Model’s info: height-168cm, weight-45kg, wear size-L (for reference only)













A Tang Collar in Green and Cream
The collar is the starting point. A tan collar (tanling) is cut in a wide U that leaves the collarbone bare and runs the neckline low and flat, and it is one of the few Tang shapes that reads as modern without any adjustment. Here it is edged in a yellow-green band, closed down the centre with two pearl buttons, and left loose through the body so it falls straight from the shoulder rather than shaping in at the waist.
The print is a Tang one: a wax-resist gauze pattern laid over flowers with paired mandarin ducks, a motif that traditionally stands for a couple that stays together. An ink-wash treatment softens the outlines so the pattern surfaces in layers instead of sitting flat on the cloth, and the ground shifts between pale yellow and a light celadon green the way green plums do before they ripen. The shorts answer it in cream. They are cut wide and high, gathered onto a half-elastic waist, and tied with the same yellow-green band at the side, long enough to hang as two tails when you walk. A single spray of embroidered flowers sits at one hem — small, and easy to miss until you are close.
Fabric & Fit
Both pieces are blends, and the names on the label need translating. The shirt is 85% viscose (人棉) — a plant-cellulose fibre sold in the West as rayon — and not cotton, despite the character for it in the Chinese name; the other 15% is nylon, which is what gives a weave this thin its strength. The shorts are 81% lyocell, the fibre sold under the brand name Tencel, with 19% nylon, and they are lined in 100% viscose so the cream stays opaque. There is no polyester in either piece: the shirt is a soft, light weave with a slight give, and the shorts have a dry, cool hand with enough body to hold the wide leg.
The shirt is semi-fitted and light enough that a pale yellow-green reads faintly transparent in direct sun — a nude or light-toned bra, or a fine camisole, settles it, and many buyers wear it open as a thin summer layer instead. The shorts are not sheer at all, because of the lining, and the wide cut keeps them off the thigh in heat. Size on the shirt: its chest runs 96, 101 and 106 cm, and the body is cut straight rather than shaped, so the fit is relaxed across that range. The shorts are governed by the waist, which is half elastic and ties at the side, covering 64–90 cm at S through 72–98 cm at L. The two pieces are sold as one set in a single size, so if your top and bottom land in different sizes, size for the shirt and let the sash take up the waist — the model wears S on top and L below for exactly that reason. There are no pockets; the sash does the work of a belt instead.
Styling Inspiration
- Everyday summer — worn together with flat sandals and a straw hat, it reads as a light two-piece rather than costume. The shorts alone take a plain white tee; the shirt alone goes over a camisole and jeans.
- Hot weather — the shirt is thin enough to work as a sun layer over a tank, and the shorts are lined and wide, so neither clings when the air is heavy.
- Photographs and outings — the pale ground and the soft print hold up in daylight, and the long sash gives the silhouette movement. A folding fan and a hairpin finish it; neither comes with the set.
- Layered into autumn — the shirt over a fine knit, with the shorts swapped for trousers, keeps the collar and the print in use past summer.
Buyer Size Reference
Measurements shared by recent buyers, with the size each one chose.
| Height (cm) | Weight (kg) | Size |
|---|---|---|
| 160 | 52 | S |
| 160 | 62 | M |
| 163 | 65 | L |
| 164 | 61 | L |
| 165 | 53.5 | M |
| 167 | 66 | L |
Weight separates the sizes better than height here. S went to a buyer at 52 kg, while L began at 61 kg and held all the way to 66 kg; the one M at 62 kg sits inside that L band, so treat the range as a guide rather than a cut-off. Height alone will not decide it — buyers between 163 and 167 cm spread across M and L. Both figures in the table refer to the shirt, since the shorts are tied at the waist.
Care & Notes
Hand wash below 40°C / 104°F with a mild detergent, and do not leave either piece to soak. Squeeze the water out rather than wringing or brushing the cloth, which is what pulls a print like this out of register. Do not bleach. Line dry in the shade, in a ventilated spot, and keep both pieces out of direct sun — the pale yellow-green is the first thing to shift. Iron below 110°C / 230°F, from the reverse and through a pressing cloth. Routine dry cleaning is fine for either piece.
Wash the set separately from dark laundry for the first few washes; a light ground picks up loose dye easily, and the cream shorts will show it. Button the shirt before it goes into the water and put it in a mesh bag if you machine-wash on a gentle cycle — the pearl buttons are sewn on with thread, not rivets. Tie the sash before washing so it does not wrap around the rest of the load, and hang the shorts by the waistband rather than folding them along the crease.






Looks just like the photos, with no colour difference at all. The fabric is really comfortable in summer. I’m 164 cm and the shirt at a 58 cm length sits just right, so it gives the seller’s-photo effect. I bought the shorts separately – L fits and they sit above the knee.
The breathability is good and it’s comfortable too. You do need a light-coloured layer underneath, and it creases easily, so it needs ironing.
Works on a petite frame, and it looks lovely.
Fresh and cool.
On, it’s genuinely simple and elegant, and it gives you a lot of presence.
First time I came across this shop and I fell for its hanfu-influenced clothes straight away – I bought two sets at once and I like both of them.
It’s all right – neither especially lovely nor bad.
Very comfortable.