The Tang Dynasty (from 618 to 907) was extremely important in the history of China. Many Chinese TV dramas and movies have been filmed with the Tang Dynasty as the background. We have introduced the costume culture of the Tang Dynasty before, today we will show you the beautiful makeup and the history of the rise and fall of the Tang Dynasty through the Hanfu drawing of illustrator @Yucha Guozi (御茶菓子) and the Hanfu model @Zhende Caicai (真的菜菜), present the stunning makeup and the history of the rise and fall of the Tang Dynasty, and feel the aesthetic spirit of the Tang Dynasty which is diverse, confident and inclusive.   Early Tang dynasty: the first year of Wude: 618 AD (武德元年) Narrow-sleeved short garments were popular in the early Tang dynasty. The picture shows a double-bun maid, wearing a shawl collar, a half-sleeved garment with a long skirt, and a skinny shape.   Gaozong period of the Tang Dynasty: 628-683 AD (高宗时期) Next is a "woman in men's clothing", during the Tang dynasty, women often wore men's clothing. This is because during the period of Gaozong, society gradually became more elegant and open, and the body shape that was favored…

The eighth Xitang Hanfu Culture Week this year demands the origin of the word "Hanfu" and its connotation of the same lineage. Promoting the significance of Hanfu clothing is consistent with our consistent beginnings. Hanfu is more than just a piece of clothing, so we need to delve into the realm of traditional culture and combine it with contemporary expression and content. Introducing dynastic carnivals, Hanfu runway shows, weddings, coming of age ceremony, and more. Integrating the thinking of etiquette and aesthetics, advocating the rule, integrity, balance, and harmony of the Han clothing culture. Traditional renewal, innovative Chinese style. Xitang Hanfu Culture Week is willing to spread Hanfu culture with positive energy and experience the ritual of life in the culture with you. https://youtu.be/iGvJ6JJWUQQ Event Time: 2020 the Eighth Chinese National Costume Exhibition & Xitang Hanfu Culture Week:  October 31 to November 3, as scheduled How to Register: Registration for all events of Xitang Hanfu Culture Week will be opened soon, so stay tuned! Appreciation of Previous Activities:

It is every woman's nature to love beauty, and modern women have a common hobby - buying jewelry, and when they see jewelry with good design, they are always delighted and want to buy it as soon as possible. Hanfu girls are no exception, and they often use different styles of Hanfu jewelry to match their Hanfu when they go out in Hanfu clothing. For women, Hanfu jewelry is the best weapon used to adorn themselves and shine in the crowd with elegance and beauty. But you may not realize it, the Sui and Tang dynasties' women were much more particular about Hanfu jewelry than we are today, especially the high officials and noblemen of the time. The aristocratic ladies in their gorgeous clothes, who dressed up every day like "a lotus flower", looked like a pair of beautiful paintings from afar. Archaeologists have studied many Hanfu jewelries that were unearthed during the Sui and Tang dynasties, and from behind those artifacts, they have discovered that the women who wore those gorgeous Hanfu clothing actually had a legendary life story that was hidden from the public. In the following pages, we will talk about the trend of the unearthed Sui…

Ruqun (襦裙), is one of the earliest and most basic forms of Hanfu. Ru means top garment, and Qun means skirt. There are two types of Ruqun if categorized by where the skirt is tied, one with the skirt tied above the chest (the chest-high Ruqun - Qixiong Ruqun), and the other one is tied on the waist, and for today, we are going to talk about the waist-high Ruqun - Qiyao Ruqun. Let's take a look at history and how to wear the Qiyao Ruqun.   1: History of Qiyao Ruqun Ruqun is one of the styles under the Yi Chang (衣裳) category of hanfu, Yi Chang basically means top and skirt, although traditional Chinese clothing varied greatly from each dynasty to the next, the few basic styles remained unchanged for the most part. During the Tang Dynasty, other than the iconic Qixiong Ruqun, a variety of Qiyao Ruqun styles were also in favor. In this famous Chinese painting “Night Revels of Han Xizai (韩熙载夜宴图)”, all the musician ladies were wearing Qiyao Ruqun, with bold and vibrant colors.   2: Wear the Top Garment of Qiyao Ruqun Unlike Qixiong Ruqun, you have to wear a camisole with the Qiyao…

Qixiong Ruqun(齐胸襦裙) is a typical style during the Tang Dynasty, the golden age of China. You can find similar styles of clothing in the famous Tang Dynasty paintings. This is a type of Ruqun with the skirt tied above the breasts and worn with short blouses. Now let’s look at the individual pieces and how to wear Hanfu - Qixiong Ruqun.   1: Wear the Blouse of Qixiong Ruqun The word Ruqun translates into top garment and skirt in Chinese, it is one of the earliest and most basic forms of Hanfu. This blouse has parallel collars and is relatively short to match the long skirt, it is very common to find flower and plant shaped patterns on fabrics during the Tang Dynasty. Put the blouse on first, and tie the knot.   2: Wear the Skirt of Qixiong Ruqun Moving onto the skirt, it is long and pleated, unlike traditional skirts which are usually one piece of fabric wrapped around the body, this modern twist separates the back and front panel and has two sets of ties, it is designed to ensure a better fit and help it stay put on the body. The first step into the center…

The Tang Dynasty was the heyday of China's feudal society, especially during the years of Zhenguan (贞观) and Kaiyuan (开元) when the political climate was relaxed and people lived and worked in peace. The typical styles of the Tang Dynasty Hanfu are Gongfu (公服, official uniform), round-necked robe, Banbi (半臂), Pei (帔, large-sleeved formal dress), and so on. From the Sui to the Tang (618-907), the development of ancient Chinese Hanfu clothing reached its heyday, political stability, economic development, advances in production and textile technology, frequent foreign exchanges, etc. contributed to the unprecedented prosperity of clothing, clothing styles, colors, patterns, etc. were the unprecedented new situation. The women's costumes of this period are one of the most exciting chapters of Hans costume, with their rich beauty and splendor, and their exotic decorations are breathtaking. Chang'an in the Tang Dynasty was the political, economic, and cultural center of the time and, at the same time, the center of East-West cultural exchange. There were more than three hundred countries that had friendly relations with the government of the Tang Dynasty. The splendid Chinese culture, spreads to the world. To this day, some countries in East Asia still use the Tang Dynasty dress…

Tang Dynasty clothing mainly refers to the Tang Dynasty Hanfu clothes. Tang Dynasty is a period of great prosperity of China's feudal society. Both people's thoughts and material production have reached the ancient historical peak. Since the Tang Dynasty, a large number of flower patterns have been widely used in craft decoration. Its composition is lively and free, dense and symmetrical, plump, and mellow. Especially after the combination of wavy continuous patterns and floral plants, it was the popular pattern in that period. The style of the Tang Dynasty clothing has taken real flowers, grass, fish, and insects for sketching, instead of the previous creative idea of the "Mandate of Heaven." Still, the traditional mythical animals, like dragon and phoenix pattern, has not been excluded. At this time, the design of costume patterns tends to express the free, open mind and casual artistic style. The Feature of Tang Dynasty Clothing In the Tang Dynasty, foreign trade was developed, and the country was peaceful for a long time. Especially when the Tang Dynasty became the center of economic and cultural exchanges among Asian nations, it was the most glorious page in the history of Asian history. This period absorbed Indian and…

Today, we share a group of photos of Ruqun, the posture and style is worth learning Ruqun has always been a popular style, put on your ruqun and take beautiful pictures~

On October 26, 2019, the Chinese national costume exhibition and the 7th China Xitang Hanfu culture week opened in Xitang ancient town, Zhejiang Province. "Spring and autumn water, Tang and song towns, Ming and Qing architecture, modern people." Here, everyone is dressed in Hanfu and treated with courtesy. As time goes by, the Hanfu culture week has been held seven times in Xitang. Compared with the previous years, the 7th Xitang Hanfu culture week received more support and praise from traditional culture lovers, and the number of activities reached a new record. With the sound of drums, the horses are marching together. It opened the curtain of the 7th Xitang Hanfu culture week and led the most anticipated Dynasty Carnival to us. The handsome and powerful pacesetters are the vanguard elites of this carnival. They are mighty and majestic. Next to it, there is a uniform horse team, full of energy and momentum, which brings people's thoughts back to the historical era in an instant. The carnival is divided into seven parts: "Han, Jin, Tang, Song, Yuan, Ming and Qing", which highly extracts the cultural and spiritual images of each dynasty. You will see the square array with magnificent momentum…

We have introduced Banbi (半臂) before, which is a kind of hanfu very suitable for wearing in summer. The tan collar introduced today is a small classification of Banbi. You will find that the shape of the tan collar is very similar to the collar of the T-shirt we usually wear. Tan collar (坦领), also known as U-collar, is a kind of short coat with a wide collar. Some of them cover it outside the skirt, some like today's short windbreaker. The lower body is matched with a long dress, which fully reflects the graceful posture and natural beauty of women in the Tang Dynasty. In the Tang Dynasty, the tan collar was more popular, not only for men and women but also for court uniforms. I spelled out a long picture to introduce it. It's easier to understand： Because of the wide popularity of Hu culture among different classes in the Tang Dynasty, it became a fashion hanfu for women to wear small sleeves in the Tang Dynasty. Popular in the Sui and Tang courts, and later spread to the folk, enduring. There are many conjectures about the origin of the tan collar. One conjecture is that the tan…

Some time ago, I watched the hot Chinese drama Chang' a Twenty-four Hours (长安十二时辰). I was attracted by the hanfu of the Tang Dynasty in the play. So I did some research on the clothes and fittings of the Tang Dynasty. Let's see who is the most fashionable in Chang'an. Ruqun Talking about the trend of wearing and matching in the Tang Dynasty, it's natural that we can't do without ruqun. Ruqun is one of the most common and distinctive dresses in the Tang Dynasty. The main features of this dress are short clothes on the upper body and long skirts on the lower body. Some of them wear silk shoulders around their arms. Others wear half-arm outside the gown and then wear silk. "Ru (襦)" is for internal wear, sleeve length, upper and lower shorter, just to the waist. Long skirts were the clothes of women in the Tang Dynasty, most of which were made of silk. Skirt waist is high, can hide the chest, outside shoulder put on a yarn shirt, can make upper body skin half-covered, there is a kind of vague aesthetic feeling. Banbi (半臂) is a short-sleeved shirt, sleeve length to the elbow, knotted in…

Recently, a TV play, "The Longest Day in Chang'an(长安十二时辰)" is very attractive! It tells the story of the hero defending Chang'an City from the enemy's destruction during the Tang Dynasty. In addition to the glamorous actors, the play also pays tribute to the culture and history of the Tang Dynasty, including traditional costumes, weapons, makeup, architecture and Lantern Festival costumes, which are carefully reproduced on the basis of historical data. Today, let's take a look at the Tang Dynasty hanfu in the TV series. Let's start with the Taoist costumes worn when Jackson Yi appeared. Because of the prevalence of Taoism in the Tang Dynasty, Taoist costumes can be divided into five parts: Tao scarf, Tao crown, Tao gown, shoes and socks, and decoration. Taoist priests have different ranks and wear different clothes. The crane is a commonly used pattern in Taoism, known as "the emergence of immortals into the sky". Men basically wear round collars robe. "Round collar" refers to a collar type that does not wrap around the neck. A button often falls on the right side of the wearer's collar. On informal occasions, the buttons can also be unbuttoned to make the neckline hang down naturally. In…

In today's fragmented media landscape, a television drama can dominate traditional ratings while barely causing a ripple in the digital stream. This split personality challenges the very idea of a unified hit. Since its debut, the series Legend of the Magnate (大生意人) has delivered staggering numbers for CCTV-8. It shattered multiple records, claiming the top spot for a premiere's real-time rating on the channel in three years and holding an average near 3.5% per episode. By these measures, it is poised to become the channel's ratings champion for the latter half of the year. Yet, on major online video platforms, its performance tells a different story. The show's "heat index," a key metric for web popularity, has struggled to breach the significant 9000-point threshold. This disconnect is not new; many series have faced this same divide, leaving the industry still searching for a reliable bridge. What makes this case particularly notable is the contrast with other shows. Unlike some previous high-rated series that sparked online debate over their quality, social media discussions largely acknowledge Legend of the Magnate as well-made and engaging, with particular praise for its production design. This consensus, however, has not ignited the broader online fervor that…

Historical dramas often weave ambition and fate into grand tapestries, but few threads are as startling as the one followed by Gu Pingyuan (古平原). His story begins not in a mansion but in despair, a scholar whose path to imperial examination glory was shattered in an instant. A single act of spilled ink rerouted his destiny from scholar to exile, casting him into the remote harshness of Ninggu Pagoda (宁古塔). What defines Gu is not the fall, but the arduous climb back. Survival in exile required a different kind of cunning. The classical texts in his mind gradually made room for the calculus of the marketplace. His journey from the frozen frontier to the pinnacle of the Qing dynasty's commercial world is a relentless pursuit of both justice and prosperity, a quest to unravel the conspiracy that upended his life. The television adaptation, Legend of the Magnate (大生意人), has rapidly captivated audiences. While praised for its scale and emotional pull, viewers note a familiar echo. Gu Pingyuan's remarkable blend of scholarly wit, martial prowess, and disruptive commercial savvy feels less like a historical figure and more like a direct descendant of a modern archetype. The comparison is inevitable: here stands…

A historical drama arrives without warning or promotion. Yet, within days, it has viewers clutching their pillows, peeking through their fingers, and sacrificing sleep. Its secret weapon? A potent fusion of folkloric nightmares and forensic medicine. The show, titled Treasure at Dawn (天书黎明), has ignited online forums, spawning a trending topic with over 180 million reads labeled "the pinnacle of Chinese suspense." By weaving murder plots into the fabric of traditional culture—where a shadow puppet show forecasts death and a ritual dance masks extermination—it taps into a deep, chilling vein of horror that feels intimately familiar and utterly terrifying. The Folkloric Trap The terror here doesn't rely on sudden shocks or gore. Instead, it weaponizes cultural comfort. The first case, "The Murderous Shadow Play," sets the tone. During a performance of the "Ten Courts of Hell," a wealthy merchant collapses, bleeding from his senses. On the screen, the leather silhouette eerily mimics his death throes. The investigator, Fuchen (符生), a brilliant but eccentric physician, examines the body. He finds specks of powder on the victim's clothes. A silver needle inserted under a fingernail turns black instantly. "Datura pollen mixed with toad venom," he mutters. "The play was a performance, but…

When historical mystery drama Treasure at Dawn (天书黎明) quietly began streaming, few noticed its arrival. Yet for viewers who stumbled upon it, the series offered a refreshing authenticity often missing from bigger productions. Its lush green forests and bustling marketplace sets were real locations, not digital creations. The actors wore simple, slightly pilled linen garments—small details that built a convincing world. At the center of this world is Su Xiaotong (苏晓彤), an actress whose name became synonymous with a different historical mystery hit four years ago. Her return to the genre feels like meeting an old friend in a familiar neighborhood, but the neighborhood itself has changed dramatically. A Familiar Lane Su Xiaotong’s path to recognition was paved with period costumes. However, it was her role as the clever and endearing coroner Chu Chu (楚楚) in The Imperial Coroner (御赐小仵作) that made her a standout among a new generation of actresses. Her fresh, sweet appearance and natural acting won her the Best Actress award at the Huading Awards that year. Many saw her as a rising star among post-95-born actresses, poised for greater success. The character of Chu Chu left a deep imprint on audiences, becoming a role she is…

In the television drama Legend of the Magnate (大生意人), a seemingly straightforward transaction leaves audiences baffled. When the tea harvest is abundant, the merchant Hou Er (侯二) suppresses prices. The protagonist, Gu Pingyuan (古平原), defiantly offers farmers a ten percent higher price, pledging to buy the tea himself. However, he lacks the capital. He sends a note to Jin Da Nainai (晋大奶奶), matriarch of the Lao Ba family's banking empire, requesting a loan of 50,000 taels of silver. Her response is astonishing. She arrives in person, not with 50,000, but with 200,000 taels—a fortune equivalent to millions today. This move defies simple logic. It wasn't merely about repaying a past favor; it was a masterclass in long-term investment and strategic positioning. A Tested Partnership Jin Da Nainai's decision stemmed from profound trust in Gu Pingyuan's abilities. Their history was one of mutual salvation. When the Lao Ba family faced ruin, imprisoned by the scheming Li Wantang (李万堂), it was Gu's idea of issuing "fictitious checks" that secured their release. The crisis didn't end there. Li later attempted to withdraw a massive deposit, threatening the bank's liquidity while luring customers with higher interest. Gu devised another clever plan, turning Li's own…

Viewers of historical Chinese dramas often share a common thought during winter scenes: those actors must be freezing. The diaphanous gowns, often little more than a single layer of silk, seem utterly inadequate against painted backdrops of snow and ice. While a flowing cloak might be added for effect, the costumes underneath remain stubbornly, beautifully thin. This consistent aesthetic choice prompts the question: is this what people really wore, or is it purely for the camera? Historical Layering The reality of historical winter wear was fundamentally about layers, not just fabric weight. A Tang Dynasty woman, for instance, would have employed a sophisticated system of overlapping garments. This would start with close-fitting undergarments, followed by a lined jacket and skirt, and then a padded outer robe or coat. A final, large shawl or cape provided additional protection. This multi-layered approach trapped air and created insulation far superior to any single garment. For the elite, winter wear was both warm and luxurious. Mianpao (绵袍), or silk-wadded robes, were common. Here, "mian" refers to silk floss, a lightweight and highly effective insulating material akin to a natural down filling. More extravagant outfits incorporated furs from sable, fox, or rabbit for collars, cuffs,…

When Chinese actor and singer Wang Yibo (王一博) appeared on the variety show Day Day Up (天天向上) years ago, a specific costume detail ignited online curiosity. His headpiece, resembling a sparse fishnet, led many to wonder if it was a styling error. However, this accessory was a deliberate choice, rooted in centuries of tradition. Far from a mistake, it represents the Wangjin (网巾), a functional hair net from China's Ming Dynasty. This glimpse into historical fashion, facilitated by a modern celebrity, opens a window to understanding how everyday items from the past carried significant cultural weight. The conversation it sparked highlights a common disconnect between contemporary perceptions and historical reality, urging a closer look at the artifacts that shaped daily life in ancient China. Origins and Use The Wangjin was a foundational item in the wardrobe of Ming Dynasty men. Designed as a mesh net, its primary function was to bind one's hair, or bundle the hair, containing loose strands and creating a neat base for headwear. Its adoption was not merely a fashion trend but a practical solution for managing hair, which was typically worn long. The net also provided grip, preventing hats and official headdresses from slipping during…

A single image from a documentary has captivated audiences, sparking both curiosity and admiration. In the CCTV production Da Song Ci Ren Zhuan (大宋词人传), actress Hu Bingqing (胡冰卿) portrays Xu Wenmei (徐文美), the wife of renowned poet Qin Guan (秦观). Her most striking feature is an elegant, sculptural headwrap that some viewers humorously compared to a chef's hat. Yet, far from being a culinary misstep, this delicate headdress is a meticulously researched piece of historical attire. It represents a perfect marriage of actress, aesthetic, and era, leading fans to applaud the "authoritative taste of CCTV" for its authentic and harmonious presentation of Song Dynasty elegance. The Headwrap's History The style worn by Hu Bingqing is known as a Baoji (包髻), a term literally meaning "wrapped hair knot." Its origins can be traced to practical necessity. For women engaged in daily work or managing households, keeping intricate hairdos tidy was a challenge. The Baoji offered a simple, graceful solution: a square piece of cloth, often silk or fine linen, folded and wrapped securely around the styled hair. This practice was not invented in the Song Dynasty. Its precursor was the more structured Jinguo (巾帼), a headdress from the Han Dynasty. The…