Model’s info: height-168cm, weight-45kg, wear size-M (for reference only)
















A Tang Silhouette, Cut for Summer
Tang dress was built by layering: a short outer jacket over a round-neck shirt, the waist set by a skirt. This set keeps that order but takes the weight out of it, so the three layers can be worn through a hot summer without trapping heat. The banbi is cut short and half-sleeved, which leaves the arms free and keeps the proportion high; the shirt underneath carries a pleated front panel that draws a vertical line down the body; the skirt sits at the natural waist and falls to the ankle. Nothing is stiffened or boned, so the shape comes from the fall of the fabric rather than from structure.
The Three Pieces
- Banbi shirt — the half-sleeve outer layer, and the only piece with a pattern. Florals, baskets and butterflies are printed by digital direct injection onto a jacquard ground, so the edges of the motif stay sharp while the weave shows faintly underneath. The colours are the loudest in the set, which is why everything else is kept quiet.
- Shirt — a round-neck top in beige with fine pleats down the front panel. Worn under the banbi it reads as a clean layer at the neck; worn alone with trousers it passes as an ordinary summer shirt, with nothing about it that requires the rest of the set.
- Jiaoyu skirt — high-waisted, Klein blue, in a jacquard weave with a soft handfeel. A jiaoyu cut is pieced on the diagonal and gathered onto a waistband, which is why the skirt swings from the hip instead of hanging flat. It ties rather than zips, so the fit adjusts by a few centimetres, and the blue is deep enough to hold its colour in daylight without turning navy.
Fabric & Fit
The banbi is the only printed piece: a Richcel-blend jacquard, with the motif laid on by digital direct injection so the edges stay sharp while the weave shows faintly underneath. The round-neck shirt is Tencel jacquard — a weave with a faint relief that catches light at an angle, and a drape soft enough to layer without bulk. The skirt is viscose jacquard, woven rather than printed, so its colour sits inside the cloth and does not sit on top of it. All three pieces are light enough to pack flat and hang out again without creasing badly.
Sizing works differently across the three pieces, but all of them come in S, M and L. The banbi is the loosest layer, with a chest of 96, 101 and 106 cm across the sizes; the shirt runs 92, 97 and 102 cm at the chest and is the piece to match if you are between sizes. The skirt is the one that decides comfort, because it ties rather than closes: its waist spans 64–68 cm at S, 68–72 cm at M and 72–76 cm at L. Lengths step with the size — the skirt falls to 95, 100 and 105 cm — so a larger size also sits lower on the ankle.
How to Wear It
- The full set — for festivals, weddings and photographs, where the layered Tang line is the point. Keep the accessories light: the print is already busy.
- Banbi over the shirt, with your own trousers — the most wearable version for an ordinary day. Only the top half reads as hanfu, and the skirt stays in the wardrobe.
- Shirt and skirt — quieter, and closer to new Chinese style than to period dress. The beige against Klein blue does most of the work.
- Skirt alone — with a plain knit or a white shirt once the weather turns. The high waist and the ankle length are the only hanfu signals left.
Buyer Size Reference
Measurements shared by recent buyers, with the size each one chose.
| Height (cm) | Weight (kg) | Size Bought |
|---|---|---|
| 150 | 43 | S |
| 156 | 49 | S |
| 160 | 55 | M |
| 165 | 60 | M |
| 168 | 60 | M |
| 161 | 61 | L |
| 163 | 58 | L |
| 163 | 65 | L |
Weight separates the sizes more cleanly than height does here: 43 to 49 kg took S, 55 to 60 kg took M, and from 58 kg upward buyers moved to L. That overlap is real — the skirt ties at the waist and gives a few centimetres either way, so if you sit between 58 and 60 kg, choose by the top instead, because the banbi and the shirt have fixed chest measurements. The tallest buyers in the table are also the ones who moved up a size, so height matters for length rather than for fit.
Care & Notes
Hand-wash in cold or warm water no warmer than 40°C / 104°F with a mild detergent. Squeeze the water out rather than wringing, then hang to dry in the shade. For machine washing, put the pieces in a soft mesh bag and run a gentle cycle. Iron on low heat, and press the printed banbi from the reverse with a cloth between iron and fabric, so the print does not take a shine.
Wash the set separately for the first few washes: the beige shirt is pale enough to pick up loose dye, and the Klein blue is deep enough to release some. Hang the skirt rather than folding it, so the jacquard keeps its line.





The print is lovely, though the sleeves do flare out a little. I’ll see how it behaves after washing — the fabric is light, so it suits hotter days.
Very forgiving on the figure — it flatters a range of body shapes.
The waist runs a touch snug on me, but overall it is fine.
The whole set is gorgeous. At first I thought it would read too busy, but it looks beautiful on, and the quality is very good.
This piece looks better left untucked.
Very pretty, and the cut sits well on the body; the fabric is decent too — just a little pricey.
The colour is as vivid as the photos with no shift, and the fabric is comfortable.
It is absolutely gorgeous and good price for the quality.
I’m usually a size M in Europe, and took a size L for confort here. While the shirt is of a perfect size for me (I have muscular arms), the skirt is too long.
I am a bit bummed by the skirt’s lenght: it is too long for the sizing, I would need to be like 180-185 centimeters tall for it to not reach the floor. I have to hike it up to my chest to not trip on it (and I am quite tall, 174cm).
The shirts are absolutely beautiful though, they are my favourite. Very easy to pair with anything and everything, lightweight, and the details are gorgeous.