The recent release of 'Nezha: The Devil Boy's Havoc' (Nezha 2) has reignited discussions about the iconic bun hairstyle that seems to define Nezha's appearance across various adaptations. Is it a coincidence or a stereotype? Netizens joke: 'Nezha can change his fate, but not his hairstyle.'
The origin of the 'bun hairstyle' can be traced back to ancient China, where it was one of the many hairstyles popular among women. Its roots lie in the 'double bun' style, which was highly fashionable during that era. Excavated pottery figurines vividly depict the societal admiration for delicate feminine beauty.
This trend even influenced ancient Japanese fashion, particularly during the Nara period. Historical dramas like NHK's 'The Great Buddha Opening Eyes,' set in Nara, showcase characters adorned with Tang Dynasty - inspired double - bun hairstyles.
In Chinese history, children's double - bun hairstyles were referred to as 'Zongjiao.' Ancient texts emphasize the importance of preserving one's hair as a sign of filial piety. From around eight or nine years old, Han children, regardless of gender, would part their hair into two small buns resembling horns, hence the name 'Zongjiao.'
Girls' buns were often styled like branching twigs, known as 'Yaji,' which led to the affectionate nickname 'Yatou' (literally 'girl'). Children maintained this hairstyle until their early teens, making 'Zongjiao' a metaphor for childhood.
Among ancient Chinese tales, Nezha stands out as the most famous character associated with the bun hairstyle. Despite variations in his portrayal across different works, his signature twin buns remain a constant, becoming his defining feature.
The evolution of the double bun into today's 'bun hairstyle' can be seen in late Qing and early Republic - era styles like 'Bangzhu Tou' or 'double round buns,' which were simplified variations influenced by Western trends.
The transition into popular culture occurred over the past fifty years. In 1973, the collaboration between Golden Harvest and Warner Bros. produced 'Enter the Dragon,' starring Bruce Lee, which introduced Chinese martial arts and culture to American audiences. Actress Angela Mao, known as the 'female Bruce Lee,' sported a bun - like hairstyle in the film.
Around the same time, from 1986 to 1988, the Taiwanese supernatural comedy 'Zombie Kids' trilogy gained unexpected popularity in Japan under the title 'Phantom Magic.' Child actress Liu Zhiyu's character, Tian Tian, with her lively and adorable personality, captivated Japanese audiences, and her distinctive bun hairstyle left a lasting impression.
The 1994 movie 'Street Fighter' featured Ming - Na Wen as Chun - Li, whose bun hairstyle and qipao became iconic. Some argue that this stereotypical image laid the groundwork for Chun - Li's design in 1991.
Characters like Li Meiling in 'Cardcaptor Sakura' and Lin Minmei in 'Super Dimension Fortress Macross' (1982) further cemented the 'bun + qipao' stereotype of Chinese women in global pop culture through the fusion of Eastern and Western influences and the spread of Japanese anime.
In 'The Legend of Hei,' when the character Xiao Hei compliments Nezha's hairstyle as cute, Nezha responds, 'This hairstyle is recognizable.' Indeed, the bun hairstyle is a simplified, artificially formed stereotype perpetuated by various media.
Ancient Chinese children's fashion was diverse and vibrant. Today, as Chinese representation in international media grows, foreign depictions of Chinese culture often remain stereotyped or distorted. Incidents like Dior's plagiarism of the Mamian skirt and Dolce & Gabbana's controversial ads highlight the lack of understanding of Chinese customs and attire, allowing foreign brands to exploit these gaps.
Prejudice is like a mountain, but with effort, it can be moved. Greater understanding leads to fewer biases. Whether we view foreign cultures or others perceive ours, maintaining an open mind and avoiding generalizations is essential to uncovering their unique charm and value.
