Chinese fashion elements have always been closely related to Chinese traditional culture, auspicious patterns and Hanfu also have a very good combination. There are many auspicious patterns in Chinese folk. On the new year's day, or on a festive day, people like to decorate their rooms with these auspicious patterns to express their yearning for a happy life and the celebration of a good day. It is the most common way to extend and extend the natural attributes and characteristics of some animals and plants. For example, dragon and Phoenix are used to symbolize power. From ancient times to now, Dragon is the auspicious God of ancient China. It is regarded as the totem of the Chinese nation and has supreme status. In Chinese, pronunciation often corresponds to several Chinese characters, so using the same and similar pronunciation can achieve a certain rhetorical effect. These auspicious patterns have been popular from the Han Dynasty to Ming Dynasty, and they are mostly seen in ancient porcelain of the Ming and Qing Dynasty. Today, Chinese fashion elements are constantly integrated into our modern life, and our Hanfu and auspicious patterns are also very well combined. Let's follow the steps of Hanfu Time…

"What should I wear tomorrow", it's like an epic puzzle, just like people asking you "what to eat at noon every day". According to a survey, in fact, many people want to try to wear Hanfu to work. Even if they are new to Hanfu, they also want to try more Hanfu styles on different occasions, but traditional Hanfu is too eye-catching and time-consuming. What should we do? Hanfu Time have prepared #How to wear Hanfu on weekdays# for you, made a plan for you to wear Hanfu on weekdays. Monday Monday must be a nightmare for many people. On this day, you need some stylish clothes to decorate your neat and generous office style. Focus on simple collocation, black and white sense of conciseness, and win in detail. Wear Examples: Tuesday Continuing the style of Monday, the style in Tuesday's dress can be slightly gentle, mainly comfortable and fashionable, adding some fresh colors, and the decoration of dark lines. It's very suitable for matching with wide-leg pants. Wear Examples: Wednesday On Wednesday, you can bring yourself and your colleagues a more comfortable mood. At this time, you can wear more outstandingly, even in bright colors and printed skirts. Wear Examples:…

Quju (曲裾) is a kind of Shenyi (深衣). Shenyi, that is, the top and the dress are connected together, use different colors of fabric as the edge. It is characterized by the deep hidden body, it looks graceful and elegant. Shenyi can specifically be subdivided into “Straight Ju Dress” and “Wavy Ju Dress”. This article introduces the way of wearing Quju. Step1: Get ready for Quyi. Put on the right sleeve first. Turn the inside of Quyi around behind you. Step2: And tie the laces behind you and under your right axilla. Step3: Put on the left sleeve. Step4: Tidy  collar. Step5: Wrap Quju backward. Step6: Turn the sharp corners of the outer skirt behind you. Step7: Fix the end of the apex at the left hip. Step8: Fold the collar part of the outer jacket neatly. Step9: Belt tie. Step10: Find the midpoint of the belt, tie the belt in some places below the waist, the midpoint of the belt is aligned with the middle of the waist. Step11: Wrap the belt around your back and overlap the ends of the belt. Step12: Tie a bow in the middle of the waist. Step13: Tidy up the overlap of the…

Hanfu in Tang Dynasty was introduced to you before. Today, it brings you the style of Hanfu in Song Dynasty. Before introducing the Han clothes of the Song Dynasty, let's first understand the Song Dynasty. The Song Dynasty (960 - 1279) was divided into two stages, the Northern and Southern Song Dynasties. It experienced eighteen emperors and enjoyed the country for 319 years. The greatest feature of hanfu in the Song Dynasty is simple and elegant. Compared with the elegant appearance and bold colors of the Hanfu of the Tang Dynasty, the Hanfu of the Song Dynasty is simple in shape, simple in tone, and the whole temperament seems more natural and elegant. Song Dynasty civilian men's clothing, mainly to the "Ao (袄)" and "Ru (襦)". In ancient times, the poorer people wore "Duanhe (短褐; short and thick clothes)", which were designed to facilitate work. In addition, men in the Song Dynasty also liked to wear a shirt (衫). Unlike the clothes we imagined, this kind of clothes was very self-cultivating, not the kind of generous design we imagined. Compared with men's clothing, women's clothing is more abundant, in the Song Dynasty, women generally wore Ao(袄), Ru(襦), Shan(衫), Beizi(褙子), Banbi(半臂), dress…

Some time ago, I watched the hot Chinese drama Chang' a Twenty-four Hours (长安十二时辰). I was attracted by the hanfu of the Tang Dynasty in the play. So I did some research on the clothes and fittings of the Tang Dynasty. Let's see who is the most fashionable in Chang'an. Ruqun Talking about the trend of wearing and matching in the Tang Dynasty, it's natural that we can't do without ruqun. Ruqun is one of the most common and distinctive dresses in the Tang Dynasty. The main features of this dress are short clothes on the upper body and long skirts on the lower body. Some of them wear silk shoulders around their arms. Others wear half-arm outside the gown and then wear silk. "Ru (襦)" is for internal wear, sleeve length, upper and lower shorter, just to the waist. Long skirts were the clothes of women in the Tang Dynasty, most of which were made of silk. Skirt waist is high, can hide the chest, outside shoulder put on a yarn shirt, can make upper body skin half-covered, there is a kind of vague aesthetic feeling. Banbi (半臂) is a short-sleeved shirt, sleeve length to the elbow, knotted in…

Today, I will introduce you to a photographer. Her name is Dang xiaoshi (当小时). She is a Sichuan girl. She spends most of her time in Beijing. Like many people, Dang xiaoshi has been shooting some "commercial works" in order to live. However, due to a strong preference for "Chinese Style", there are occasional works of ancient style in private. At first, Dang xiaoshi just liked the costume style, but all the changes started with an invitation. A friend of hers got married and invited her to Nepal to take wedding photos. At that time, Dang xiaoshi put forward the idea of shooting with the theme of "Hanfu" to her friends. Originally, she just wanted to take a meaningful wedding photo for my friends, but when the photo came out, it got a lot of praise. Looking at the endless praise of Chinese clothes, she found that the charm of the original culture is so great. So she left beautiful pictures around the world with her Chinese clothes. Let's see what beautiful places she's been to. Hanfu in the United States When Hanfu, music and American enthusiasm are combined, there is a different spark. Hanfu in Nepal Hanfu in Japan…

Kyoto is an ancient capital of Japan. It preserves a large number of historic buildings. Many Japanese and tourists will feel Japanese culture in kimonos. However, in this ancient city, some local people often see a Chinese girl in Chinese costume walking down the street. Local Japanese all raised their thumbs: so beautiful, just like a fairy! The girl's name is Zhi Luo. She was born in 1993. She is from Beijing, China. Because her husband (Chinese) has been a photographer in Japan for many years, she came to Kyoto to work more than half a year ago. Why does Zhiluo like Hanfu? This is closely related to family education, she has often participated in activities about Chinese culture since childhood. Nowadays, Zhi luo works in Kyoto. As a result of working in photography, Zhi Luo wore Hanfu to work and became a landscape on the street. Although there were differences in the form and system of Han uniforms in different dynasties, Zhi Luo was very fond of it. She said: "Wear Tang and Song style when it's hot, Wei, Jin and Ming-style when it's cold, you can wear it all year round." Usually, Zhi Luo wears Chinese clothes to…

March is a hanfu enthusiast, She also insists on wearing Chinese clothes every day in her daily work, which affects colleagues and many people in the company. This time, she climbed the highest Chug peak in Germany in her hanfu, and the beautiful hanfu was praised by many tourists. Some photos of her trip to Germany: Some photos of daily wearing Hanfu:

Before, we introduced the way to wear a wist ruqun(one slice), and next, we will simply tell you how to wear a Qi xiong Ruqun(Chest Ruqun). Qi Xiong Ruqun is made up of front and back pieces(as the picture show). Step 1: Separate the front and back pieces and wear the back ones first. Step 2: tie up the back pieces. Step 3: tie up the front one(put white tape and red tape together). Step 4:Put an X-fork behind you, then take the tape to the front. Step 5: Make a knot. Step 6: The next step is to decorate the extra tape, wrap them in circles, just like a kind of Chinese food: Mahua (麻花, Fried Dough Twists). Step 7: Tie a knot at the end. Step 8: The red tape also needs to be wrap in circles. Finished~ Wearing Hanfu does not seem to be such a difficult thing, but it also requires repeated attempts to get the best look. If you have any questions during the wearing process, you are welcome to contact us by email, we will give you a more detailed explanation. More about how to wear Hanfu can be found here.

Many friends who have not touched Hanfu will have a lot of confusion when they wear Hanfu for the first time. How to wear it? Well, we will have a series of articles to simply tell you how to wear Hanfu. Today, let me show you how to wear a Waist Ruqun. First of all, what you have to know is that the Hanfu were without belts and buttons, all by lacing. The first one to introduce is Waist Ruqun(one slice), one slice means that the only one piece of dress. Step 1: Put the skirt over the waist, align the center of the skirt with the middle of the body, wrap the skirt around the waist and wrap the lower body. (This process is similar to a bathrobe after bathing.) Step 2: Sort out, and from the side, the place to be tied is left out. Step 3: Wrap the rope around the back (Note: cross the rope twice) Step 4: Then wrap around the front of the body. Step 5: Pass the rope through the part of the rope that has been tied to the waist Finished~ Wearing Hanfu does not seem to be such a difficult thing, but…

Today, we are talking about a magical guy, because he is very obsessed with Hanfu for 8 years, and in order to wear Hanfu, he has stayed his long hair for 4 years. What's the story of wearing Hanfu every day? Let's take a look! He is only 23 years old, wearing a Hanfu is very ancient. From the beginning of junior high school, he watched the Hanfu on TV. He thought that Hanfu is very traditional and has a feeling of traditional nationality, so he began to obsess with Hanfu from that time. Hanfu is a traditional national costume that has been inherited by the Han people for more than 4,000 years. It gives a fresh feeling to him. In order to make Hanfu more beautiful, he began to keep his hair. Opened his home wardrobe, all are Hanfu clothes, there are more than 30 sets of various styles, all kinds of colors, the habit of buying Hanfu, the love of Hanfu, is obsessed. Whether it is cold winter or hot summer, he insists on wearing Hanfu to go out. Everyone has paid a lot of attention to him, and he has become the "Starman". How do you understand…

Historical Cdramas like 'Qing Ping Yue' and 'Da Feng Da Geng Ren' have showcased authentic children's hairstyles, moving away from the trend of simply shrinking adult styles. This shift highlights that ancient Chinese children, much like their modern counterparts, had their own distinctive looks tailored to their age. Previously, it was common to see ten-year-olds in period dramas styled as miniature adults—boys with tied-up hair and crowns, girls with elaborate buns and hairpins. However, this portrayal is historically inaccurate. In ancient China, adulthood was marked by ceremonies: the Ji Ji Li (及笄礼) for girls around age 15 and the Ruo Guan Li (弱冠礼) for boys around 20. Before these rites, hairstyle options were limited, with the most common being the 'Zong Jiao' (总角), or 'horned hair'. Zong Jiao: A Broad Term Zong Jiao is a broad term referring to the hairstyles of children aged 7 to 15. This period was poetically called the 'Zong Jiao Years,' and childhood friendships were termed 'Zong Jiao friendships.' The 'Jiao' refers to small topknots, specifically the hair tied on either side of a child's head, distinct from the loose 'Chui Tiao' (垂髫) of early childhood or the formal buns of adults. Narrow Definition of…

During the Song Dynasty, pearl embellishments were a widespread fashion trend, but contrary to popular belief, the number and placement of pearls did not signify social status or rank. While official attire for noblewomen and imperial consorts had strict regulations regarding patterns and motifs—such as the number of dragons or phoenixes on headdresses—pearl adornments were never subject to such hierarchical rules. Online claims suggesting that the quantity of pearls indicated one's rank are simply unfounded interpretations. Pearls were a universal fashion statement. Even the empress wouldn’t cover her entire face in pearls, as there were only a few suitable spots for application: between the eyebrows, from the corners of the eyes to the temples, and on the dimples. Though the number of pearls didn’t reflect social rank, using more pearls naturally hinted at a wealthier background. Affluent families didn’t just wear pearls on their faces or as jewelry; they also embellished collars, cuffs, carpets, and even furniture with pearls, turning them into a ubiquitous decorative element. One popular style was the 'Zhuluo' (珠络), where pearls were sewn along collars, hems, and seams to accentuate the wearer’s status. Princesses’ dowries included pearl-adorned formal gowns and long coats, as well as 'Pearl…

South Korea has recently introduced a new initiative to promote its traditional attire, Hanbok, by designating the last Wednesday of every month as 'Hanbok Day.' This move has sparked discussions online, with some netizens humorously commenting, 'They're really in a hurry!' The initiative is part of a broader plan to revitalize traditional cultural industries, as outlined by the Ministry of Culture, Sports, and Tourism. Under this plan, public officials and employees of government agencies are encouraged to wear Hanbok on the designated day. Additionally, specific national holidays and commemorative days, such as Independence Movement Day and Hangul Day, will now have Hanbok as the recommended attire. To further promote Hanbok, museums, art galleries, and overseas cultural centers will adopt it as the uniform for their staff. The government has also established the third week of October as 'Hanbok Culture Week' to encourage wider participation. This initiative comes amid growing interest in traditional attire across East Asia, including discussions in China about establishing a 'Hanfu Day' to celebrate traditional Han Chinese clothing. While South Korea's efforts are comprehensive, covering official support, public participation, and cultural promotion, the debate continues on how best to preserve and promote traditional garments in modern society.…

In the ancient costume drama 'The National Beauty and Fragrance,' these two grand wedding crowns have sparked much discussion, primarily due to their extravagance and intricate details. From a cultural relic perspective, they seem to reference certain prototypes, appearing quite authentic at first glance. However, upon closer inspection, something feels off. Why is that? Previously, we discussed the 'sky-high' crown of Princess Xianzhu, Li Chui. For those interested, you can refer to another article. Today, we’ll focus on the crown worn by Yang Zi’s character, He Weifang, during her wedding. It’s worth noting that the crowns in these dramas are becoming increasingly lavish. Interestingly, what’s referred to as a 'crown' here is more akin to a set of accessories in Tang Dynasty style. Let’s delve deeper. To start with a conclusion, this crown’s original prototype likely stems from the crown of Empress Xiao of the Sui Dynasty. Although it underwent some stylistic changes during the Sui and Tang Dynasties, it retained elements like hairpins (Chaidian) and side ornaments (Bobin) as markers of status. Regardless of these changes, the number of Bobin and floral decorations (Huashu or Huadian) was still determined by the rank of noblewomen or female officials. According to…

Recently, baby hair bangs have made a reappearance in historical dramas. While these bangs can help contour the face, they often seem out of place in classical settings. Historically, adult women in ancient China did not wear bangs, as they were considered a transitional hairstyle for children whose hair had not fully grown. Upon reaching adulthood, women would style their hair neatly using traditional hair products like "paohua shui" (刨花水), emphasizing elegance and sophistication. Although baby hair or air bangs may appear more natural compared to other fringe styles, they still disrupt the authenticity of classical aesthetics. This article focuses solely on the appropriateness of bangs in historical contexts, not on personal appearances. Retaining baby hair bangs can make a character look immature. For instance, actress Ju Jingyi (鞠婧祎) was often criticized for her unchanging baby hair bangs, but her recent updos have showcased a more mature and classical demeanor. In the drama "The Purple Hairpin," the inclusion of such bangs felt particularly jarring amidst otherwise historically accurate hairstyles. Conversely, in "The Riverside Scene at Qingming Festival," Zhang Xinyu's (张馨予) noblewoman look without bangs exuded grandeur. The no - bangs style cleverly utilized "yunbin" (云鬓), a classical hairstyle from the…

Recent photos of actress Chen Duling wearing an elaborate phoenix crown hairstyle have ignited online discussions about the differences between Ming and Qing dynasty headwear traditions. While many praised the aesthetic, others questioned whether the design leaned too heavily toward Qing influences. Key Distinctions Between Ming and Qing Phoenix Crowns: 1. Structure: Ming crowns typically featured full - coverage designs, whereas Qing crowns (especially post - mid - Qing) often showed partial coverage or hybrid styles like the flattened Dianzi (钿子) hairpieces. 2. Ornamentation Patterns: Ming crowns followed strict hierarchical rules with symbolic arrangements of dragons (gold wirework) and phoenixes (kingfisher feather inlays). Qing designs displayed more eclectic combinations of decorative elements. 3. Hanging Decorations: Ming pieces used pearl/malachite beaded 'tassels' (挑牌) on sides, while Qing versions developed dramatic front/side pearl curtains (珠帘) that eventually obscured the face in late - Qing fashion. 4. Cultural Accessibility: Ming crowns remained exclusive to noblewomen, but Qing versions became accessible to wealthy commoners, explaining why more Qing - era examples survive today. Only four intact Ming crowns exist, all housed in Beijing museums. Historical Context: The Qing Dianzi evolved from early 'head wrapping' styles, featuring decorative hairpin flowers on semi/fully - covered bases.…

Many people's impressions of female officials in the Ming Dynasty may come from two TV dramas: 'Shang Shi' and 'The Imperial Doctress.' The former is a work by Yu Zheng, while the latter is directed by Li Guoli. The influence of these dramas is undeniable, shaping public perception. Some might ask: Did female officials really dress so lavishly, adorned with gold and silver? Let’s explore what these officials actually looked like. The Palace Official System Emperor Hongwu, when establishing the palace official system, referred to previous dynasties' practices and set up six departments and one supervisory office: Shanggong (尚宫), Shangyi (尚仪), Shangfu (尚服), Shangshi (尚食), Shangqin (尚寝), and Shanggong (尚功), along with the Gongzheng Si (宫正司). The duties of female officials were broadly divided into routine palace responsibilities and ceremonial roles in royal events. The system was perfected during the Hongwu era, becoming the standard for later generations. Attire Inheritance From the Tang to the Ming Dynasty, the attire of female officials was largely inherited. According to historical records like 'Ming Shilu' and 'Da Ming Ji Li,' they typically wore black gauze hats (some resembling Tang - style headwear), narrow - sleeved round - collared robes, leather belts at the…

In the recent TV series "The Purple Hairpin," actor Ye Zuxin's portrayal of a crown prince has sparked discussions among viewers, particularly regarding the authenticity of his costume. A key point of contention is why a crown prince would wear a robe adorned with five - clawed dragons. To clarify, the gunlongpao (衮龙袍), a round - collared robe featuring circular dragon motifs, was a common attire for Ming Dynasty emperors, crown princes, and imperial relatives. This garment, paired with the yishanguan (翼善冠) hat, was worn during various court activities, lectures, and ceremonies. Contrary to popular belief, the five - clawed dragon design was not exclusive to the emperor but was shared among the imperial family, with variations in the number of dragon motifs. The misconception that only the emperor could wear five - clawed dragons stems from Qing Dynasty dress codes, not Ming traditions. Over time, the gunlongpao evolved, incorporating more elaborate designs for formal occasions, such as the addition of twelve symbolic patterns during the reign of Emperor Yingzong. These patterns, representing elements like the sun, moon, and stars, were reserved for grand ceremonies, making the robes more ornate than everyday wear. The series, while attempting to recreate Ming…

In 1644, as the Ming Dynasty's fading glory shattered beneath peasant uprisings and Manchu cavalry, a steppe chieftain's descendant named Nurhaci's dream materialized. His descendants crossed the Great Wall, founding the Qing Dynasty (1644–1912), a realm where Manchurian martial vigor entwined with Confucian statecraft to forge China's final imperial colossus. Spanning nearly three centuries, this era fused conquest and cosmopolitanism, its legacy echoing through jade-adorned palaces and blood-soaked battlefields alike. The Qing is framed by its zenith under Kangxi and Qianlong, and its unraveling in the 19th century's opium-hazed twilight. From the Treaty of Nerchinsk to the Boxer Rebellion's flames, the dynasty oscillated between global engagement and xenophobic isolation. Beneath the Forbidden City's gilded roofs, empresses plotted behind silk curtains, Han literati navigated Manchu rule, and eunuchs wielded shadows as currency. Yet beyond the palace walls, a multicultural tapestry thrived—Jesuit astronomers mapped stars, Mongol khans swore fealty, and Cantonese merchants traded tea for silver. Let us enter a world where dragon robes conceal daggers, and every courtyard murmurs with ambition. Follow the Kangxi Emperor, a boy-king who tamed regents and rebels to become Asia's longest-reigning monarch. Ride with the feared Eight Banners across Tibetan plateaus, and walk the Guangzhou docks…