The Power of Upward-Sweeping Eyebrows in Ancient Chinese Makeup

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In the historical cdrama, actors Chen Jin and Xu Jiao portray characters with distinctive eyebrow styles that exude an undeniable aura of authority. Unlike conventional female characters whose eyebrows taper downward or remain straight, their eyebrow tails sweep dramatically upward. This unique style, known as Hanyan Mei (涵烟眉) or Fuyun Mei (拂云眉), was particularly popular during the early Tang Dynasty through the Wu Zhou period. Characterized by sharp inner corners and finely separated hairs at the tails, this eyebrow style sometimes featured a narrower, more arched peak, also referred to as Yuanshan Mei (远山眉).

Ancient Chinese literature, such as the Fengguang Ci by a Tang Dynasty poetess, describes these eyebrows as ethereal as mist or drifting clouds. Their upward sweep not only added a touch of independence and confidence but also became a defining feature in murals and paintings from that era. Compared to the softer Juan Yan Mei (罥烟眉), Hanyan Mei was bolder and more vibrant, leaving a lasting impression. Modern adaptations in film and television have softened its intensity, blending strength with elegance.

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Modern Applications and Tips

This eyebrow style, often seen in strong female roles like those in Zhang Xin, enhances facial structure by filling the temple area and projecting authority. However, its complexity may overwhelm delicate facial features or intricate hairstyles, making it best suited for simpler looks. For those seeking to channel a powerful heroine vibe in everyday makeup, subtly lifting the eyebrow tails can create a striking, confident effect—proving that ancient aesthetics still hold relevance today.

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