Ju Jingyi

In the recent buzz surrounding actress Ju Jingyi (鞠婧祎) and her role in the drama Veil Of Shadows (月鳞绮纪), a simple head wrap has captured audience attention, sparking debates online. This accessory, far from a random costume choice, echoes a practical tradition from ancient China. Known as Pazi (帕子), it served as a everyday solution for managing hair, similar to modern hairbands or scarves. Its appearance in the show highlights how historical elements can blend seamlessly into contemporary storytelling, inviting viewers to look beyond the glitter of ornate hairstyles and appreciate the simplicity of daily life in past eras. This piece of cloth connects us to a time when functionality and fashion intersected in subtle ways, reminding us that some style solutions are timeless. Historical Roots Long before Veil Of Shadows brought it to screen, the head wrap had deep roots in Chinese history, dating back to periods like the Wei and Jin dynasties. Initially, both men and women used these square cloth pieces, often made from fabric scraps, to bundle their hair and maintain a neat appearance. For instance, men frequently wore a style called Zicuo (缁撮), which involved twisting black cloth into a bun-like shape, commonly seen among…

In a recent series of images that flooded social media, Chinese actress and singer Ju Jingyi (鞠婧祎) offered a masterclass in personal style evolution. The photos, capturing a seemingly private moment of her applying lipstick, showcase a striking departure from her earlier public persona. Gone is the unadulterated youthful innocence; in its place is a woman who has meticulously crafted an image of graceful maturity. Her jet-black, long straight hair, sharply cut with a Hime Cut, frames her face with a blend of softness and structure. This is not a mere fashion statement; it is a visual narrative about growth, self-possession, and the nuanced performance of femininity in the modern spotlight. The mirror she looks into reflects more than her image—it reflects the very expectations and discussions she effortlessly ignites. The Style Shift Ju Jingyi's current aesthetic presents a fascinating case study in the language of hair. Her signature long black hair, a constant throughout her career, now serves a different purpose. Where it once complemented a doll-like image of pure youth, it now acts as a canvas for a more sophisticated identity. The introduction of the Hime Cut is the pivotal element. This traditional Japanese style, characterized by straight,…

When Ju Jingyi (鞠婧祎) arrived at Milan Fashion Week, she didn't just bring new outfits; she brought a new persona. Her appearance became a talking point, shifting the conversation from what she wore to who she is becoming, signaling a potential watershed moment for artists of her generation navigating the pressures of fame. The visual departure was stark. Gone were the soft, approachable elements that defined her earlier career. In their place emerged a sharper, more defined silhouette that commanded attention through its cool elegance rather than warm familiarity. This shift felt intentional, a calculated move to dismantle the "nation's sweetheart" image that had long defined her. It posed a compelling question to her peers and audience alike: is the most powerful form of beauty the one that constantly evolves, even if it means shedding a previously successful identity? The Visual Shift Her style strategy was a masterclass in contrast. A delicate pink slip dress, a remnant of her former aesthetic, was shrouded by a severe, long black coat. Her posture was different—confident, almost defiant, with a hand tucked into a pocket. A metallic choker around her neck caught the light, its cold gleam a world away from the warm…

In the visually rich world of Chinese historical dramas, certain aesthetic elements capture the audience's imagination, prompting questions about their origins and authenticity. One such detail is the delicate hair ornament draped from the temples, often seen adorning characters in series like those featuring actress Ju Jingyi (鞠婧祎). These accessories, with their flowing pendants, serve not only as decorative highlights but also as functional pieces designed to enhance facial structure and hairstyle volume. This adornment, known historically as Yan Bin (掩鬓), which translates to "covering the temples," has a deep-rooted evolution in Chinese fashion history. Its journey from ancient rituals to modern screens illustrates how traditional elements are reinterpreted, blending historical accuracy with contemporary style to create that iconic look viewers admire today. Han Origins During the Han Dynasty, the precursor to Yan Bin emerged in the form of Bu Yao (步摇), a term meaning "step shake" that described hairpins with dangling beads or pearls that swayed with movement. These were not merely decorative; they symbolized elegance and status, often depicted in artifacts like the Mawangdui (马王堆) silk paintings. For instance, noblewomen would wear them on both sides of their head, adding a dynamic, graceful touch to their appearance as…

When photos from the set of the new historical drama Lai Zhan (来战) surfaced online, they sparked an unexpected debate. Actress Ju Jingyi (鞠婧祎) was seen wearing a headpiece adorned with lace, a detail that quickly divided netizens. Some compared it to a childhood costume accessory, while others posed a more profound question: Is lace purely a Western concept, or does China possess its own ancient tradition of delicate, openwork fabric? This seemingly simple fashion critique opened a door to a much larger conversation about cultural heritage, perception, and the untold stories woven into the very threads of history. Lace's Journey East The word "lace" itself is derived from the Latin "laqueus," meaning noose or snare, later evolving through English and French to describe intricate openwork fabric. Historically, the lace we recognize today is indeed a European innovation. It blossomed in the sixteenth century within the workshops of Italy and Flanders, transforming from simple cords into a luxurious art form created by looping, twisting, or knitting thread. Intricately made by hand from linen thread, it was exceedingly valuable. This European lace was introduced to China during the late Ming Dynasty, most likely by Western missionaries like Matteo Ricci. These missionaries…

Once hailed as the undisputed "aesthetic queen" of China's entertainment industry, Ju Jingyi (鞠婧祎) has long captivated audiences not only with her talent but also with her meticulously crafted public image. Her appearance at the 2019 Weibo Night became an iconic internet moment, setting a new standard for celebrity styling and sparking countless tutorials. Yet, recent photos suggest subtle but noticeable shifts in her signature look, which have sparked debates among fans and beauty enthusiasts alike. Some argue her current style lacks the initial wow factor, while others find her evolution even more mesmerizing. What remains undeniable, however, is her status as a self-made beauty icon, celebrated for her strategic and learnable approach to aesthetics. This article delves into the three core pillars of "Ju Xue" (鞠学)—the art of Ju Jingyi's style transformation: her precisely focused makeup philosophy, her mastery of mature yet delicate dressing, and her overarching styling strategies that extend beyond facial features. From weightless eye makeup and refined brow shaping to strategic color harmony and architectural hair volume, her methods demonstrate how deliberate refinement can enhance natural features without overwhelming them. Her journey offers valuable insights into building a cohesive and elevated personal style through control, balance,…

When temperatures soared past 40°C, actress Ju Jingyi (鞠婧祎)—dubbed "China’s 4,000-Year Beauty"—viralized a raw admission: "Autumn heat, you scare me!" This candid moment sparked nationwide empathy, exposing how extreme weather bridges the gap between stardom and everyday struggles. Beyond entertainment headlines, her sweat-drenched authenticity ignited debates on climate apathy, celebrity responsibility, and the power of vulnerability in a filtered world. Fan clutched her neck, damp strands sticking to flushed skin. As a miniature fan whirred futilely in her hand, Chinese actress Ju Jingyi sighed into the sweltering air: "Autumn heat, you scare me!" The scene wasn’t scripted for her latest drama—it unfolded live during a Shanghai outdoor shoot under 40°C skies. Within hours, #JuJingyiMelting trended nationwide, resonating with millions battling China’s "scorched earth" September. Office workers chuckled at her relatable frustration—here was an A-lister, makeup dissolving, sharing their commute misery. Yet beneath the humor lay sharper truths: her unfiltered vulnerability became a mirror reflecting society’s climate denial, inequality, and hunger for genuine connection. Sweat Stains the Spotlight While peers flaunted "effortless" summer glamour, Ju’s visible discomfort broke the celebrity mold. Cameras captured her gulping ice water, reapplying sunscreen mid-shoot, and laughing as sweat trickled down her temple—actions echoing millions sweltering…

The last two years in the drama market have felt like a desert: too many misses, too few real hits. When it comes to the industry's definition of who can "carry a drama" (扛剧, means recognition from producers and platforms, not just fan hype), producers and platforms are becoming much more cautious. Compared to the so-called "traffic stars" whose pulling power is always in a Schrödinger's cat state—sometimes effective, sometimes an illusion—the top actresses who have built their status step by step through solid works are generally seen as the real deal when it comes to carrying a show. But in just one year, even this assumption has been shaken hard by the turbulence of the market. This rundown isn't about crowning or dismissing anyone—it's about looking closely at how these actresses are holding up in the storm: what they still have in hand, and what is slipping through their fingers. Yang Zi and Zhao Liying: Invincible Status? If we're talking about who still has an "unbroken golden body" (metaphor for a stable, almost invincible status), from the '85 generation to the post-2000s, it really feels like only Yang Zi (杨紫) and Zhao Liying (赵丽颖) remain. Zhao Liying's The Legend…

A single leaked photo set social media ablaze: Ju Jingyi (鞠婧祎) standing under simulated moonlight, draped in a gown seemingly spun from starlight itself. This ethereal pink tulle costume from her upcoming fantasy drama Liuli Zhan (琉璃盏) instantly rocketed to trending status, leaving fans breathless with its delicate artistry. Though the drama lacks an official release date, anticipation surges purely on glimpses like this. Captured during late-night filming in Zhejiang studios, these images showcase why Ju Jingyi remains a beacon of captivating Xianxia fashion, turning routine costume leaks into cultural moments. Poetry in Pink Tulle Ju Jingyi’s gown transcends mere clothing; it’s a meticulously crafted illusion. Layers of blush-pink and ivory tulle blossom like delicate petals around her. The outermost sheer fabric shimmers with a subtle pearl-like luminescence, catching the light and fluttering with her every move, as if fragments of moonlight cling to her form. Thousands of tiny, silver sequins adorn the skirt, scattering across the hem like captured starlight that dances with each step. During a scene filmed near artificial rockeries, the skirt billowed gracefully as she turned, creating a mesmerizing silhouette. Her half-up hairstyle, intricately woven with hairpins, featured delicate pearl-embellished tassels that swayed gently, completing the…

For nine years, Ju Jingyi (鞠婧祎) has navigated the volatile tides of China's entertainment industry with unwavering focus. Debuted at 19 in 2013 with SNH48 during their Theater Goddess performance, she has transformed relentless scrutiny into rocket fuel. While countless "it-girls" have flickered out, Ju stands defiantly in the spotlight, earning the moniker "China's Iron Idol." Netizens marvel: everyone wants to be Ju Jingyi, yet few dare walk her path. Whether facing cyber-bullying, enduring intense public scrutiny of her appearance, or inspiring legions of imitators, she has built an unshakable career that leaves her peers far behind. What makes her such an anomaly in the entertainment world? Unshakeable Fortitude The label "4,000-Year Beauty," born from a mistranslation on a Japanese forum in 2015, catapulted the 21-year-old Ju Jingyi into a maelstrom. Overnight, she became a national punchline and object of fascination. Mockery, envy, and harsh judgment rained down. Few young artists could withstand such a brutal onslaught of attention . Yet, Ju didn't crumble. Fast forward to the 2025 Spring Festival Gala: her performance of Bi Shang Guan (壁上观) and breathtaking look dominated online discussions. At 30, she remains scandal-free, laser-focused on her craft, operating at her peak. Fans wryly…

Pink carries a unique magic on historical drama screens. This gentle hue transforms actors into blossoms against intricate sets and rich storytelling. From celestial realms to royal courts, these costumes become visual poetry, each shade revealing character depth and narrative nuance. The recent surge in meticulously crafted pink styling highlights how color shapes our connection to these worlds. 1. Bai Lu (白鹿) Some performers embody pink's inherent softness. Bai Lu in Lin Jiang Xian (临江仙) exemplifies this. Her layered gown, adorned with subtle embroidery, harmonized with delicate hair ornaments. The ensemble created an aura of serene grace, mirroring her character’s gentle spirit. 2. Yang Zi (杨紫) Similarly, Yang Zi brought youthful radiance to Immortal Samsara (沉香如屑.沉香重华). Flowing pink chiffon contrasted with dark palace intrigue, visually anchoring her character’s innocence. Her subtle accessories enhanced rather than overwhelmed, proving elegance thrives in simplicity. 3. Ju Jingyi (鞠婧祎) Ju Jingyi’s unreleased drama Yuelin Qi Ji (月鳞绮纪) offers a glimpse of dynamic grace. Vibrant crimson florals danced across her pink robes, while a bold peony hairpiece commanded attention. This deliberate clash of hues suggested a character balancing delicacy with hidden fire. The intricate forehead adornment completed a look radiating poised energy. Her costume whispered…

Costume design in Chinese historical fantasy dramas has transcended mere aesthetics, becoming a powerful narrative force. Recent leaks from New Tales of Liaozhai (聊斋新编) showcase this evolution, with actresses Zhang Miaoyi (张淼怡), Ju Jingyi (鞠婧祎), and Chen Duling (陈都灵) redefining the iconic fox spirit archetype. Their radically different interpretations—Zhang’s ethereal fragility, Ju’s doll-like perfection, and Chen’s chilling duality—ignite debates on whether transformative makeup elevates artistry or obscures identity. These visuals don’t just adorn characters; they rewrite folklore for the digital age. Zhang Miaoyi’s Ethereal Metamorphosis Zhang Miaoyi’s fox spirit in New Tales of Liaozhai shatters expectations. Clad in windswept white robes, she embodies fractured elegance. A single leaf clenched between her teeth becomes an organic accessory, contrasting with the character’s supernatural essence. This marks a stunning departure from Zhang’s prior roles criticized for lacking dimension. The genius lies in contemporary styling techniques. Delicate hairpieces and gradient makeup sculpt her features without drastic alteration. Diffused lighting enhances her porcelain skin, creating a ghostly luminescence. Where Zhang once blended into ensembles, she now commands them through nuanced vulnerability. Fragility defines this interpretation. Her posture suggests weightlessness, as if a breeze might dissolve her form. Wide-eyed glances convey ancient sorrow, transforming traditional fox…

Lai Zhan (来战), a highly anticipated fantasy drama, is generating significant buzz primarily due to its visual spectacle. Lead actress Ju Jingyi’s (鞠婧祎) six distinct costumes have become a focal point of fan discussions, showcasing a blend of whimsy and elegance perfectly suited to her character, Ada (阿黛). Co-star Zhang Yunlong (张云龙), portraying her mentor, brings an understated gravitas. Their combined on-screen presence promises a feast for the eyes, elevating the drama beyond typical genre expectations. Ada’s Vibrant Transformations Ju Jingyi’s portrayal of Ada features dynamic costume changes that highlight her character’s playful yet resilient nature. The iconic blue ensemble with double-loop "Gourd Buns" hairstyle radiates doll-like precision, framing her delicate features. This look, captured in early stills, immediately captured audience attention for its meticulous craftsmanship and Ju’s ethereal presence. Equally striking is the fiery orange outfit, where flowing sleeves and vivid ribbons create a "Koi Fish" effect. Paired with twin ponytails, the design merges traditional fantasy elements with modern anime aesthetics. The vibrancy symbolizes Ada’s spirited personality, while the movement of the fabric adds kinetic energy to static images. A softer iteration of the orange costume introduces subtle blue hair accessories, offering contrast through refined details. This version appears…

In 2025, Ju Jingyi stands as a paradox: once vilified by China’s internet hivemind, now crowned the undisputed queen of luxury fashion. Her departure from talent agency SNH48 in 2024 ignited a metamorphosis that rewrote the rules of celebrity influence. Emerging from the shadows of online criticism, the former SNH48 member now dominates fashion leaderboards with record-shattering magazine sales and luxury collaborations. Defying a decade of body-shaming, plagiarism accusations, and viral mockery, she weaponized resilience into record-shattering triumphs. With five magazine covers amassing ¥60M+ in sales and Louis Vuitton collaborations redefining East-West aesthetics, Ju’s journey transcends vanity metrics - it’s a masterclass in rewriting destiny. The Magazine Empire When Ju Jingyi gracedCOSMO’s June 2025 cover clad in warrior-esque Alexandre Vauthier couture, she didn’t just break records—she atomized them. The issue sold 560,000 copies in 24 hours, grossing ¥30.89M and dethroning every Chinese celebrity’s historical sales . This wasn’t luck; it was strategy. Her 2024 debut withWonderland.saw Rahul Mishra and Yuima Nakazato haute couture pieces sell ¥7.74M in 30 minutes, signaling an industry shift: audiences craved her audacious aesthetic alchemy. By January 2025,L’OFFICIELdedicated three covers to her mermaid-inspired Iris van Herpen fantasy—a first for any Chinese star. The editorial’s fusion of…

In the historical drama 'Hua Jian Ling,' Ju Jingyi's red and blue dress, adorned with petal - like decorations, left a deep impression. Did such clothing actually exist? Let's start with the conclusion. This triangular decorative piece can be referred to as 'Gui' or 'Chui Shao,' named for its resemblance to a jade tablet. Clothing decorated with Gui is broadly called 'Gui Yi,' a type of ceremonial attire. The earliest documented record of 'Gui Yi' appears in Song Yu's 'Ode to the Goddess': 'She shakes her embroidered robe and dons the Gui attire,' which sounds quite romantic. This might be the closest traditional garment to what one would imagine as celestial attire. Its exact structure remains unclear, but its general form can be inferred from paintings. First, let's explore what 'Gui' is. Descriptions of Gui Yi mention 'the hanging part is wide at the top and narrow at the bottom,' resembling an inverted triangle. As the name suggests, Gui Yi involves attaching 'Gui' decorations to clothing. However, the specifics of Gui Yi remain vague. It has been said to be ceremonial attire for noblewomen and frequently appears in paintings of celestial beings (e.g., Song Yu's 'Ode to the Goddess'). But…

Recent behind - the - scenes photos from the film set featuring Ju Jingyi and Chen Duling’s floral hairpin styles have sparked heated discussions online. Some netizens pointed out that Chen’s look appears "overwhelmed by oversized flowers and a smaller head," creating a disproportional effect, while Ju’s styling aligns more closely with traditional aesthetics. Analysis reveals that these differences stem from distinct interpretations of Tang Dynasty floral adornment culture: Chen Duling’s Historical Inspiration Her hairstyle draws from the "high coiled bun" (峨髻, é jì) depicted in Zhou Fang’s iconic painting Court Ladies Adorning Their Hair with Flowers (簪花仕女图). Historically, such buns required a height of 28 - 29 cm (Tang Dynasty measurement) to balance the visual weight of the floral ornaments. Modern adaptations often retain actors’ natural eyebrows rather than recreating the Tang practice of shaving and redrawing them, and today’s slimmer facial features make it challenging to replicate the original proportions. Netizens improved the balance by digitally raising the bun’s height and adding U - shaped hairpins for lateral symmetry. Ju Jingyi’s Styling Approach Her look adopts a classic Tang - Song era updo, featuring a center - parted front and a coiled top bun to elongate the silhouette…

Ju Jingyi: Who Knew a Shoulder Strap Could Be So Versatile? Recently, a behind - the - scenes photo of Ju Jingyi in a drama role surfaced online. She wore a cross - collar dress with a strap tied around her shoulder, paired with a headscarf and a Panbo (襻膊), instantly evoking the imagery of a farming - themed story. Netizens were amazed: 'Who knew the Panbo could serve this purpose too?' In ancient times, a simple rope could solve many problems, especially in labor - intensive settings. For example, the Panbo was used to roll up oversized sleeves, a waistband kept skirts from unraveling, and wrist wraps secured sleeves during martial arts practice. Now, it has a new role: a must - have accessory for the 'farming heroine' aesthetic. Adding a strap not only creates layers in the outfit but also enhances approachability. The Panbo, specifically designed for rolling up sleeves, was commercialized during the Song Dynasty. Shen Congwen noted in Research on Ancient Chinese Clothing that Song laborers often tied their sleeves with ropes around their necks to keep them rolled up, officially termed 'Panbo'er'. Zhou Mi's Old Stories of Wulin·Small Businesses also listed 'Panbo'er' among street vendors'…