In Guangxi, no banquet is complete without a steaming plate of Lipu Taro (荔浦芋头) Braised Pork. This beloved dish holds a special place in local culinary traditions, earning its reputation as the undisputed centerpiece of celebratory feasts. From family gatherings to grand wedding banquets, it consistently takes the spotlight, delighting diners with its rich aroma and melt-in-your-mouth texture. Everyday Favorite Lipu taro is the key ingredient that sets this dish apart. Known as the "King of Taro," Lipu taro boasts a high starch content, giving it a soft, creamy texture with a hint of sweetness. The region has cultivated this prized crop for over a thousand years. Historical records indicate that as early as the Qing Dynasty, Lipu taro was selected as an imperial tribute, enjoyed by royalty for its superior quality. Lipu Taro Braised Pork dates back to the Ming Dynasty. Legend has it that devout worshippers once offered pork and taro as temple sacrifices. After the ceremony, they combined the ingredients, steamed them with seasonings, and unknowingly created what would become one of Guangxi's most iconic dishes. Over time, what was once a delicacy reserved for special occasions has become a household staple, enjoyed by families across China…

In China, temples are often seen as places of worship, offering a peaceful escape from the hustle of everyday life. However, a lesser-known but equally delightful aspect of temple life is the cuisine—especially the humble yet hearty vegetarian dishes served within their ancient walls. Far from the notion that vegetarian food lacks flavor or excitement, these temple-based dishes prove otherwise. From noodles to savory snacks, the temples of China serve some of the most delightful meals, blending spiritual tradition with culinary craftsmanship. Though temple food is strictly vegetarian, the variety and depth of flavors can be surprising. Consider the staple dish in many temples: vegetarian noodles. These aren't just any noodles, but dishes steeped in rich, aromatic broths that are painstakingly crafted with an assortment of vegetables, mushrooms, and tofu, designed to nourish both the body and spirit. Let's take a look at some of the best temples to visit if you're looking for not just peace but a truly delicious vegetarian experience. Temple Noodles In Suzhou, a city famed for its sophisticated culinary traditions, even the temple noodles stand out. At Lingyan Mountain Temple and Xiyuan Temple, locals and tourists alike gather early in the morning to enjoy a…

No Chinese dish has achieved global recognition quite like Mapo Tofu. What began as a humble street food in 19th-century Chengdu has evolved into a culinary symbol bridging cultures, inspiring chefs, and sparking debates across continents. Its journey—woven with history, creativity, and a dash of misunderstanding—reveals how a single dish can transcend borders. In 1994, two seemingly unrelated events set the stage for Mapo Tofu's global breakthrough. Fuchsia Dunlop, a British scholar, arrived in Sichuan to study Chinese minorities but soon found herself enrolled at the Sichuan Culinary Institute. There, she mastered the art of Mapo Tofu, later introducing it to Western audiences through her books and documentaries. Meanwhile, in Japan, manga artist Etsushi Ogawa debuted Cooking Master Boy (中华一番), a culinary adventure series where the protagonist's triumph hinges on a mythical "Magical Mapo Tofu." These two narratives—one rooted in scholarship, the other in pop culture—propelled the dish into international consciousness. Dunlop became a tireless advocate for Sichuan cuisine, demystifying its history and honoring Chen Mapo, the 19th-century matriarch credited with creating the dish. Ogawa's manga, meanwhile, spawned anime adaptations and a cult following, transforming Mapo Tofu into a symbol of culinary heroism. The Name The dish's global journey wasn't…

Beneath the vaulted ceilings of Guangzhou Opera House, silk cascades like ink dispersing in water, unveiling the 700th iteration of a modern cultural marvel. Since its 2021 premiere, The Eternal Verdant: The Journey of a Legendary Landscape Painting (只此青绿)—a dance poetry drama inspired by the 12th-century masterpiece A Thousand Li of Rivers and Mountains—has transcended theatrical boundaries, becoming a living bridge between Song Dynasty artistry and contemporary sensibilities. Co-created by the Palace Museum and China Oriental Performing Arts Group, this production has magnetized over 1.2 million viewers across 70 cities, from Istanbul's ancient theaters to Broadway's neon glare, collecting accolades like the Wen Hua Award while redefining China's cultural narrative. The genius of The Eternal Verdant lies in its alchemical fusion of disciplines. Dancers don't merely perform; they become brushstrokes incarnate. Limbs curve like mountain ridges traced by Wang Ximeng, the teenage prodigy behind the original painting, their movements oscillating between the tensile grace of calligraphic flourishes and the raw energy of mineral pigment grinding. Silk costumes, dyed using reconstructed Song-era malachite formulas, ripple to reveal hidden cartographies of the landscape. Audiences find themselves not just spectators but time travelers, drawn into a dual narrative where a modern museum researcher's…

Xi'an's ancient city walls trembled not from winter winds, but from the thunderous artistry of 500 drummers. At the Han Dynasty Heritage Park, the air buzzed with anticipation as teams from Chang'an District, Zhouzhi County, and Yanliang District prepared for the "Drum Symphony of Prosperity" competition. Among them, the Chang'an troupe's "The Emperor's Review" (秦王点兵) stood out—a six-movement epic that reimagined Qin dynasty military drills through percussive storytelling. Fourteen-year-old Liang, his drumsticks wrapped in crimson silk, leaned toward his teammate. "The third movement mimics cavalry hooves," he whispered, as holographic warriors materialized above their drums. Nearby, the Lantian County troupe rehearsed "West River Folk Pageant" (西川社火), their cymbals spinning like golden harvest moons. "Each clash echoes our ancestors' celebrations after defeating floods," explained veteran performer Grandma Liu, her wrists flicking with the precision of a calligrapher's brush. The climax came when Zhouzhi County's drummers unleashed their "digital dragon"—a 50-meter LED projection that snaked through the air, its scales rippling to the rhythm of a 13th-century battle hymn. Tech-artist Mei, whose VR headset transformed drum scores into 3D calligraphy. Our ancestors carved prayers into oracle bones; we code them into light. Soil-Stained Hands, Skyward Rhythms In Fuping's frozen fields before dawn,…

On the evening of January 22, 2025, the Guangdong-Hong Kong-Macao Greater Bay Area Lantern Festival (1.22-3.30) kicked off with a dazzling display of lights. The first visitors to the park witnessed the spectacular moment as thousands of lanterns illuminated the night sky, offering a mesmerizing view of a world lit up by modern technology and traditional art. "3, 2, 1, Light Up!" With a countdown in the air, lanterns from three major parks—Nansha Puzhou Garden, Nansha Tianhou Temple, and Nansha Seaside Park—simultaneously lit up the night sky. This moment marked the beginning of a breathtaking visual journey, with thousands of lights forming intricate designs that captivated the eyes of onlookers. The first evening drew crowds of visitors eager to witness the magic. One of the standout features of this year's display is the lantern "The Flower Goddess (簪花女神)," which was set against a serene water-side backdrop. The graceful figure of the flower goddess, depicted in intricate detail, transported visitors to a tranquil water town, offering a beautiful juxtaposition between nature and craftsmanship. Another popular installation, "The Monkey King," reimagined the famous character of Sun Wukong from Chinese mythology. The lantern's unique dark fantasy style transformed the beloved hero into a mysterious, almost mythical figure,…

From January 1 to March 31, 2025, travelers arriving via China Eastern Airlines or rail services to Nanjing can unlock exclusive discounts at 23 iconic attractions—from the mist-shrouded Qixia Mountain to the lively Hongshan Forest Zoo. Simply present your boarding pass or train ticket within 10 days of arrival to enjoy up to 40% off tickets and experiences. But here's the real showstopper: March marks the awakening of Jiming Temple's (鸡鸣寺) legendary cherry blossoms. While Tokyo's sakura often steal the spotlight, Nanjing's 400-meter "Pink Corridor" offers an ethereal alternative. Picture delicate petals swirling around ancient temple eaves, accompanied by the soft chime of Buddhist bells—a scene so poetic it could make Kyoto blush. Nanjing offers an antidote to overcrowded Japanese hanami spots. As one guest remarked: "It's like stepping into a scroll painting—one where you can sip cappuccino amid cherry blossoms." Back at the legendary Jiming Temple Road, anticipation builds around the "Messenger Tree"—a lone Chunhan Cherry (春寒樱花) that traditionally heralds the main bloom. Though still cloaked in tight buds, early risers might spot a dozen pioneering flowers defying the chill. "This variety accounts for 80% of our cherry canopy," says local arborist Wang. "Once temperatures stabilize above 12°C, the entire 2km…

Kuala Lumpur's night sky ignited as 1,200 drones wove luminescent dragons above the Petronas Towers, officially launching the 2025 "Happy Spring Festival" global tour. In Bangkok's Yaowarat district, the scent of tom yum soup mingled with sizzling Chaozhou dumplings as over 100,000 locals and overseas Chinese flooded the neon-lit streets. "Sharing this festival has become our bridge," remarked Thailand's Tourism Minister Sudawan Wangsuphanakul, gesturing to crowds where Thai silk sarongs brushed against Hanfu sleeves. The UNESCO-listed festival's first year as intangible heritage saw unprecedented fusion. Brussels' Royal Museums of Fine Arts hosted children stamping Suzhou's peach-blossom woodblock prints onto Flemish-style canvases, while Greek Parthenon steps echoed with Kunqu opera arias. "It's like watching a Renaissance muse awaken to a Chinese melody," marveled Belgian curator Antoine Delvaux. Southeast Asia's celebrations shimmered with layered identities. Singapore's Clarke Quay transformed into a living Analects: youths in Peranakan-embellished Hanfu practiced archery beside QR-coded lantern riddles. "The ‘Six Arts' aren't relics—they're life hacks for modern minds," laughed Malaysian student Mei Ling, her calligraphy brush tracing Confucian maxims onto augmented-reality scrolls. Jakarta's National Monument witnessed a culinary diplomacy coup—Shenyang chefs reimagined nian gao rice cakes with durian fillings, served alongside VR tours of China's ice festivals.…

As one of Chinese mythology's most iconic figures, Ne Zha—the fearless boy deity wielding a Fire-tipped Spear and Cosmic Ring—has transcended centuries through folklore, literature, and modern media. Beyond today's cinematic adaptations, Guangzhou's museums safeguard a treasure trove of artifacts that reveal how this cultural icon captivated imaginations long before the age of blockbusters. From ancient porcelain to architectural masterpieces, Ne Zha's legacy intertwines with Guangzhou's history as a hub of art, trade, and storytelling. Let's explore his enduring presence across the city's collections. Ne Zha Sails Overseas During the 18th and 19th centuries, Guangzhou's bustling port fueled a golden age of ceramic exports. Among these treasures, a Qing Dynasty Fencai (粉彩) "Investiture of the Gods" (封神演义) vase at the Guangzhou Museum stands out. Painted with vivid scenes from the Ming-era epic, the vase immortalizes Ne Zha's battle against the Dragon King—a tale later popularized by modern films. This artifact underscores how Guangzhou's artisans transformed literary classics into globally traded art. Export porcelain of this era often featured narratives from Romance of the Three Kingdoms or Journey to the West, but Ne Zha's inclusion highlights his timeless resonance. Centuries before animation studios reimagined him, his legend traveled to Europe and…

Do you have Chinese friends or friends who like traditional Chinese culture? When they need gifts for birthdays or special holidays, do you worry about what gifts to give to make them considerate? As we all know, traditional Chinese culture is extensive and profound. The influence of Chinese culture is also deepening around the world. Various traditional skills deeply attract everyone's attention. You don't have to work hard to find his preferences, these gift options are very suitable for her/him! Gifts for clothing matching 1. Hanfu or cheongsam: For friends who take a great interest in ancient Chinese clothes, choosing an exquisite Hanfu or cheongsam is not only a unique gift but also access to understanding Chinese culture. And the clothing of different dynasties is even more dazzling and unique whether it’s in the Tang Dynasty or Song Dynasty. 2. Custom Patches: Custom patches with ancient elements are also a wonderful choice. For friends or fans who love Chinese culture deeply, choosing exquisite embroidered patches as gifts can not only be a special gift for most festivals but also a good way for Chinese culture lovers to decorate beautiful clothes. Customized embroidered patches are of various styles and types, suitable…

In the recently aired historical drama Flourished Peony (国色芳华), eagle-eyed viewers noticed something peculiar about Dong Jie’s (董洁) character, Feng Xiaoyi (冯小姨): she wore a curious piece of fabric draped across her chest, resembling what modern audiences might jokingly call a “butt curtain.” This accessory, however, is far from a mere costume quirk—it’s a revival of the Wei Shang (围裳), a centuries-old fashion staple from the Tang Dynasty (618–907 CE). What Is a Wei Shang? The Wei Shang, often referred to as a “waist skirt” or yao qun (腰裙), is a versatile garment that wraps around the waist or hips. Historically, it served both decorative and functional purposes. According to The Dictionary of Ancient Chinese Clothing, the Wei Shang was a short skirt worn around the waist, while scholars like Ruan Li (阮立) from Shanghai University describe it as a wide band tied at the hips, often secured with decorative knots or beads. In simpler terms, the Wei Shang is a layered piece of fabric that adds depth and structure to an outfit. Its design can range from a single piece of cloth to multiple panels stitched together, often pleated or embroidered for added flair. From Waist to Chest: A…

When we think of round fans, or tuanshan (团扇), images of graceful women in flowing robes often come to mind. Yet, the origins of this iconic accessory tell a different story—one where men, not women, were the primary users. From its inception as a tool of etiquette to its evolution into a symbol of feminine beauty, the round fan’s journey through Chinese history is as rich and layered as the silk it was often made from. A Man’s World: The Early Days of Round Fans Contrary to popular belief, round fans were not always associated with women. During the Han Dynasty (206 BCE–220 CE), these fans emerged as a practical accessory for men, particularly among scholars and aristocrats. Known as gongshan (宫扇) or “palace fans,” they were initially used to shield one’s face—a gesture of modesty or social avoidance. Historical records, such as the Book of Han (《汉书》), describe how officials used fans to avoid awkward encounters, a practice humorously akin to modern-day “social distancing.” By the Tang Dynasty (618–907 CE), round fans had become a staple of courtly life. Their designs evolved from simple bamboo frames to intricate works of art, often adorned with calligraphy, paintings, or delicate embroidery.…

In the bustling streets of modern cities, striped skirts have become a staple of contemporary wardrobes. But what if we told you this trend was mastered—and arguably perfected—over 1,500 years ago in China? Recent archaeological discoveries and historical dramas like Kill My Sins (掌心) have reignited fascination with ancient Chinese striped skirts, revealing a sophisticated fashion legacy that continues to inspire today. The Striped Skirt Revolution: A 7th-Century Innovation Contrary to popular belief, striped skirts were not born on Parisian runways or New York streets. The earliest examples emerged during China’s Han Dynasty (206 BCE–220 CE) and evolved into a cultural phenomenon by the Tang Dynasty (618–907 CE). These were no ordinary garments: Engineering Elegance: Unlike modern printed fabrics, Tang-era striped skirts (poqun, 破裙) were painstakingly assembled from narrow, hand-dyed fabric strips—sometimes as many as 90 panels stitched together. Optical Illusions: Ancient tailors strategically used vertical stripes and color contrasts (like black-white or red-blue) to create slimming silhouettes, predating modern "bodycon" aesthetics by over a millennium. Functional Fashion: Excavated artifacts from tombs like Bi Jiatan Huahai (毕家滩花海墓) reveal skirts with pleats and adjustable waistbands, blending artistry with practicality. How Tang Women Wore Stripes The Tang Dynasty’s striped skirt craze reached…

As spring breathes life into nature, fashion enthusiasts seek fresh ways to mirror the season’s vibrancy. While pastels and florals dominate Western spring collections, a centuries-old Chinese tradition offers an audacious alternative: Hanfu, the traditional attire of the Han Chinese. With its fearless embrace of color, Hanfu challenges modern fashion’s rigid rules—proving that spring’s exuberance can be captured not through restraint, but through joyful abundance. Part 1: Hanfu’s Chromatic Rebellion In recent years, my journey into Hanfu evolved from buying curated sets to DIY creations. What stunned me most was its radical approach to color. Combinations deemed “clashing” in modern fashion—think pink paired with chartreuse or deep green against magenta—somehow harmonize effortlessly in Hanfu. Even seemingly discordant hues like lavender and tangerine or sky blue and neon orange coalesce into striking ensembles. These designs defy the “three-color rule” (a Western styling mantra) not through chaos but through calculated artistry. The secret lies in Hanfu’s structural DNA: loose, planar cuts allow hues to flow freely across uninterrupted fabric planes, while layered skirts and billowing sleeves create a kinetic harmony that feels both ancient and avant-garde. Part 2: Why Modern Fashion Fears Color—And Hanfu Doesn’t The “three-color rule” exists for practicality: modern…

Hanfu, the traditional attire of the Han Chinese, is more than just a piece of clothing—it is a symbol of culture, identity, and history. Throughout Chinese history, literature and classical texts have played a crucial role in shaping and preserving the significance of Hanfu. From ancient poetry to Confucian philosophy, Hanfu is often depicted as a marker of virtue, status, and national pride. But how exactly has Hanfu influenced Chinese literature, and what role does it play in classical texts? Let’s dive into the intricate relationship between Hanfu and Chinese literary traditions. The Symbolism of Hanfu in Classical Chinese Literature Hanfu is not just a form of dress—it is a representation of Confucian ideals, social order, and aesthetics. In classical Chinese literature, Hanfu is often used as a symbol to convey deeper meanings about a character’s identity, social status, and moral values. Hanfu as a Reflection of Status and Virtue In many ancient Chinese texts, clothing is an essential marker of a person’s role in society. The “Book of Rites” (礼记), one of the Confucian classics, describes in detail the appropriate attire for different social classes and occasions. Hanfu was more than fashion—it was a reflection of an individual's virtue…

The Hanfu worn in different dynasties, though similar, ranged in its own characteristics based on the dynasty. The article I am writing will hopefully help you understand the similarities and differences between clothing and hanfu throughout the timeline of dynasties. I will also show you how it has changed compared to modern hanfu. Xia (Hsia) Dynasty ca. 2100-1600 BCE Shang Dynasty ca. 1600-1050 BCE Zhou (Chou, pronounced "Joe") Dynasty 3.1 Western Zhou (ca. 1046-771 BCE) 3.2 Eastern Zhou (ca. 771-256 BCE) Spring and Autumn Period (770-ca 475 BCE) Confucius (ca. 551-479 BCE) Warring States Period (ca. 475-221 BCE) 221-206 BCE Qin (Ch'in, pronounced "chin") Dynasty/ Capital: Chang'an, present-day Xian Qin Shihuangdi dies, 210 BCE 206 BCE-220 CE Han Dynasty Western/Former Han (206 BCE-9 CE) Capital: Chang'an (present-day Xian) Confucianism officially established as basis for Chinese state by Han Wudi (r. 141-86 BCE) Eastern/Later Han (25-220 CE) Capital: Luoyang 220-589 CE Six Dynasties Period Three Kingdoms (220-265 CE) Jin Dynasty (265-420 CE) Period of the Northern and Southern Dynasties (386-589 CE) Period of disunity and instability following the fall of the Han; Buddhism introduced to China Cao Wei, Shu Han, Dong Wu 581-618 CE Sui (pronounced "sway") Dynasty Capital: Chang'an (present-day Xian)…

Foot binding (simplified Chinese: 缠足; traditional Chinese: 纏足) was the Chinese custom of breaking and tightly binding the feet of young girls to change their shape and size for aesthetic purposes. Feet altered by footbinding were known as lotus feet and the shoes made for them were known as lotus shoes. It has been estimated that by the 19th century 40–50% of all Chinese women may have had bound feet, rising to almost 100% among upper-class Han Chinese women. The lotus flower, a symbolically significant flower across Eastern countries and religions, is associated with beauty, enlightenment and rebirth. Every morning the lotus flower emerges elegant and pure from muddy waters. In Buddhism, the white lotus flower is symbolic of Bodhi, or, being awakened. Thus the lotus is also a symbol of desire and fertility.                                  History: Footbinding was an extremely painful and debilitating cultural practice, existing in China from the 10th century until the establishment of the People’s Republic of China in 1949. First practice was documented in the Southern T'ang Dynasty (937-956 AD), although some poetry from the Han Dynasty (206 BC-AD 220) suggests that small feet were culturally preferred before documentation of the custom. The exact origin of…

Fashion is a reflection of history, culture, and identity, evolving alongside society. Chinese fashion, in particular, has undergone a remarkable transformation, shifting from traditional attire to modern, globally influenced styles. This evolution is deeply connected to social changes, economic growth, and cultural exchanges with the world. Understanding how Chinese fashion has changed over time provides valuable insights for students interested in history, art, and design. For centuries, China’s clothing styles were shaped by dynastic rules, Confucian values, and regional influences. The Hanfu, Tang suit, and Qipao symbolize different eras, each with unique materials, patterns, and meanings. These garments carried social significance, often indicating class, status, and occupation. However, as China opened its doors to modernization and globalization, traditional clothing slowly gave way to contemporary designs influenced by Western trends. Today, fashion in China blends tradition with innovation, creating styles that appeal to both young students and professionals. The rise of street fashion, sustainable clothing, and high-end Chinese designers has positioned China as a fashion powerhouse. Many students now explore this transformation in college, studying fashion history, design, and business as part of their assignments. This shift not only reflects aesthetic changes but also highlights the deeper impact of culture on…

Chinese actress Yang Zi (杨紫), known for her versatile roles in television dramas, has once again captured the public’s attention—this time, not for her acting, but for her impeccable fashion sense. Recently, the star shared photos of herself dressed in Hanfu, traditional Chinese clothing, to celebrate the Lantern Festival. The images, which quickly went viral, showcased Yang Zi in two stunning Ming Dynasty-inspired outfits, sparking discussions about the modern revival of Hanfu and its place in everyday fashion. A Nod to Ming Dynasty Elegance Yang Zi’s Hanfu choices are rooted in the Ming Dynasty (1368–1644), a period known for its rich cultural heritage and distinctive fashion. The two outfits she wore are variations of aoqun (袄裙), a traditional style consisting of a top (ao) and a skirt (qun). The first ensemble features a soft pink ao with a crossed collar, paired with a gray pleated skirt. The second look is a refreshing green ao with a front-opening design, layered over a subtle red undergarment, creating a harmonious yet striking color contrast. What makes Yang Zi’s outfits stand out is their accessibility. Unlike the elaborate Hanfu often seen in historical dramas, her choices are tailored for modern wear. The muted tones—pink,…

The vibrant city of Xi'an, historically known as the cradle of Chinese civilization, has witnessed a cultural renaissance of sorts. In recent years, the streets and landmarks of this ancient city have become a living museum of traditional Chinese fashion—particularly Hanfu, the traditional clothing that dates back to the Han Dynasty. What was once considered an artifact of history has now made a bold return to the streets, worn by young people in daily life and by tourists looking to engage with Chinese heritage in a deeply immersive way. This resurgence has sparked interest worldwide, making Xi'an one of China's leading cultural hubs. In this article, we delve into the multifaceted role of Hanfu in Xi'an, its relationship to cultural confidence, and the broader implications for China's cultural identity today.   Xi'an, known as the ancient capital for over 13 dynasties, is a city where history and modernity collide. For thousands of years, the city has been a center of political, cultural, and economic power in China. The Han and Tang dynasties, in particular, left an indelible mark on the city’s legacy, contributing to an atmosphere filled with ancient cultural relics and awe-inspiring architectural wonders. With the rise of Hanfu,…