this distinctly Mongol garment to fade. Instead,…

A recent photoshoot featuring actress Zhang Yuxi (张予曦) has captivated social media, not for a new drama role, but for a breathtaking interpretation of bridal wear. Set against the backdrop of a windswept beach, the images present her not merely as a bride, but as a mythical figure emerging from the sea itself. The series transcends conventional wedding photography, framing a narrative where fashion, nature, and personal expression converge into a single, powerful visual statement. This isn't just a dress photographed near the ocean; it is a gown conceptually born from it, challenging traditional notions of bridal sanctity with a wave of liquid romance and effortless grace. The Gown as Art At the heart of this spectacle is the dress itself, a masterclass in thematic design. The sweetheart neckline bodice, embroidered with pearls and delicate feather-like motifs, catches the light with a subtle, shimmering effect. This careful embellishment creates the illusion of sunlight dancing on water, a direct translation of the ocean's sparkle into wearable art. The fabric appears alive, its texture and details meticulously crafted to echo the natural environment surrounding her. The silhouette is a defining feature. A fitted mermaid cut flares into a cascading train of layered…

The image stopped countless scrolling fingers mid-motion. There, bathed in the ethereal lavender haze of blooming wisteria, stood actress Zhang Yuxi (张予曦), transformed. At 34, she was not merely wearing a costume but embodying a vision, a seamless blend of person, place, and tradition. Her photoshoot, set against the unexpected backdrop of European-style architecture draped with cascading purple flowers, became an overnight sensation. It was more than a celebrity fashion spread; it was a statement. This moment captured a powerful contemporary dialogue between a modern Chinese woman and an ancient sartorial art form, suggesting that true elegance is not bound by era or age, but is a living, breathing continuum. A Portrait in Violet The genius of the look lies in its meticulous harmony. Zhang Yuxi's Hanfu is a soft symphony in powdered lavender and plum, its delicate embroidery tracing floral patterns that seem to echo the living wisteria around her. The ensemble avoids ostentatious grandeur, opting instead for a refined, almost poetic grace. A pivotal detail is the outer robe, trimmed with a subtle, downy fringe. This touch adds a tangible texture and depth, preventing the flowing silks from appearing flat, and introduces a whisper of delicate luxury. Every…

In the sprawling worlds of Chinese animation, a hero's own strength is only part of the story. Often, the true measure of power lies not in the protagonist's fist, but in the formidable allies standing behind him. These connections form an invisible shield and an unstoppable spear, turning seemingly ordinary youths into figures who can defy heavens and rewrite destinies. From ancient deities to peerless mentors, these backers are the ultimate cheat code, ensuring that when the hero calls, even gods must step aside. This exploration dives into the stories of five characters whose support systems are nothing short of legendary. 1. Lin Qiye's Divine Network Lin Qiye (林七夜), the protagonist of Slay the Gods (斩神之凡尘神域), operates with a safety net woven from the fabric of multiple mythologies. His connections read like a cosmic who's who. His younger brother is the formidable Erlang Shen (二郎神), Yang Jian (杨戬). His mother is the primordial Nyx, the Greek Goddess of Night. The legendary wizard Merlin acts as both his teacher and friend. His closest comrade-in-arms is revealed to be the Lingbao Tianzun (灵宝天尊), a supreme Daoist deity. His network extends further. He shares deep bonds with the Victorious Fighting Buddha, Sun Wukong…

A recent public appearance by singer and actress Song Qian (宋茜) has set fashion forums ablaze. Her outfit, a masterclass in confident color blocking, immediately commands attention. It’s a look that doesn’t just walk into a room—it announces its arrival. By pairing a vibrant, patterned blouse with a sleek, minimalist skirt, she achieves a balance that feels both daring and perfectly controlled. This ensemble transcends a simple style choice; it represents a deliberate fashion statement from an artist known for her sartorial intelligence. Deconstructing the Top The foundation of the look is the sapphire-blue floral blouse. This isn't a shy pastel, but a rich, jewel-toned piece that makes a powerful first impression. The print adds a layer of complexity, preventing the solid color from feeling overwhelming. A deep V-neckline introduces a hint of allure, skillfully balanced by the shirt's overall structure. This detail draws the eye while maintaining an air of sophistication. Further elevating the top are its thoughtful design elements. Gently gathered sleeves create a soft, blousoned effect that contrasts with the sharpness of the short skirt. This subtle volume adds movement and a touch of romance to the silhouette. A delicate drawstring at the neck or waist allows…

What happens when fashion becomes a language of its own, speaking through silhouette, light, and landscape? A recent series of photographs featuring actress Nazha (娜扎) offers a compelling answer. Captured against the backdrop of a dusk riverside, she is dressed in a deep chocolate brown, one-shoulder gown. The images transcend mere celebrity photography, resembling carefully composed painterly frames where human form and environment engage in a silent, elegant dialogue. This is not just a display of attire but a statement on modern elegance, where subtlety and precision create an impact far greater than overt spectacle. A Dusk Canvas The location is as crucial as the attire. The fading golden hour light by the river provides a soft, diffuse glow that naturally enhances the rich, chocolate hue of the gown. This warm, natural spotlight illuminates Nazha's complexion and adds a layer of cinematic depth to the scene. The water's surface, reflecting the twilight sky, creates a serene and expansive canvas, making the figure appear both grounded and ethereal. The choice of this setting demonstrates a sophisticated understanding of how environment frames fashion, transforming a photoshoot into a narrative moment suspended in time. The gown itself is a masterpiece of understated design.…