Huang Riying

Chinese streaming platform Tencent Video has ignited screens with its new costume drama, Voyage to Haihun (海昏行). Premiering its first eight episodes on August 30, 2025, the series rapidly captivated audiences, trending fiercely with viewership soaring past the ten thousand mark. Blending time-travel, infinite loop mechanics, and historical legend, it thrusts modern disillusionment into the heart of the Western Han Dynasty (206 BC – 9 AD). The story follows Wang Heng (王衡), a down-on-his-luck contemporary man catapulted into the past by a mysterious bronze Qilin (麒麟, mythical Chinese creature). Finding himself entangled with the fierce female warrior De Jiu (得九) and the complex nobleman Liu He (刘贺), Wang Heng navigates treacherous historical currents, armed with future knowledge and an uncanny ability to reset fate. This potent mix has sparked fervent debate, leaving audiences divided on its merits. Beyond Time Travel The show's explosive debut hinges on its audacious central mechanic. Wang Heng possesses a "rebirth after death" ability, akin to reloading a saved game. This "retry" function creates intense immersion as he repeatedly alters his path. Early episodes showcase desperate, often comedic, attempts by Wang Heng and Liu He to escape their initial confinement – stealing seals, plotting elaborate horse…

The costume drama landscape just got a thrilling jolt. Forget slow-burn palace intrigues—Voyage to Haihun (海昏行) detonates onto screens with a premise so audacious, it rockets to 16,000 popularity units on its premiere day. This compact series throws a modern man into the treacherous court of the Western Han dynasty, armed not with weapons, but with a bizarre resurrection curse. Two protagonists meet, face immediate doom, and discover death is merely a reset button in a show that masterfully blends farce, strategy, and heart-pounding tension. Death Becomes a Strategy The opening minutes are a masterclass in efficiency. Desperate to escape political imprisonment, deposed Emperor Liu He (刘贺, played by Geng Yeting) attempts a forbidden ritual, accidentally yanking modern-day slacker Wang Heng (王衡, played by Mao Zijun) through a temporal rift. Their first encounter—a comical head-on collision—lasts mere moments before the formidable warrior De Jiu (得九, played by Huang Riying) arrives. She kills Wang Heng and steals his mysterious bronze Qilin (麒麟) artifact. Yet, Wang Heng doesn't stay dead. He awakens outside the compound, unharmed, moments before his fatal attempt to help Liu He. This is his curse, and soon, his tool: every death triggers an unpredictable rewind to a prior safe…

Imagine getting isekai'd not into a fantasy realm, but straight into a high-stakes history exam you never studied for. That's the hilarious pickle Wang Heng (王衡) finds himself in. One moment, he's a disillusioned modern drudge puzzling over a mysterious pair of Bronze Qilin (麒麟) statues; the next, he's face-down in the dirt of the Western Han Dynasty, circa 74 BCE. His mission? Become the ultimate life coach to the famously hapless Liu He (刘贺) – the future Emperor of Changyi – and ensure he survives his historically doomed 27-day reign. Fail, and Wang Heng is stuck playing court politics forever. Voyage to Haihun (海昏行), the latest costume dramedy sensation exclusively on Tencent Video, takes the well-worn time-travel trope and injects it with a potent cocktail of workplace satire, strategic gaming mechanics, and laugh-out-loud anachronisms. Forget magic swords; Wang Heng's weapons are viral marketing schemes and an unlimited supply of extra lives. Game Mechanics Meet Imperial Politics Wang Heng's initial panic swiftly gives way to discovery: death isn't the end. Stabbed by bandits? Poisons by a suspicious concubine? Trips over a palace step? No problem. He simply wakes up moments before his demise, armed with the knowledge of what went…