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Lantern Blade: A Dark Fantasy Revival of Stop-Motion Anime
For a generation raised on the sleek aesthetics of 2D hand-drawn and 3D CGI animation, stop-motion might seem like an antiquated relic of the past. Unlike its counterparts, stop-motion is built on tangible artistry: puppets, clay figures, and mixed materials manipulated frame by painstaking frame. The result? A distinctive, textured realism unmatched by digital techniques. In China, the legacy of stop-motion animation once flourished with studios like Shanghai Animation Film Studio producing classics such as Magic Brush Ma Liang (神笔马良) and The Story of Avanti (阿凡提的故事). However, since the rise of CGI in the 1980s, stop-motion animation has become a niche art form globally, celebrated only by enthusiasts or explored in experimental shorts. Breaking this lull, Tencent Video’s Lantern Blade…
Lantern Blade: A Dark Fantasy Revival of Stop-Motion Anime
For a generation raised on the sleek aesthetics of 2D hand-drawn and 3D CGI animation, stop-motion might seem like an antiquated relic of the past. Unlike its counterparts, stop-motion is built on tangible artistry: puppets, clay figures, and mixed materials manipulated frame by painstaking frame. The result? A distinctive, textured realism unmatched by digital techniques. In China, the legacy of stop-motion animation once flourished with studios like Shanghai Animation Film Studio producing classics such as Magic Brush Ma Liang (神笔马良) and The Story of Avanti (阿凡提的故事). However, since the rise of CGI in the 1980s, stop-motion animation has become a niche art form globally, celebrated only by enthusiasts or explored in experimental shorts. Breaking this lull, Tencent Video’s Lantern Blade…
For a generation raised on the sleek aesthetics of 2D hand-drawn and 3D CGI animation, stop-motion might seem like an antiquated relic of the past. Unlike its counterparts, stop-motion is built on tangible artistry: puppets, clay figures, and mixed materials manipulated frame by painstaking frame. The result? A distinctive, textured realism unmatched by digital techniques. In China, the legacy of stop-motion animation once flourished with studios like Shanghai Animation Film Studio producing classics such as Magic Brush Ma Liang (神笔马良) and The Story of Avanti (阿凡提的故事). However, since the rise of CGI in the 1980s, stop-motion animation has become a niche art form globally, celebrated only by enthusiasts or explored in experimental shorts. Breaking this lull, Tencent Video’s Lantern Blade…
Lantern Blade: A Dark Fantasy Revival of Stop-Motion Anime
For a generation raised on the sleek aesthetics of 2D hand-drawn and 3D CGI animation, stop-motion might seem like an antiquated relic of the past. Unlike its counterparts, stop-motion is built on tangible artistry: puppets, clay figures, and mixed materials manipulated frame by painstaking frame. The result? A distinctive, textured realism unmatched by digital techniques. In China, the legacy of stop-motion animation once flourished with studios like Shanghai Animation Film Studio producing classics such as Magic Brush Ma Liang (神笔马良) and The Story of Avanti (阿凡提的故事). However, since the rise of CGI in the 1980s, stop-motion animation has become a niche art form globally, celebrated only by enthusiasts or explored in experimental shorts. Breaking this lull, Tencent Video’s Lantern Blade…
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