Hanfu in Different Dynasties

Chinese clothing is the epitome of Chinese civilization. Traditional clothing colors are influenced by the "Theory of the Five Elements" and are divided into five colors: green, red, black, white, and yellow. The different colors revered by different dynasties reflect the characteristics of their dynasties. In this article, the most representative six dynasties of ancient China are selected: Han, Tang, Song, Yuan, Ming, and Qing, and their popular colors are analyzed.   Chinese Colours in Han Dynasty Characteristics: Simple and natural Popular colors: Xuan (玄, smoky black), Chi (赤, upsdell red), White (白), Green (绿) In 206 B.C., the Han Dynasty was founded. Influenced by the Taoist art of Huanglao and Confucianism, Han Dynasty costumes pursued the essential beauty. The color of Han Dynasty clothing was mainly monochromatic, and it was a respect for the dark and light colors, which made it look dignified, simple and natural. Carried the idea of "ritual rule and Taoism", and fabric dyeing of Han Dynasty clothing followed the beliefs of the five elements of yin and yang, with dark colors representing dignity. Color Xuan in Han Dynasty clothing After the Han Dynasty destroyed the Qin Dynasty, water virtue was revered according to the doctrine…...

What hanfu styles are from which dynasties? Can you tell what dynasty the cover photo for this article depicts?...

Chinese Hanfu has a long history and has gone through several dynasties over thousands of years of development, during which time it has evolved and many representative Hanfu styles have emerged, learn more about them together through the exquisite illustrations from Jin Li Qing Nian.   Pre Qin Period China, one of the oldest civilizations in the world, has created a gorgeous dress culture as early as the Neolithic period. During the Spring, Autumn, and Warring States Periods, Chinese traditional clothing entered a stage of evolution Li (礼, ritual) was the rule, costume consciousness and the same structure as heaven and earth contain a profound Chinese philosophy. The complete He Dang Ku (合裆裤) already existed in the Western Zhou period. At this time, the main styles of clothing were the Mian Fu Zhi (冕服制) with the upper and lower garments, the one-piece Shen Yi Zhi (深衣制), and the Bian Fu Zhi (弁服制). The aristocratic ladies would also cut the back of their long dresses short, to reveal a floor-length skirt, creates a graceful and slender look. San Huang Zhu Yu Pei (三璜组玉佩) Jade pendant group, also known as a iscellaneous jade pendant, that is a combination of multiple different types…...

The Ming Dynasty Hanfu has always been known by Hanfu lovers for its dignity and elegance. Compared to the Tang and Song dynasties, Ming Hanfu has a large number of excavated artifacts, heirloom paintings, and costumes to serve as references. Therefore, we can have access to a great variety of Hanfu styles from the Ming Dynasty.   Common types of Ming style Shan/Ao The different Ming Dynasty Shan/Ao styles are mainly composed of the elements of collar, bodice, sleeve shape, and length of the clothing. Ling (领, collar): Zhi Ling (直领, straight collar), Yuan Ling (圆领, round collar), Li Ling (立领, stand collar, also known as Shu Ling), Fang Ling (方领, square collar). Jin (襟, bodice): Da Jin (大襟), Dui Jin (对襟), refers to the intersection of the neckline of the clothes, and also refers to the chest part of the clothes. Xiu (袖, sleeve type): Zhai Xiu (窄袖, narrow sleeves), Zhi Xiu (直袖, straight sleeves), Pipa Xiu (琵琶袖, pipa sleeves), Da Xiu (大袖, wide sleeves). Yi Chang (衣长, length of clothes): Chang Shan/Ao (long), Duan Shan/Ao (short). We will introduce several classic Ming Hanfu styles for girls, based on different collar styles.   Zhi Ling Zhi Ling Da Jin…...

A complete hanfu look is certainly not complete without fine jewelry to match. In the course of ancient history, traditional Chinese jewelry naturally evolved, graceful and luxurious, or refined and small. In this article, we will reveal through the order of dynasties, the fashion secrets in ancient traditional Chinese jewelry boxes. Let's see those periods of "China-Chic" how fashionable.   Wei, Jin and North and South Dynasties: A Fashion Trend from Abroad? The poem "Ballad of Mulan" contains the line: "She combs her hair by the window and, before the mirror, fastens golden yellow flowers." This "yellow flowers (Hua Hunag, 花黄)" refers to the makeup of women in the Wei and Jin dynasties, which was inspired by Buddhism. Due to the popularity of Buddhism, the Buddha-nature of gold brought inspiration to women, so although the "flower yellow" in makeup may have been a little exaggerated, but it does reflect the characteristics of Buddhism at the time, as well as the pursuit of exoticism. Of course, the rise of the introduction of Buddhism to the fashion circle brought not only makeup, with the matching jewelry also with a clear Buddhist style. In terms of production materials, although gold and silver remained…...

In terms of the cultural and economic development of Chinese feudal society, the Tang Dynasty was undoubtedly an apogee in the development of human civilization. The Tang government not only opened its country to the outside world, allowing foreigners to enter for business or study, but even allowed them to participate in the selection examinations for government officials. It was tolerant, and often appreciative of religions, art and culture of the outside world. Chang'an, the Tang capital, became the center of exchanges between different cultures. It deserves special mention that women of the Tang dynasty did not have to obey traditional dress codes, but were allowed to wear clothing that exposed their arms and chest, or dress with exotic elements. They could also wear riding clothes if they wanted to and enjoyed the freedom to choose their marriage and to divorce. The abundance of materials and a relatively relaxed social environment gave the Tang dynasty an unprecedented opportunity to develop culture, reaching new heights in such fields as poetry, painting, music and dance. Based on the development of the textile industry in the Sui Dynasty, and progress achieved in reeling and dyeing, the variety, quality and quantity of textile materials…...

In recent years, Hanfu has received more and more attention. More and more Hanfu cultural festivals are being held in different cities in China, and worldwide, and thousands of Hanfu enthusiasts are participating in them. The Beauty of Hanfu Is in the Heritage So why is Hanfu so popular? In today's society, people have higher and higher requirements for aesthetics, and the special classical beauty of Hanfu attracts countless people to love it, and then to pay attention to it and understand it. So it is no wonder that Hanfu is so popular. And the beauty of Hanfu is not just on the surface, but in the thousands of years of traditional etiquette and civilization of the Chinese nation that it carries. Today we bring you some of the Hanfu collections from "Yi Guan Da Cheng-Ming Dynasty Costume Culture Exhibition", these collections come from the Shandong Museum and Confucius Museum, most of them are Ming Dynasty clothing, which is not only beautifully made and complete sets, but also very significant for costume research. I hope you can also learn something from these collections. Detailed video about "Yi Guan Da Cheng-Ming Dynasty Costume Culture Exhibition":  Based on the previous dynasty,…...

The costume is a vivid presentation of the style of each era. Before the Chinese New Year, the National Museum of China launched the "Ancient Chinese Costume Culture Exhibition". The exhibition attracted many Chinese culture lovers, including those wearing Chinese Hanfu costumes. In addition to the display of traditional costumes, the exhibition also includes many artifacts related to costume production, costume images, and clothing etiquette, providing a complete, systematic, and expansive overview from the Stone Age to the Ming and Qing dynasties. Rich in artifacts and detailed panels, there are lines of costume development stretching back 5,000 years, as well as many aspects of lifestyle, cultural exchange and ritual innovation, and even the finer points of ornamentation, belts, headwear, and makeup, which are also not to be missed. One of the highlights of the exhibition is the use of 15 restored portraits dressed in the costumes of different dynasties and identities to showcase the complete wardrobe of different dynasties. Taking this opportunity, Qianmo Xueshe will select a few of these restored portraits to introduce you to the changes in ancient women's Hanfu clothing. 01 Han Dynasty Shenyi with Long Sleeves Shenyi (深衣) were the most common women's Hanfu clothing in…...

"Traditional Chinese Clothing" has been popular in the world through the Xia, Shang, and Zhou dynasties, the Spring and Autumn and the Warring States, the Qin and Han dynasties, the Wei, Jin, North and South dynasties, the Sui and Tang dynasties, the Song, Yuan, Ming and Qing dynasties, and in modern times, with distinctive features, mainly Chinese Hanfu. This article will show you the "beauty of traditional Chinese clothing" in five different periods. The Beauty of traditional Chinese clothing- Western Han Dynasty The most representative clothing of the Western Han Dynasty is the Su Sha Danyi (素纱襌衣), a very light garment: from the collar to the hem, are 1.28 meters long; the sleeves are 1.9 meters long; even so, this wide robes with large sleeves are only 49 grams, and when folded, can fit into a small matchbox. The Su Sha Danyi was unearthed in 1972 at the Mawangdui Han Tomb No. 1 in Changsha, and is now collected in the Hunan Provincial Museum. Su Sha Danyi is not just a piece of clothing, but the result of the cultivation and spinning industry of the early Western Han Dynasty. The Beauty of traditional Chinese clothing - Wei and Jin The…...

This article focuses on the changes in the popularity of traditional Chinese women's clothing from the Ming and Qing dynasties to the early Republic of China. The early Ming dress continues the style of the Yuan dynasty Duanyi (短衣, short clothes), inherited the style of dressing with Duijin (对襟, symmetrical lapels) worn as Jiaojin (交襟, cross lapels) in Song and Yuan Dynasty At this time, also called Dui Jiao Chuan (对交穿). There is also a Jiaoling Youren (交领右衽, wrapping the right side before the left) style. In the mid-Ming period, the sleeve type and skirt door gradually widened, and there was a Tao sleeve (裪袖, sleeve edge protruding from the cuff) structure. According to cultural relics, the stand collar Duijin Shan appeared in the palace system during this period, and was fixed with metal sub-buttons. The style of Dui Jiao Chuan (对交穿) was also excavated in this period, and the more special one is the Mamian skirt with narrow sleeves and thin pleats. Regarding the style of the Mamian skirt, according to the research of excavated cultural relics, the structure of [trapezoidal pleat] and [wide sleeve door] was popular in the mid-Ming period, so there are often drawings showing the outline…...

This article focuses on the changes in the popularity of traditional Chinese men's clothing from the Ming and Qing dynasties to the early Republic of China. The early Ming dynasty clothing continued the style of the Yuan dynasty, men's clothing in addition to Zhishen (直身), but also have Changshan (长衫) style. At this time the Daopao (道袍) has not yet formed, because the Changshan pleated structure on both sides, inferred that may be the Daopao predecessor. The prototype of the Yisan (曳撒) came from the Yuan Dynasty, and the sleeve shape and silhouette gradually changed in the Ming Dynasty, and developed an outer hem structure, which was one of the common styles of Bianfu (便服)/army clothing or Jifu (吉服) in the Ming Dynasty. The more significant change in the mid-Ming men's clothing is the gradual widening of the sleeve type, the structure of the outer hem is also different from the initial period. Late Ming dynasty men's clothing popular with the Daopao, the initial sleeve type for the bias to straight sleeves, with the structure of the Shoumei (收袂). At the end of the Ming Dynasty, the robe has developed into wide sleeves, and the structure of the inner and…...

The Rebel Princess (上阳赋, Shang Yang Fu) is a recent Chinese fictional costume drama that receives more attention, based on the background of the Eastern Jin Dynasty, starring Zhang Ziyi and Zhou YiWei. Although the costumes and props in "The Rebel Princess" are exquisite, but they are not fully restored according to history, so we will not discuss them too much and just enjoy them in the plot. But let's take this opportunity to review what the costumes in the Wei and Jin dynasties were like. The basic situation of the Wei, Jin, and Northern and Southern dynasties periods First of all, let us briefly introduce the basic situation of that period: "Wei, Jin, Northern and Southern dynasties (魏晋南北朝)", which is a compound term for several dynasties collectively, but the dynasties or countries included in it can be as many as dozens. The period before the Wei, Jin, Northern and Southern dynasties periods was the Three Kingdoms period (Wei, Shu, and Wu), with "Wei" referring to the state of Wei in the Three Kingdoms, and "Jin" mainly referring to the Western Jin dynasty built by the Sima clan after the demise of the Three Kingdoms, and the Eastern Jin dynasty…...