Quju (曲裾) is a kind of Shenyi (深衣). Shenyi, that is, the top and the dress are connected together, use different colors of fabric as the edge. It is characterized by the deep hidden body, it looks graceful and elegant. Shenyi can specifically be subdivided into “Straight Ju Dress” and “Wavy Ju Dress”. This article introduces the way of wearing Quju. Step1: Get ready for Quyi. Put on the right sleeve first. Turn the inside of Quyi around behind you. Step2: And tie the laces behind you and under your right axilla. Step3: Put on the left sleeve. Step4: Tidy  collar. Step5: Wrap Quju backward. Step6: Turn the sharp corners of the outer skirt behind you. Step7: Fix the end of the apex at the left hip. Step8: Fold the collar part of the outer jacket neatly. Step9: Belt tie. Step10: Find the midpoint of the belt, tie the belt in some places below the waist, the midpoint of the belt is aligned with the middle of the waist. Step11: Wrap the belt around your back and overlap the ends of the belt. Step12: Tie a bow in the middle of the waist. Step13: Tidy up the overlap of the…

Hanfu in Tang Dynasty was introduced to you before. Today, it brings you the style of Hanfu in Song Dynasty. Before introducing the Han clothes of the Song Dynasty, let's first understand the Song Dynasty. The Song Dynasty (960 - 1279) was divided into two stages, the Northern and Southern Song Dynasties. It experienced eighteen emperors and enjoyed the country for 319 years. The greatest feature of hanfu in the Song Dynasty is simple and elegant. Compared with the elegant appearance and bold colors of the Hanfu of the Tang Dynasty, the Hanfu of the Song Dynasty is simple in shape, simple in tone, and the whole temperament seems more natural and elegant. Song Dynasty civilian men's clothing, mainly to the "Ao (袄)" and "Ru (襦)". In ancient times, the poorer people wore "Duanhe (短褐; short and thick clothes)", which were designed to facilitate work. In addition, men in the Song Dynasty also liked to wear a shirt (衫). Unlike the clothes we imagined, this kind of clothes was very self-cultivating, not the kind of generous design we imagined. Compared with men's clothing, women's clothing is more abundant, in the Song Dynasty, women generally wore Ao(袄), Ru(襦), Shan(衫), Beizi(褙子), Banbi(半臂), dress…

Some time ago, I watched the hot Chinese drama Chang' a Twenty-four Hours (长安十二时辰). I was attracted by the hanfu of the Tang Dynasty in the play. So I did some research on the clothes and fittings of the Tang Dynasty. Let's see who is the most fashionable in Chang'an. Ruqun Talking about the trend of wearing and matching in the Tang Dynasty, it's natural that we can't do without ruqun. Ruqun is one of the most common and distinctive dresses in the Tang Dynasty. The main features of this dress are short clothes on the upper body and long skirts on the lower body. Some of them wear silk shoulders around their arms. Others wear half-arm outside the gown and then wear silk. "Ru (襦)" is for internal wear, sleeve length, upper and lower shorter, just to the waist. Long skirts were the clothes of women in the Tang Dynasty, most of which were made of silk. Skirt waist is high, can hide the chest, outside shoulder put on a yarn shirt, can make upper body skin half-covered, there is a kind of vague aesthetic feeling. Banbi (半臂) is a short-sleeved shirt, sleeve length to the elbow, knotted in…

Today, I will introduce you to a photographer. Her name is Dang xiaoshi (当小时). She is a Sichuan girl. She spends most of her time in Beijing. Like many people, Dang xiaoshi has been shooting some "commercial works" in order to live. However, due to a strong preference for "Chinese Style", there are occasional works of ancient style in private. At first, Dang xiaoshi just liked the costume style, but all the changes started with an invitation. A friend of hers got married and invited her to Nepal to take wedding photos. At that time, Dang xiaoshi put forward the idea of shooting with the theme of "Hanfu" to her friends. Originally, she just wanted to take a meaningful wedding photo for my friends, but when the photo came out, it got a lot of praise. Looking at the endless praise of Chinese clothes, she found that the charm of the original culture is so great. So she left beautiful pictures around the world with her Chinese clothes. Let's see what beautiful places she's been to. Hanfu in the United States When Hanfu, music and American enthusiasm are combined, there is a different spark. Hanfu in Nepal Hanfu in Japan…

Kyoto is an ancient capital of Japan. It preserves a large number of historic buildings. Many Japanese and tourists will feel Japanese culture in kimonos. However, in this ancient city, some local people often see a Chinese girl in Chinese costume walking down the street. Local Japanese all raised their thumbs: so beautiful, just like a fairy! The girl's name is Zhi Luo. She was born in 1993. She is from Beijing, China. Because her husband (Chinese) has been a photographer in Japan for many years, she came to Kyoto to work more than half a year ago. Why does Zhiluo like Hanfu? This is closely related to family education, she has often participated in activities about Chinese culture since childhood. Nowadays, Zhi luo works in Kyoto. As a result of working in photography, Zhi Luo wore Hanfu to work and became a landscape on the street. Although there were differences in the form and system of Han uniforms in different dynasties, Zhi Luo was very fond of it. She said: "Wear Tang and Song style when it's hot, Wei, Jin and Ming-style when it's cold, you can wear it all year round." Usually, Zhi Luo wears Chinese clothes to…

March is a hanfu enthusiast, She also insists on wearing Chinese clothes every day in her daily work, which affects colleagues and many people in the company. This time, she climbed the highest Chug peak in Germany in her hanfu, and the beautiful hanfu was praised by many tourists. Some photos of her trip to Germany: Some photos of daily wearing Hanfu:

Before, we introduced the way to wear a wist ruqun(one slice), and next, we will simply tell you how to wear a Qi xiong Ruqun(Chest Ruqun). Qi Xiong Ruqun is made up of front and back pieces(as the picture show). Step 1: Separate the front and back pieces and wear the back ones first. Step 2: tie up the back pieces. Step 3: tie up the front one(put white tape and red tape together). Step 4:Put an X-fork behind you, then take the tape to the front. Step 5: Make a knot. Step 6: The next step is to decorate the extra tape, wrap them in circles, just like a kind of Chinese food: Mahua (麻花, Fried Dough Twists). Step 7: Tie a knot at the end. Step 8: The red tape also needs to be wrap in circles. Finished~ Wearing Hanfu does not seem to be such a difficult thing, but it also requires repeated attempts to get the best look. If you have any questions during the wearing process, you are welcome to contact us by email, we will give you a more detailed explanation. More about how to wear Hanfu can be found here.

Many friends who have not touched Hanfu will have a lot of confusion when they wear Hanfu for the first time. How to wear it? Well, we will have a series of articles to simply tell you how to wear Hanfu. Today, let me show you how to wear a Waist Ruqun. First of all, what you have to know is that the Hanfu were without belts and buttons, all by lacing. The first one to introduce is Waist Ruqun(one slice), one slice means that the only one piece of dress. Step 1: Put the skirt over the waist, align the center of the skirt with the middle of the body, wrap the skirt around the waist and wrap the lower body. (This process is similar to a bathrobe after bathing.) Step 2: Sort out, and from the side, the place to be tied is left out. Step 3: Wrap the rope around the back (Note: cross the rope twice) Step 4: Then wrap around the front of the body. Step 5: Pass the rope through the part of the rope that has been tied to the waist Finished~ Wearing Hanfu does not seem to be such a difficult thing, but…

Today, we are talking about a magical guy, because he is very obsessed with Hanfu for 8 years, and in order to wear Hanfu, he has stayed his long hair for 4 years. What's the story of wearing Hanfu every day? Let's take a look! He is only 23 years old, wearing a Hanfu is very ancient. From the beginning of junior high school, he watched the Hanfu on TV. He thought that Hanfu is very traditional and has a feeling of traditional nationality, so he began to obsess with Hanfu from that time. Hanfu is a traditional national costume that has been inherited by the Han people for more than 4,000 years. It gives a fresh feeling to him. In order to make Hanfu more beautiful, he began to keep his hair. Opened his home wardrobe, all are Hanfu clothes, there are more than 30 sets of various styles, all kinds of colors, the habit of buying Hanfu, the love of Hanfu, is obsessed. Whether it is cold winter or hot summer, he insists on wearing Hanfu to go out. Everyone has paid a lot of attention to him, and he has become the "Starman". How do you understand…

Imagine a garment so versatile it bridged the gap between the dusty plains and the gilded halls of imperial palaces. This was the journey of the Bijia (比甲), a sleeveless jacket that evolved from a Mongol practical essential into a defining icon of Ming Dynasty fashion. Its story is not merely one of changing hemlines and fabrics, but a fascinating reflection of cultural exchange, social mobility, and aesthetic innovation. By tracing its path, we uncover how clothing can transcend its original purpose to become a canvas for identity and artistry. Saddle to Street The Bijia's origin is rooted in utility. Designed during the Yuan Dynasty under Empress Chabi (察必) of the Khongirad tribe, its primary function was to facilitate riding and archery. The classic design featured a front opening secured by ties, no sleeves or collar, and a back panel longer than the front. This ingenious cut protected the rider's core from wind while allowing complete freedom of movement for the arms. Initially, it was apparel for the steppe and the aristocracy, a common sight in the Yuan court but rare among the general populace. Following the Yuan-Ming transition, one might have expected this distinctly Mongol garment to fade. Instead,…

A photograph stops the scroll. Actress Hui Yinghong (惠英红), a figure synonymous with cinematic gravity, stands not in a contemporary gown but wrapped in the sweeping lines of a traditional Daxiushan (大袖衫). The image sparked immediate fascination: the grand-sleeved robe, a relic of ancient Chinese elegance, was worn not as a historical costume but as a striking modern outer layer. This was not a museum piece but a living garment. The public reaction was a mix of surprise and admiration, highlighting a collective realization. Here was a tangible bridge between a profound aesthetic past and the dynamic language of present-day style. This single sartorial choice posed a compelling question about the very nature of tradition—is it a boundary to be preserved, or a foundation to be built upon? Historical Silhouettes The Daxiushan is far from a monolith; its form evolved across dynasties, each cut telling a story of its time. In the luxurious courts of the Late Tang and Five Dynasties periods, its most dramatic iteration emerged: a robe with a front hem reaching the waist or knees, while the back cascaded into a long, trailing train. Paired with high-waisted skirts, this created an unmistakable silhouette of flowing, dignified movement,…

A recent photoshoot featuring actress Zhang Yuxi (张予曦) has captivated social media, not for a new drama role, but for a breathtaking interpretation of bridal wear. Set against the backdrop of a windswept beach, the images present her not merely as a bride, but as a mythical figure emerging from the sea itself. The series transcends conventional wedding photography, framing a narrative where fashion, nature, and personal expression converge into a single, powerful visual statement. This isn't just a dress photographed near the ocean; it is a gown conceptually born from it, challenging traditional notions of bridal sanctity with a wave of liquid romance and effortless grace. The Gown as Art At the heart of this spectacle is the dress itself, a masterclass in thematic design. The sweetheart neckline bodice, embroidered with pearls and delicate feather-like motifs, catches the light with a subtle, shimmering effect. This careful embellishment creates the illusion of sunlight dancing on water, a direct translation of the ocean's sparkle into wearable art. The fabric appears alive, its texture and details meticulously crafted to echo the natural environment surrounding her. The silhouette is a defining feature. A fitted mermaid cut flares into a cascading train of layered…

The image stopped countless scrolling fingers mid-motion. There, bathed in the ethereal lavender haze of blooming wisteria, stood actress Zhang Yuxi (张予曦), transformed. At 34, she was not merely wearing a costume but embodying a vision, a seamless blend of person, place, and tradition. Her photoshoot, set against the unexpected backdrop of European-style architecture draped with cascading purple flowers, became an overnight sensation. It was more than a celebrity fashion spread; it was a statement. This moment captured a powerful contemporary dialogue between a modern Chinese woman and an ancient sartorial art form, suggesting that true elegance is not bound by era or age, but is a living, breathing continuum. A Portrait in Violet The genius of the look lies in its meticulous harmony. Zhang Yuxi's Hanfu is a soft symphony in powdered lavender and plum, its delicate embroidery tracing floral patterns that seem to echo the living wisteria around her. The ensemble avoids ostentatious grandeur, opting instead for a refined, almost poetic grace. A pivotal detail is the outer robe, trimmed with a subtle, downy fringe. This touch adds a tangible texture and depth, preventing the flowing silks from appearing flat, and introduces a whisper of delicate luxury. Every…

A recent public appearance by singer and actress Song Qian (宋茜) has set fashion forums ablaze. Her outfit, a masterclass in confident color blocking, immediately commands attention. It’s a look that doesn’t just walk into a room—it announces its arrival. By pairing a vibrant, patterned blouse with a sleek, minimalist skirt, she achieves a balance that feels both daring and perfectly controlled. This ensemble transcends a simple style choice; it represents a deliberate fashion statement from an artist known for her sartorial intelligence. Deconstructing the Top The foundation of the look is the sapphire-blue floral blouse. This isn't a shy pastel, but a rich, jewel-toned piece that makes a powerful first impression. The print adds a layer of complexity, preventing the solid color from feeling overwhelming. A deep V-neckline introduces a hint of allure, skillfully balanced by the shirt's overall structure. This detail draws the eye while maintaining an air of sophistication. Further elevating the top are its thoughtful design elements. Gently gathered sleeves create a soft, blousoned effect that contrasts with the sharpness of the short skirt. This subtle volume adds movement and a touch of romance to the silhouette. A delicate drawstring at the neck or waist allows…

When Liu Shishi (刘诗诗) recently appeared in a pale pink tulle gown, the internet momentarily stopped scrolling. The image, set against a soft ink-wash background, felt like a living painting—a delicate fusion of classical China elegance and contemporary romance. This was not merely a red-carpet moment; it was a statement. Her look transcended typical celebrity fashion, offering a quiet manifesto on how tradition can converse with modern design. It presented a question many now ask: how can one wear history without being trapped by it? Liu Shishi’s answer, woven into every stitch of that gown, is proving profoundly influential. The Dress Speaks The gown’s power lies in its nuanced details. The shade, reminiscent of early cherry blossoms, softened her silhouette and enhanced her innate poise. Delicate pearl edging at the neckline provided a subtle lift of sophistication, avoiding any hint of ostentation. The true marvel was the intricate embroidery—golden branches and leaves meticulously crafted across the skirt, resembling a fine Gongbi (工笔) painting brought to life on fabric. This element rooted the dress firmly in an artistic heritage while its sheer tulle layers kept it ethereally modern. Strategic design choices amplified a specific grace. The half-sleeves gently suggested rather than…

What happens when fashion becomes a language of its own, speaking through silhouette, light, and landscape? A recent series of photographs featuring actress Nazha (娜扎) offers a compelling answer. Captured against the backdrop of a dusk riverside, she is dressed in a deep chocolate brown, one-shoulder gown. The images transcend mere celebrity photography, resembling carefully composed painterly frames where human form and environment engage in a silent, elegant dialogue. This is not just a display of attire but a statement on modern elegance, where subtlety and precision create an impact far greater than overt spectacle. A Dusk Canvas The location is as crucial as the attire. The fading golden hour light by the river provides a soft, diffuse glow that naturally enhances the rich, chocolate hue of the gown. This warm, natural spotlight illuminates Nazha's complexion and adds a layer of cinematic depth to the scene. The water's surface, reflecting the twilight sky, creates a serene and expansive canvas, making the figure appear both grounded and ethereal. The choice of this setting demonstrates a sophisticated understanding of how environment frames fashion, transforming a photoshoot into a narrative moment suspended in time. The gown itself is a masterpiece of understated design.…

The shoreline is a photographer's favorite canvas, but it is rare for an actress to become one with its nocturnal poetry so completely. In a recent photoshoot, Sun Yi (孙怡) achieved this, wearing a gown that seemed spun from moonlight and sea foam. The images captured more than a beautiful woman in a beautiful dress; they framed a moment of stylistic alchemy. This was not merely a fashion choice, but a deliberate step in a public evolution, where fabric, light, and persona fused to create an iconography far removed from her earlier public identity. The Dress as Character The centerpiece was a metallic silver-blue gown, a garment that acted as both armor and allure. Its cold, sleek satin reflected light like shifting water, changing hue with every subtle movement. The strapless neckline presented a sculptural quality, framing Sun Yi's shoulders and collarbone with elegant severity. This was not a dress meant for frivolity; it carried a narrative weight, reminiscent of a celestial being or a noble figure from a Wuxia epic, dignified and untouchable. Its architecture was masterful. A fitted bodice and high waist accentuated her slender frame, while the skirt flared into a soft A-line silhouette. This classic shape…

The recent appearance of actress Song Yi (宋轶) has once again set the internet ablaze, not merely for its beauty but for its conceptual depth. Stepping out in a gown that seemed spun from twilight itself, she transformed a red carpet into an enchanted glade. This was not just fashion; it was a narrative of metamorphosis, a visual poem that resonated deeply with an audience yearning for elegance intertwined with a touch of wild, natural mystery. Her journey from a recognizable face to a bona fide style icon speaks to a deliberate and fascinating evolution, making her current "forest spirit" moment a pivotal chapter worth examining. The Gown The dress itself was a masterclass in subtle artistry. A gradient flowed from the palest leaf-green to a deep, mossy yellow-green, mimicking the dappled light of a dense forest. Thousands of minute sequins were scattered across the fabric like dewdrops catching the first morning sun or fireflies at dusk. The design's brilliance lay in its controlled revelation: a single shoulder strap and an open back highlighted her delicate frame, while a high slit introduced a dynamic, graceful movement with every step. Critically, the styling embraced restraint. Her hair was swept into a…

When Dilraba stepped out recently, she didn't just wear an outfit; she made a statement. The actress, a dominant figure in Chinese entertainment, has long been celebrated for her ethereal beauty and versatile acting in hit dramas like The Long Ballad (长歌行). Yet, her latest public appearance shifted the narrative entirely. Gone was the sweet, approachable charm often associated with her. In its place stood a vision of powerful, modern sophistication. Captured in unedited candid shots—the kind that test a star's true appeal—she demonstrated a magnetic confidence that transcends mere styling. This was more than a fashion moment; it was a deliberate unveiling of a new chapter, proving that for a true artist, evolution is the only constant. Fashion Evolution Dilraba's journey in the public eye has been a masterclass in graceful transformation. She first captured hearts with a fresh, girl-next-door vitality, her roles and red-carpet looks radiating youthful innocence. This persona, while beloved, was just one facet of her identity. Over recent years, a deliberate shift has taken shape. The soft hues and flowing silhouettes have been strategically interspersed with sharper, more structured choices. This evolution mirrors her career trajectory, moving from ingenue parts to complex characters who command the…

The dust has settled on the painted wall of the Qi Ting (旗亭) wine shop. Detectives Su Wuming (苏无名) and Lu Lingfeng (卢凌风) have apprehended the phantom fire manipulator, Mo Ying Youyan (墨影幽焰). Yet, the most remarkable victory of this case remains unrecorded in any official ledger. It belongs not to the magistrates with their badges of authority, but to a man everyone underestimated. The final feast in Chang’an celebrates more than a solved mystery; it honors a quiet, profound act of integrity that redefines what it means to be a hero in a world of glittering poetry and lurking shadows. The Banquet's True Purpose As the fourth celebratory feast of this long case is laid out, the atmosphere is one of weary relief. The master of illusions, Mo Ying Youyan, who used pyrotechnic sleight-of-hand to terrorize others, is securely bound. His accomplices, the performers of the Xuanhuo Troupe (玄火班), were coerced into service and have surrendered. The ingenious pharmacist, Fei Jishi (费鸡师), reveals he had been working behind the scenes for days, neutralizing poisons in the dessert and providing the crucial clue that linked the troupe to the wanted fugitive. It appears all threads are neatly tied. However, Su…