Yang Mi

In 2025, the Chinese entertainment industry witnessed a significant shift as performers transcended traditional boundaries, embracing roles that defied expectations and showcased their depth. This year highlighted a move towards authentic storytelling, where actors demonstrated remarkable versatility across television and film. Their journeys from familiar archetypes to complex characters not only captivated audiences but also redefined success metrics, emphasizing artistic growth over mere popularity. 1. Liu Yuning (刘宇宁) - The Prisoner of Beauty, and A Dream Within a Dream Liu Yuning began his career as an online musician, but 2025 marked his emergence as a compelling actor. In the series The Prisoner of Beauty (折腰), he portrayed a leader with a mix of authority and vulnerability. His attention to small details, like subtle facial shifts, brought depth to intense scenes. This performance challenged perceptions about artists transitioning from digital platforms to mainstream media. He further displayed his range in A Dream Within a Dream (书卷一梦), where he took on two distinct roles. Switching between a cunning prince and a carefree swordsman, he used vocal variations and eye movements to differentiate them seamlessly. His dedication to refining each part underscored a self-taught approach that resonated with viewers and critics alike. Beyond…

The path of transformation from a traffic-driven star to a serious actress has been a long one for Yang Mi. From the early setback with Baby (宝贝儿) to the controversy around last year's In the Name of the Brother (哈尔滨一九四四), every attempt she made to step closer to the label of "actress of the people" came with scrutiny, heated discussion, and doubt. This year feels like a subtle turning point. She's Got No Name (酱园弄·悬案) and The Lychee Road (长安的荔枝) helped reverse public opinion, while her latest drama This Thriving Land (生万物) is delivering strong results. After three stumbles in a row followed by three consecutive successes, the question is: how close is Yang Mi to achieving a genuine breakthrough? The Success of This Thriving Land This Thriving Land stands as Yang Mi's most important step so far. Earlier this year, both The Murder in the House of Chaos and The Lychee Road were released, and even though Yang Mi only played supporting roles, they earned her positive reviews. In The Murder in the House of Chaos, her portrayal of Wang Xumei was highlighted as one of the rare bright spots in a film that only scored 5.7 on Douban…

At first glance, Yang Mi’s latest photoshoot felt like a high-end couture campaign—until you zoomed in on the details. The Qipao she wore, with its ink wash patterns, evoked the exact moment when ink bleeds into rice paper during calligraphy practice: a flow of slate gray on plain white fabric, not a forced vibrant pop but a cool, understated elegance. The frog buttons dangled with tiny tassels, and the slit ran up to her thigh, adding a hint of sexiness that was never crass—just that “everyone gets it but no one can put it into words” kind of sophistication. But what truly set the scene apart was the backdrop: withered trees, bare and lifeless, yet somehow amplifying her presence instead of overshadowing it. Ink Wash Qipao The Qipao’s design is a masterclass in subtlety. The ink wash effect isn’t a bold, manufactured color; it’s a quiet spread, like the way ink seeps into paper when you’re learning to write with a brush pen as a kid. Slate gray on ivory fabric, it carries a “cold” tone—not unwelcoming, but distant enough to feel exclusive. The frog buttons, adorned with delicate tassels, and the high thigh slit balance elegance with allure: every…

Yang Mi (杨幂), a name synonymous with both acting prowess and captivating style, has once again ignited the internet. Her recent appearance, showcased by her studio, features a breathtaking transformation centered around a bold, vibrant red gown. This look isn't just another photoshoot; it evokes powerful nostalgia and sparks conversations about her enduring star power and artistic evolution. The simplicity and intensity of the crimson ensemble, paired with her striking poses and undeniable charisma, create a moment that transcends mere fashion, transporting fans back to a beloved chapter in her career while showcasing her current radiant vitality. It’s a powerful visual statement about an actress constantly refining her craft and presence. The Crimson Muse Draped in a flowing, fiery red gown, Yang Mi commanded attention. The dress wasn't an isolated statement; every detail harmonized. Matching crimson earrings and a red head ribbon complemented the outfit, amplifying a sense of unified, vibrant beauty. Her long, dark hair cascaded softly to one side, framing a face adorned with meticulously applied, elegant makeup. The overall effect was one of stunning simplicity – proof that powerful style doesn’t always require complexity. Her poised demeanor radiated confidence and grace. Adding an unexpected, edgy element to…

When 38-year-old actress Yang Mi (杨幂) strode through Beijing Capital International Airport on August 17, 2023, she didn't just travel; she ignited a nationwide fashion firestorm. Her outfit – a black sleeveless maxi dress layered under a striking blue printed Hanfu jacket, paired with silver sneakers, a fisherman's hat, a croissant bag, and a green drink – was an audacious blend of ancient tradition and hyper-modern street style. Instantly, the terminal buzzed. Passersby gasped at her effortless cool, fans flooded social media with praise for "Mi-style fashion," and the internet erupted with a singular question: which of her peers would dare to challenge conventions so boldly at 38? This wasn't merely a celebrity look; it became a cultural Rorschach test, forcing a conversation about tradition, modernity, and who gets to define Chinese style. The Scene Yang Mi's choice was meticulously calculated nonchalance. The blue Hanfu jacket, featuring a Yuanlingpao (圆领袍) often associated with historical formality, was transformed. Its loose, contemporary cut and deliberate clash with casual items – the laid-back fisherman's hat, the playful croissant bag, and the ultimate disruptor, chunky silver sneakers – stripped away any stuffiness. This fusion catapulted Hanfu aesthetics squarely into the realm of Gen Z…

After over 600 days away from the spotlight, Dilraba (迪丽热巴) made a jaw-dropping return at the 2025 film gala, instantly dominating headlines. At 32, she stunned in a black-and-gold mermaid gown, sparking an online frenzy with 800 million-plus topic views on social media. Her poised walk under CCTV's unforgiving cameras silenced doubters, proving her enduring star power. This wasn't just a fashion moment—it signaled a career resurgence, fueled by her acclaimed role in Sword Rose (利剑玫瑰). As peers watched in awe, Dilraba reminded everyone why she remains an unrivaled force in entertainment, blending timeless beauty with raw talent. Fans and critics alike are now buzzing about her next moves in an industry hungry for authenticity. The Showstopper Dilraba chose silence over hype before the event, saving her reveal for the red carpet. She emerged in a shimmering gown from a top designer's 2025 fall collection, its gold accents catching every light like liquid metal. A black hat and floral details added vintage flair, while the fitted silhouette highlighted her sharp waist-to-hip ratio. Onlookers gasped as she moved with regal ease, evoking whispers of a "living oil painting." This calculated suspense amplified her entrance, turning it into a viral spectacle that…

The poster of the movie version of The Lychee Road reveals that Yang Mi plays Zheng Yuting, the lawfully - wedded wife who shouts, "I'm marrying him, not Chang'an". She always accompanies Li Shande played by Da Peng. Fans believe this can make up for the regret of the TV series version. Careful fans found that the stripes on her dress in the play are horizontally gradient. Similar striped prints have even been featured on various international fashion runways by foreign designers! Were the people in the Tang Dynasty so trendy? Let me give you the conclusion first. This horizontally gradient dress is inspired by the pattern of a woman's dress in the Tang Dynasty silk painting The Birth of Buddha. And this pattern is created through the dyeing and resist - dyeing techniques of the Tang Dynasty. The dyeing and resist - dyeing techniques can be further divided according to their functions. "Dyeing" mainly focuses on coloring the fabric, while "resist - dyeing" is about creating patterns on the fabric. It is said to have originated in the Qin and Han dynasties and was very popular from the Sui, Tang to the Song dynasties. According to Shuowen Jiezi, "Xie…

A recent street style photo of actress Yang Mi (杨幂) ignited social media. She wore a thigh-length Qipao paired with crisp white sneakers, her hair styled in high pigtails tied with pink ribbons. This unexpected fusion radiated youthful energy, sparking widespread debate: Can this trio—short Qipao, sneakers, and pigtails—breathe new life into everyday wardrobes? While fans marveled at her seemingly ageless glow, others questioned its practicality for average women. The image sharply contrasted with conventional Qipao associations, challenging decades of formal styling norms overnight. Street Style Sensation Yang Mi’s ensemble shattered Qipao stereotypes. Traditionally reserved for weddings or galas, the garment demanded heels and updos to maintain solemnity. Her version, however, stopped mid-thigh, featuring subtle floral embroidery near the hem instead of the usual dense upper-body patterns that age wearers. Vibrant red piping along the collar and sleeves injected vitality into the soft pink fabric. The high pigtails, slightly curled at the ends, coordinated seamlessly with her Qipao’s hue through matching ribbons. Completing the look, minimalist sneakers grounded the outfit in accessibility. "Is she bringing Qipao to college campuses?" netizens joked, acknowledging its sudden shift from ceremonial wear to casual chic. The look’s brilliance lies in its deliberate informality. By…

A single image stopped digital scrolls. Yang Mi (杨幂), celebrated for cutting-edge style, emerged draped in a classic Qipao, sparking instant nationwide fascination. This wasn't another celebrity endorsement; it felt like witnessing a heritage garment rediscover its voice through a modern icon. Her transformation went beyond fabric – it ignited a conversation about authenticity, effortless grace, and the magnetic power of genuine presence in an era saturated with artifice. The quiet courtyard setting and her poised demeanor created a visual poem, proving timeless allure requires no loud fanfare. Outline Speaks Volumes The Qipao demands perfection. Its sleek lines expose every nuance of form, unforgiving to imbalance. On Yang Mi, it found its ideal canvas. The high collar framed her neckline elegantly, while the tailored bodice meticulously followed her slender waist, a testament to the garment's unforgiving precision. Her posture, relaxed yet regal, allowed the fabric to flow naturally, highlighting the subtle yet powerful feminine silhouette it was designed to celebrate. This wasn't restrictive; it was a harmonious dialogue between body and cloth. Beyond physicality, Yang Mi embodied the Qipao's spirit. She moved with an innate confidence that felt both contemporary and deeply rooted. The sharp modern edge in her gaze…

Dapeng’s (大鹏) The Lychees from Chang'an (长安的荔枝) emerges as the summer’s most anticipated cinematic feat, translating Ma Boyong’s (马伯庸) bestselling novella into a visual spectacle. Directed by and starring Dapeng as the low-level Tang Dynasty official Li Shande (李善德), the film chronicles an impossible imperial mission: delivering fresh lychees from Lingnan to Chang’an before spoilage. The film masterfully balances historical authenticity with narrative tension, earning a 7.7 rating – Dapeng’s highest directorial score to date. Its blend of bureaucratic satire, breathtaking landscapes, and emotional depth offers audiences both laughter and poignant reflection on sacrifice and resilience. Visual Poetry on Screen Rejecting sweeping establishing shots, cinematographer employed long lenses to compress space, echoing traditional Chinese painting’s "scattered perspective." Li Shande appears minuscule against Chang’an’s oppressive palace walls, visually amplifying his vulnerability within the imperial machinery. This deliberate framing transforms architecture into a character – cold, imposing, and indifferent to human struggle. Lingnan provides a visceral contrast. Lush lychee orchards burst with saturated greens, while humid air practically shimmers on screen. Indigenous clothing, rugged dwellings, and bustling port scenes immerse viewers in a frontier region defined by cultural exchange and raw natural power. The production meticulously recreated Tang-era trade aesthetics, from Persian-inspired patterns…

This summer, CCTV premieres Sheng Wan Wu (生万物), a rural drama starring Ou Hao (欧豪) and Yang Mi (杨幂). While Ou’s performance is anticipated, Yang Mi’s role as a tenacious village woman could redefine her career or cement her stagnant trajectory. Amid a lackluster season for films and series, this production tests whether star power can transcend China’s entertainment fatigue. The Summer Screen Dilemma China’s summer entertainment season feels unusually muted this year. Blockbuster films like She’s Got No Name (酱园弄) starring Zhang Ziyi (章子怡) and Chen Sicheng’s (陈思诚) thriller Malice (恶意) failed to ignite audiences, despite A-list pedigrees. Similarly, streaming platforms cycle through forgettable series lacking standout narratives or performances. This creative stagnation highlights viewers’ craving for substance over spectacle. Against this backdrop, CCTV’s planned releases—Sword Rose (利剑玫瑰) and Sheng Wan Wu—offer glimmers of intrigue. Both star actresses synonymous with popularity rather than critical acclaim: Dilraba and Yang Mi. For Yang Mi, Sheng Wan Wu arrives at a pivotal juncture. As an '85 Generation' actress nearing 40, her two-decade career relies heavily on costume dramas and romantic leads. Mainstream awards consistently overlook her, and audience critiques of her acting persist. Transitioning to gritty realism isn’t just artistic growth—it’s survival.…

A single red carpet moment at the Shanghai Cooperation Organization Film Festival ignited an unprecedented cultural phenomenon. Chinese actress Yang Mi’s choice to wear a Jin Dynasty "Zhu Jie Yi" (Bamboo-Pleat Garment) didn’t just captivate fashion critics; it triggered a seismic shift in consumer behavior and revitalized a niche traditional craft. Within 48 hours, sales for the previously obscure Hanfu brand Ting Lan Song exploded from 50 monthly orders to over 35,000, forcing the small workshop to implement a 45-day pre-order system. This event transcends celebrity endorsement—it represents a pivotal case study in how cultural heritage can explosively intersect with modern influence, democratizing ancient aesthetics for contemporary life. Red Carpet Revolution Yang Mi’s ensemble fused meticulous historical accuracy with effortless modernity. Based on artifacts from the China National Silk Museum, the garment featured signature bamboo-stripe patterns and expansive sleeves characteristic of Wei-Jin aesthetics. Yet her styling—pairing it with a plain white tee, black trousers, and minimalist sneakers—transformed academic reconstruction into street-ready elegance. This deliberate fusion shattered perceptions of Hanfu as impractical costume, proving its adaptability for everyday wear. The visual impact resonated instantly. Paparazzi shots of Yang Mi during festival rehearsals, her hair loosely styled and face partially masked, radiated…

Yang Mi's look in the upcoming TV drama The Lychees of Chang'an has caught netizens' attention. They commented that although it's plain, it looks very daily! First, Yang Mi's outfit resembles a Tang-style collar. It can be worn as a draped jacket or buttoned up, with hair styled in a bun. The draped jackets we've seen before usually have widened collars and are worn with the collar turned up. When not worn with the collar turned up, it's similar to a round - collared robe. By adjusting the position of the ties, it can also show a double - overlay effect of a cross - collar and a round collar. The color scheme of this outfit uses earth tones, giving an overall feeling of simplicity and a daily look, and it's very approachable in terms of color. Similar outfits can be seen on Tang dynasty figurines. The round - collared draped jacket generally refers to the round - collared robe and the front - opening robe in terms of its style. When the two sides of the round - collared robe are opened and worn as a draped jacket, it's this style. This draped jacket can be worn open as…

After the Spring Festival in 2025, the movie market has been lackluster. Whether it's short holidays like Tomb - Sweeping Festival and Dragon Boat Festival or the five - day May Day holiday, there have been few good movies. As half of 2025 has passed and the summer movie season is approaching, the first part of the suspense drama Jiangyuan Nong (酱园弄), directed by Peter Chan and starring popular and powerful actors such as Zhang Ziyi, Lei Jiayin, and Wang Chuanjun, was officially released nationwide on June 21. From the preview screening to the official release in just a few days, the movie has gained significant popularity. The Founding of a Republic Jiangyuan Nong is known as the suspense version of The Founding of a Republic. It not only has Zhang Ziyi and Lei Jiayin in leading roles but also features well - recognized powerful actors like Wang Chuanjun, Mei Ting, and Fan Wei as supporting roles. With the support of high - profile stars such as Li Xian, Jackson Yee, Zhang Zifeng, and Xie Na, the movie has attracted much attention from its inception to filming and later promotion. Especially, it's rare for Yang Mi and Zhao Liying, two…

The shadowed alleyways of 1940s Shanghai hold more than crumbling bricks; they cradle the defiant spirit of Zhan Zhoushi (Zhang Ziyi). Her story in She's Got No Name (酱园弄) isn’t an isolated tragedy. It reverberates with the haunting cries of "Little Cabbage" (Bai Xiugu), a 19th-century woman similarly ensnared in a web of marital brutality and societal apathy. Both women were branded "husband-killers," their lives reduced to sensational trials where their guilt seemed preordained simply because they were women. Little Cabbage’s torment lay in her powerlessness - a pawn tortured into false confessions, her body broken to serve corrupt officials. Zhan Zhoushi’s agony, however, ignites into agency. Sold into marriage to a hulking, abusive gambler ("Big Block" James), her existence is a litany of bruises and humiliation. When she finally grasps the cleaver, it’s not just a weapon against her tormentor; it’s a shattering blow against the iron law of "husband as sovereign." Her trial becomes less about proving innocence and more about surviving a society eager to silence her. The film masterfully suspends us in this tension - Zhan Zhoushi’s fate literally "hanging" between old-world brutality and fragile modernity. Initially broken by police torture, a spark ignites within her…

The Red Dots: More Than Just Decoration In the upcoming drama Lychees of Chang’an, Yang Mi’s Tang Dynasty-inspired makeup has sparked curiosity—particularly the two red dots near her lips. These are no random embellishments. Known as mianye (面靥, pronounced "myan-yeh"), they trace back to the Han Dynasty (206 BCE–220 CE) and evolved into a symbol of sophistication during the Tang era (618–907 CE). Historical records, like Shuowen Jiezi (说文解字), define mianye as decorative marks near the dimples. Initially called dì (旳), they later took diverse forms—dots, crescent moons, floral shapes—and materials like gemstones, gold foil, or even dried botanicals. For example, Lingbiao Luyi (岭表录异) mentions using pressed flowers as eco-friendly alternatives. One theory links mianye to palace life. Concubines allegedly used these dots to discreetly signal menstruation, avoiding imperial duties. Over time, the practice trickled down to commoners, transforming into a beauty statement . By the Tang Dynasty, creativity soared: dots expanded to foreheads and temples, morphing into huadian (花钿, floral motifs) and zhenzhu zhuang (珍珠妆, pearl-studded designs). These weren’t just pretty—they softened facial lines, offering a timeless anti-aging hack. Tang women embraced maximalism. Imagine gold leaf swirls, ruby-studded cheeks, or peony-shaped mianye—all while maintaining harmony. Dunhuang murals reveal how…