In recent years, with the rise of the China-Chic trend, many gold stores have also begun to favor products of traditional culture and launched the so-called ancient gold craft and inheritance series of Chinese gold jewelry. The ancient Chinese used goldware as body decoration, dating back to the Xia Dynasty 4,000 years ago. The gold eardrops unearthed in Gansu is the best proof. The simple circle obviously cannot reflect the skill level of the ancients, so today let’s take a look at the gold earrings and gold bracelets in the museum’s collection of cultural relics. Let’s experience the luxury aesthetics of ancient Chinese gold jewelry.   Eardrop Eardrops (Er Zhui, 耳坠) is a kind of traditional Chinese earrings, with an additional part of the drop than earrings. This pair of gold eardrops in the Warring States Period adopts a cone and spring design, and the color matching of gold and turquoise is even more ingenious. This pair of gold eardrops from the Northern Wei Dynasty is composed of amber, silver ring, gold ring, silk column, hollow gold beads, wheat ear flower and other elements. Through weaving, welding, hammering, wire drawing, and other technologies, it creates a complicated but not messy…

The popularity of hanfu has also led to new hanfu-related professions such as "Hanfu Makeup Artist (Zhuang Niang, 妆娘)" and "Hanfu Hairpin Maker (Zan Niang, 簪娘)".   Hanfu Makeup Artist Light and elegant hanfu, shiny hairpin, walked into the hanfu experience hall, and the classical atmosphere came to face. The scissors lane at the Laomen East Pedestrian Street in Nanjing can be said to be "Hanfu Street", and nearly 20 Hanfu stores are gathered. Every holiday, lots of beautiful ladies in hanfu can be met here. Xiao Yang is a hanfu makeup artist in hanfu experience hall. She has just entered the industry for half a year, but has long felt young people’s love for hanfu. "I’m very busy every day during the Mid-Autumn Festival holiday, and I need to styling for more than ten ladies." Before entering the industry, Xiao Yang was a teacher. After working for several years, she wanted to change careers, so she studied makeup. "Because hanfu has been relatively popular in recent years, I want to specialize in hanfu makeup, and occasionally make makeup for the bride. I think the makeup of hanfu is lighter and more elegant than that of daily makeup. The eyebrows…

China is an ancient civilization with a history of more than 5,000 years. There are many kinds of handicrafts, and they are all dazzling. Chinese traditional handicraft, each of them is a treasure of Chinese culture, and these handicrafts are worth inheriting and protecting.   1 Tuanshan Tuanshan (团扇), also known as Gongshan (宫扇) and Wanshan (纨扇), is traditional handwork and art of the Han nationality in China. It is a round fan with a handle, which represents a friendly and auspicious reunion. Fans have long circles, plum blossoms, hexagonal and other shapes; and making with silk, thin silk and so on; the craftsmanship includes Suzhou embroidery, Kesi, gold and silver inlays, and so on; the fan handle has wood, bamboo, bones, and so on. A Tuanshan contains too much learning.   2 Cheongsam The cheongsam (旗袍) is one of the traditional women's clothing that can represent Chinese characteristics. The cheongsam was formed in the 1920s, and some scholars believe that its origin can be traced back to the Shenyi of the pre-Qin and Han dynasties. Although its definition and timing are still controversial, it is still one of the most gorgeous phenomena and forms in China's long-standing clothing culture.…

A brief history of waist fan (yaoshan) and steps to DIY one for anyone interested. Vocab Tuan Shan: moon-shaped fan, 团扇, tuánshàn; Zhe Shan: folding fan, 折扇, zhéshàn; Yao Shan: waist fan, 腰扇, yāo shàn; Ping Feng: screen, 屏风, píngfēng.   Introduction When it comes to hanfu, one accessory that it is paired with is a fan. Well-known types of fans are moon-shaped fan and folding fan. But there is another type of fan known as Yao Shan, which translates as "waist fan." The reason why it is called a waist fan is that it can easily be secured at the waist when not used. When the fan is needed, you can just slip it out of the belt and open it up by twisting. It's unlike others where you will either have to constantly hold or unable to close it to take up less space. Waist fans contain characteristics from both moon-shaped fans and folding fans. It took the common round surface of a moon-shaped fan and the ability to close and open when needed from a folding fan. But the round shape is just a common shape everyone goes by. Moon-shaped fans have expanded from simply using a circle…

The pursuit of beauty is human nature. Beauty is not only a reflection of the mind, but also a reflection of the interest in life. Tang Dynasty women are the best representatives of beauty, because they inherited the mentality of "Dress up for those who like or admire yourself (女为悦己者容)" from ancient times, and pushed the beauty ideal realm to the highest level under the booming economy and the open and tolerant social atmosphere. Lively, dignified, noble, the endless types of Tang Dynasty female hairstyles, paired with exquisite makeup, made many literati and scholars unstinting in their talent to depict the Tang women's style. Let's follow ArtMoment to go back thousands of years ago, and enjoy the beauty of Tang female hairstyles in that remarkable era of spiritedness.   Ancient Hairstyle Tips What are Ji and Huan? The ancient Chinese women's hairstyle is commonly known as Ji Huan (髻鬟, jì huán), and according to the method of combing, there are two types of Ji (髻, jì) and Huan (鬟, huán). Ji, solid hair bun, suitable for ordinary women; Huan, ring-shaped hair bun, suitable for young girls. What does the change of hairstyle mean? In ancient China, a woman's hairstyle changed with…

Brief history on Chinese tool panbo and how it is different in the past when compared to Japanese tasuki.

So you’ve built up a little bit of a collection, and you’re having a bit of a dilemma: With all this fabric hanging out in your closet, you’ve begun to run out of space. You don’t even know how to store these properly—and yet you want to buy more hanfu! Never fear; here’s a tried and true system that I and many other hanfu enthusiasts use to store our hanfu in a way that doesn’t harm the fabric and allows you to use your space most efficiently.   Skirts The easiest, most intuitive way to store your skirts is always going to hanging them. Look for these kinds of hangers that have strong clips on them, and try to choose ones that have larger, flatter clips so that they don’t leave marks on your skirt. To hang the skirt, fold the head of the skirt in thirds, then pull the ribbon out from the innermost side of the skirt. Clip the skirt head with the clips on the hanger, making sure that all three layers are clipped in, then pick up the ribbons together and loop them around the hanger’s hook so they don’t trail on the ground and get…

Wearing armor, riding a horse, holding a traditional weapon, fighting on the battlefield. Such a scene may have appeared in the dreams of many people when they were young. But there is a person who turned the traditional Chinese armor in the dream into reality, he is the first person to restore the ancient armor of the Tang and Song dynasties, Wen Chenhua (温陈华). He has highly restoration the armor of the Song dynasty, which has been lost in China for 700 years, after 6 years. He founded the Lian Kai Tang (炼铠堂), and with his own strength, he promoted the obscure armor restoration craft, and let Chinese armor on the world-class combat stage.   #01 The first person in traditional Chinese armor restoration There are only about 1000 armor restorers in China, 90% of them are Wen Chenhua's students, and for 40 years, he has been restoring Jiazhou (甲胄, traditional Chinese armor) to the extreme. On Wen Chenhua's social platforms profile, there is only a simple sentence "Top Chinese Jiazhou maker" as an introduction. However, he has shared a lot of armor design drawings and finished armor photos, all revealing his deep love for Jiazhou. Traditional armor restoration and…

So now that you’ve learned about all these pieces separately, we arrive at the question: how do we put all of these pieces together? Let’s go over some ways these are usually put together, how to refer to them, and other details that might not have been covered in previous articles. Body, sleeves, collar: these are the main three things that we use to distinguish types of hanfu. In naming conventions, we usually refer to a piece in the order of collar-sleeve-body. Take a look at this image: What body type, sleeve type, and collar type is it? Well, I’ll tell you first that this is a Shan, meaning that it’s a single-layered top or robe shorter than the knees with no yao lan. Take a look at the sleeves—do they curve or change in diameter at all? Yes, they seem to narrow in a striaght line from the root of the sleeve to the cuff, meaning this is a feijixiu design, or airplane sleeve. The collar’s shape is pretty obviously parallel, or duijin, since the two sides come straight down and don’t touch. Well then, we can refer to this as a duijin feijixiu shan: a parallel collar, airplane…

A detailed descriptions of hanfu skirt's hem. There are different hem lengths to a hanfu skirt, you can follow these descriptions to choose the one suitable for you.

"Collar" refers to not only the area of a piece of clothing around the neck, but also the fabric below that. Since hanfu is almost always constructed of two pieces of fabric that aren't fully connected at the front, and put on like a jacket, collar also refers to ways that these two piece of fabric connect once the piece is on your body.   交領/交领/jiao1 ling3/Crossed Collar Probably the first type of collar that you’ll see—the crossed collar, or jiaoling. This collar consists of two overlapping pieces and is usually secured with two to three ties, with a thicker or contrasting border along the edge of each piece. It’s almost always right over left, or if you think about it in terms of how to put it on, you tie the left ties before you tie the right ties. The result is a y-shaped collar when viewed from the front. Ming dynasty people may have done it the other way, as well as various non-Han groups and clothes put on the deceased at funerals, but it’s generally a good rule of thumb to follow right over left. as it’s one of the most important cultural concepts in hanfu. These…

As one of the main composition elements of hanfu tops and robes, sleeves can have a lot of variation. They mostly fall into a couple categories that we have recovered historical artifacts from, though a lot of manufacturers end up with some variation in their patterns. Today we’ll go over a whole ten sleeve types, a bit of historical context, and some of the variations they can go through. Before we get into that, though, let’s go over a little basic information that applies to (almost) all hanfu sleeves. One of the defining characteristics of the hanfu is the 接袖/接袖/jie1 xiu4/sleeve connection. What this means is that the sleeve is not connected to the body of the top or robe at the shoulder, but at a point partway down the upper arm, with the body of the clothing and part of the arm being made up of one piece of fabric, and the rest of the sleeve of another. These are stitched together to create the whole sleeve. The rest of the sleeve is also made of one piece of fabric both front and back, folded over the top and stitched together at the bottom. Some exceptions to this are…

Which emperor paid the most attention to clothing in ancient Chinese history? Then Zhu Yuanzhang, the emperor of the Ming Dynasty, must be on the list. After the founding of the state, Zhu Yuanzhang issued an edict on the restoration of the ancient clothes and crowns, which is about the restoration of the clothes and crowns in the Tang system and the old Chinese. And he personally participated in the improvement of the clothing system. During Zhu Yuanzhang's 31 years in office, the clothing system has been revised and supplemented many times. The clothing system is detailed in terms of fabric, style, size and color. And it regulates the clothing of people of various statuses and identities throughout the country. What's more, its implementation was guaranteed by state coercion. To be arrested for wearing the wrong clothes? This is not a joke at the beginning of the Ming Dynasty. The top-down imperial ban cannot prohibit the awakening of the people's own consciousness and the pursuit of beauty. After the middle of the Ming Dynasty, clothing became more and more luxurious, the official clothing ban was useless, and the art of clothing has shown a prosperous scene of promoting personality and…

The construction of the body of most hanfu tops and robes is what usually decides what ’type’ of hanfu it is. We’ll go over a few common types of hanfu and what features they have. There are, however, a few rules that pretty much all hanfu tends to follow: First, there’s always a seam down the middle of the back, meaning that the piece of clothing is made up of one piece of fabric on the left and one on the right, stitched together in the center. There’s also never a seam at the shoulder like we have in modern clothing—instead of the front and back being two different pieces of fabric, the front and back are made up of the same piece, just folded over the shoulder. Another thing to note is that while we often refer to tops and robes in hanfu as the two main categories, that isn’t how hanfu is really categorized, just a way for us to talk about the shape of things in English. Instead, we have the 長/长/chang2/long versions and 短/短/duan3/short versions of clothing, which can be applied to most categories of clothing that we separate by construction—the only difference is length. Short…

First installment of the Hanfu in Components series is up! As a reminder, if you haven’t already, check out the introductory article to best find out how to use this guide, otherwise some things might not make sense to you. If you’ve done that already, charge on forward! To kick off the series, this is a brief article explaining how exactly we’re going to break down hanfu into its basic components. We’re still in the introductory stages here, but bear with me and we’ll get to the fun stuff soon.   WHAT MAKES HANFU, HANFU? What defines 漢服/汉服/han4 fu2/hanfu? What sets it apart from everyone else? How do we know when something is truly hanfu, as opposed to hanfu-inspired? These questions can be kind of scary when you first look at them, scared of making a mistake—don’t worry, it’s actually pretty simple! First, we should understand that hanfu isn’t just something that we derived off of paintings and imperial dramas. Every type of hanfu that we have today was recovered as a rotting piece of cloth that we dug up from the ground, studied by historians and made into clothing patterns (‘pattern’ refers the shape of the fabric pieces and…

Kesi (缂丝), the most traditional type of silk weaving in the Chinese silk industry, which is highly appreciated for its decorative qualities. Kesi is a kind of pattern with warp and weft, forming a pattern border, with the effect as if was carved, and rich two-sided three-dimensional sense of silk crafts. The knitting technique of Kesi is different from the embroidery and brocade. Suzhou Kesi painting is also known as the "Four Great Weavers" of China, along with Hangzhou silk painting, Yongchun paper painting and Sichuan bamboo curtain painting. The Kesi technique has appeared many times in the collection of ancient costume dramas, such as the delicate Kesi fans in the hands of the concubines of “Story of Yanxi Palace”, adding endless style to them. The another drama “Marvelous Women” which take the Qing Dynasty as the background, has restored the weaving scene of the Kesi.   The Uniqueness of Kesi Different from the weaving method of Song brocade, Shu brocade, cloud brocade which are woven through the warp and weft. Kesi with raw silk as the warp, a variety of colorful cooked silk threads for the weft, which are dug and woven by the method of passing through the…

Hey everyone—a little busy as of late, but rest assured that I am not dead! I just had to pop back to belatedly report on the 2022 Scholar's Garden Hanfu Outing organized by Yulan/Chlobaltblue in our hanfu discord server community! This half-day event consisted of a photoshoot and group dinner on July 30th, 2022 in the New York Chinese Scholar's Garden with a small group of eight people attending. People from all over New England joined us for this outing, from Conneticut residents to Boston students flying all the way up to Staten Island. Unfortunately I was not one of those people, but I'm here to share with you all the pictures and experience that my sister provided! I'll also be doing a brief summary of some of the outfits that everyone is wearing. Some of our members had their own sets, while others borrowed from each other. A majority of our outfits were Wei/Jin Style (魏晉風)  outfits which consisted of a zhequn, cross collar top, and daxiushan. Ani also wore a Ming-style summer set, with a modified zhuyao with pearl buttons in the front to mimic the zimu buttons of a zhuyao and a Ming helingshan, a style that greatly resembles…

Cultural variety shows and historical dramas have opened up a new trend of Chinese celebrities' traditional costume styling. Starting with "National Treasure" in 2017, celebrities frequently time travel to various dynasties to experience the life of ancient people. Yang Zi acted in many Xianxia dramas (such as Ashes of Love, and Immortal Samsara), but in "National Treasure", she had the opportunity to talk with Princess Wencheng across time and space. The appropriate gold ornaments, together with the flower inlay between her eyebrows, highlight her dignified and luxurious side. Zhang Zifeng, transformed into a Qing Dynasty astronomer, Wang Zhen Yi. With her plain attire and calm and quiet temperament, you seem to be able to see the majestic universe in her heart. The 2019 suspense drama "The Longest Day In Chang'an", the thrilling investigation process, with a rich display of Tang Dynasty styling, adds a lot of features to this drama. In the show "Meet the temple of heaven" 2019, has a number of actresses changing into Qing Dynasty attire, which combined with the scenery of the Temple of Heaven, really gives a feeling of history shining into reality. Compared to Xianxia and Wuxia dramas, cultural shows and historical dramas usually…

Unlike the noble and elegant clothes of women in the Tang Dynasty, when it comes to Song Dynasty women costumes, maybe we are thinking of a graceful and restrained and a plain and neat feeling. The Song Dynasty was the dynasty with the most prosperous literati temperament in Chinese history. Women’s clothing in the Song Dynasty not only inherited the women's clothing system in the Tang Dynasty, moreover, combined with the characteristics of the times, created a dressing mode that belongs to the Song Dynasty. Its aesthetic standard is skinny beauty with fresh and elegant. It advocates slenderness and fit, exquisite material processing, soft tone, lightness, softness, elegance, and it has a strong atmosphere of life. So what kind of clothes did the women wear in the Song Dynasty thousands of years ago? In this article, ArtMoment will introduce 11 classic Song Dynasty women costumes to you.   1-Top In the Song Dynasty, women’s clothing was basically still coat and dress shape, divided into different forms. Tops mainly have Moxiong, Shan, Ru & Ao, Pao, Beizi, Banxiu, and so on. Moxiong Moxiong (抹胸, bandeau) is the most close-fitting clothing for women in the Song Dynasty. Its function is like today’s…

With the popularity of "A Dream of Splendor", the Chinese traditional folk life of the Song Dynasty shown in the drama has set off a retro craze in reality. The audience's focus on ancient costume dramas is no longer limited to makeup and costumes, but seeks to examine and explore deeper content. In recent years, it is common that ancient costume dramas based on historical research and restoration of ancient life, but most of them are still embodied in costumes and etiquette, do not fully restore the life of ancient China. So, what is traditional Chinese folk life like? STUDIO SHENLOUZHI (蜃楼志), as if they had traveled from ancient China, recreates the traditional Chinese folk life for the audience with their almost perfect short films. On June 10, 2019, their first work, "VAGUELY DREAM IN HOKCHEW - Short Film of Traditional Life in Late Ming Dynasty" suddenly becomes popular on the Internet, with more than 700,000 views. The creative team members are all post-90s traditional culture enthusiasts, who had no experience in film production or acting in any drama before. The short film shows the folk life in Hokchew City (Fuzhou) during the Chongzhen period of the late Ming Dynasty…