Zhou Yutong

The costume design in the period drama Swords into Plowshares (太平年) has sparked lively discussion, particularly one striking accessory. Actress Zhou Yutong (周雨彤) wears a distinctive, seemingly modern-looking hat with ear flaps. Its appearance prompts a question: can such a design be historically accurate, or is it a creative anachronism? This piece of headwear is far from a modern invention. It is a faithful representation of a Feng Mao (风帽, wind hat), a practical and stylish item with deep roots in China's sartorial past. Its journey from the northern steppes to the wardrobes of the Central Plains is a story of cultural exchange, adaptation, and enduring utility. Northern Origins The Feng Mao finds its origins with the nomadic peoples of the northern frontiers. Designed for survival, its primary function was to shield the wearer from the harsh, biting winds and extreme cold of the steppes. The defining feature was its extended "skirt" that could be drawn to cover the ears, neck, and shoulders, creating a protective cocoon against the elements. This practical design was gender-neutral, worn by both men and women for warmth. Early versions of this hat were not a single piece. Archaeological evidence from figurines of the Northern…

The recent period drama Swords into Plowshares (太平年) sparked lively online debate, but not for its plot or performances. Instead, viewers were captivated—and often baffled—by the wedding makeup. Actress Zhou Yutong’s (周雨彤) character appeared with intricate patterns adorning her face, resembling an array of tiny, artful moles. While some fans praised the bold look, others questioned its historical accuracy and aesthetic appeal, with comments ranging from "This makeup made me laugh" to "This is too garish." This intense reaction highlights a growing public interest in the authenticity of historical costuming. Behind the modern scrutiny lies a legitimate ancient practice, offering a rare glimpse into the extravagant beauty ideals of a bygone era. The Historical Face Chart The distinctive facial patterns are not a modern stylist’s fantasy. They faithfully recreate a specific cosmetic tradition known as Mian Ye (面靥), which flourished from the late Tang dynasty into the Five Dynasties period. Far from random decoration, these designs carried deep symbolic meaning. Artisans and wearers used materials like dried flowers or delicate gold leaf, adhering them to the skin with adhesives such as fish glue. Different shapes held different names and connotations: Hua Ye (花靥) for floral motifs, Niao Ye (鸟靥) for…

In the year 941, the Wuyue (吴越) kingdom was thrust into uncertainty. Its aging king was gone, leaving a young successor and a court simmering with ambition. From this turmoil emerged a prince who seemed more interested in personal freedom than affairs of state. His name was Qian Hongchu (钱弘俶), and his journey would become the heart of the new historical drama Swords into Plowshares (太平年). This is not merely a tale of battles and conquests, but a deep exploration of a leader's evolution and the monumental choice between holding onto power and securing peace for his people. It asks a timeless question: what is a ruler's ultimate duty? Transformation Qian Hongchu's life was upended by a diplomatic mission to Bianliang (汴梁). He anticipated a routine visit, but instead walked into a nightmare. He saw the brutal reality of war firsthand: Khitan armies at the gates, a humbled emperor, and ordinary citizens displaced and suffering. These scenes shattered his sheltered worldview. It was here he also forged crucial bonds with fellow visionaries Guo Rong (郭荣) and Zhao Kuangyin (赵匡胤), men who shared his whispered dream of a lasting peace for all the warring states. Returning to Wuyue, the prince was…